Just heard your program featuring Ken James. There was a number called Last Straw, which I immediately recognised as something else - the Cymbalism track from Drum Suite, by Manny Albam and Ernie Wilkins. I'm sure Last Straw was presented as a Ken James' original.
Louis Allen
Sydney.
There are some intriguing musical stylists emerging from Asia who have held my ear for some time and these include Hiromi. I'm looking forward to seeing her live in Melbourne shortly. Her album "Jazz In The Garden", with Stanley Clarke and Lenny White, is an aural delight and highly recommended. (Adore her take on "Sakura Sakura" particularly.) How thrilling to see Asian jazz making such an impact.
Gil - to me - could do no wrong. As a teenage boy back in the 60s, I was awestruck after hearing 'Solea' for the first time from "Sketches Of Spain' featured by the wonderful Arch McKirdy during his Monday night jazz programme on 3LO. (Essential listening in those days. There were several other excellent jazz presenters in that golden era too including Eric Child, Ralph Rickman and Geoff Hiscock.) A uniquely lateral thinker, Gil was 'A man apart' indeed. Furthermore, love Gil's 'Svengali' and his take on the Jimi Hendrix tune, 'Up From The Skies'.Nice one ABC Jazz.
Christopher Lynch.
Relaxing after a good dinner, suddenly to my great joy and surprise I manage to connect to good old Aussie land, on my computer in Goteborg Sweden, I lived in Sydney during eight great years I am so fond of you all, Came 1965 into a pub I smoked at the time asked my Aussie bloke on the right. "Excuse me where is the ash tray"?Moments of waiting for his reply............., "Your are standing in it" Thank´s for good music it inspires me to hear and remember. One of many Swedes
A sublime, deeply meaningful conception. The jazz message, being global, is now something we can all embrace and celebrate as it represents the triumph of the divine human spirit over adversity.
To those who haven't listened to much jazz or only tune in occasionally, please seriously do so. I pray it brings as much peace, beauty and fulfilment in your lives as it has in mine and countless others. Why not learn a musical instrument too if you haven't?
Hi Jessica,
Can you help with a recently played question please? Last Friday early afternoon - a track by a 'drummer as band leader' recent release. I seem to remember it being a European artist. Very organic and textured with an open 'room sound' ????
Kind Regards,
Special thanks Mal Stanley for the thoughtful Mingus feature on last night's Jazztrack.
Yet another quality I adore in Mingus, was his uncanny ability to work so intuitively with drummer Danny Richmond. What a rhythm section! Additionally,adore his guest work with other musicians including Miles Davis on albums like the hauntingly beautiful "Blue Moods".
Happy listening to all,
Christopher Lynch.
Mingus remains one of America's greatest 20th century composers - a true pioneer yet fully aware of his roots and the injustice suffered by his people. Fiery, iconic, spiritual and purpose-driven, Mingus will always stand tall in jazz and contemporary music generally. "The Black Saint and the Sinner Lady", is another of his masterworks and is an essential inclusion in any serious jazz collection. Seeing the Mingus Big Band live a few years back was a truly memorable experience.
Thankyou Mr Mingus and ABC Jazz.
Christopher Lynch.
hi jessica, last sunday (15/4) you played, around 1.40pm, a track from a young english saxophone player named josh something (peleydo?). can't find a playlist from your program. is is possible to let me know who it was. he was sensational. cheers, david
There's never been a more soulful female jazz singer. Yes, 'Happy Birthday' indeed Lady Day.
Thankyou too Mal Stanley for the thoughtful feature on Billie in last Saturday's edition of Jazztrack.
By the way people, do have a serious listen to Duke Ellington's 'Far East Suite', as mentioned. This astonishing album is too rarely heard from and just look at the all-star line-up performing on it!
Happy listening all,
Christopher Lynch.
Simply exquisite. A team of masterful musicians including a groundbreaking saxophonist, combined with the sensitive soulfulness of a stately vocalist interpreting classic love ballads, make this album a treasure.
Dave Brubeck is a part of my life and I heartily agree with Christopherr Lynce when he comments on Paul Desmonfd and Joe Morello. I lved in rural Australia as a boy and tennager and hearing Dave Brubeck was a window into the world to me - sophisticated, distant and very very cool.I bought all his LP's much to the mystery of many of my friends.
Play on Dave
Melody Gardot is Canadian. She is amazing. She was here as a support act with Diana Krall. Read about her on Wikipedia.. She is almost blind as she was severely disabled after a car ran her off her bicycle, but through her own will power and music healed herself to the point where she can perform as beautifully as this - writes her own songs too.
Absolutely brilliant. I have a few Bobby McF cd's. Classical with Yo Yo Ma and also Chick Corea. Leave me breathless every time I hear them. This man is truly blessed.
Others may disagree, but to me the jazz flute is the ultimate in 'cool'. Yes, the saxes are soulful, the piano sensitive and a complete orchestra, yet the flute - like a beautiful lady - bears hidden mysteries.
Over the years I've studied piano and played drums, yet playing flute has been the ultimate. Just warming up can mean dreaming about interesting people and exotic locales. While on the subject of the flute, how about some Jeremy Steig?
Thanks ABC Jazz.
Christopher Lynch.
Anonymous.
Re your foolish comment sic "full of uninspired overseas players".
So the likes of McCoy Tyner, Terence Blanchard, Dee Dee Bridgewater, Chris Potter and Hiromi - to name a few - can be described in this misguided manner? Do you REALLY know anything about these superb musicians?
If you - whoever you are - believe you can do more to contribute to the artistic content of this festival, then no doubt the organisers would welcome your input.
Your ill-considered remarks make me - and no doubt numerous other serious jazz devotees - wonder if you really know much about this inspirational art form.
You're always entitled to your opinions Anonymous, but please ensure you know what you're talking about.
In the twit's remarks I thought C.Hawkins, Sonny Rollins, Paul Gonsalves, Joe Henderson, Wayne Shorter, and one or two others were much more important than all except Prez and Trane (?) but it's all subjective I suppose !
Sorry to say, but Mr Tyner is just going through the motions for the sake of his retirement fund these days. Those who remember the monumental power of the man from his mid-90s Melbourne concert will be sorely disappointed; by all means attend to pay homage to one of the all-time giants of jazz, but rein in your expectations. (He does have a very capable band.)
Chris Potter OTOH is an artist at the height of his powers. Folks, don't miss that gig.
This wonderful festival truly is a 'special event' - we passionate jazz lovers owe the organisers a massive outpouring of gratitude. Over the past 24 hours I've been listening to some favourite CDs from McCoy Tyner, Terence Blanchard and Hiromi in eager anticipation of this musical extravaganza. No doubt others are doing likewise. Thanks ABC Jazz and Jessica Nicholas from Christopher 'The Jazzbear' Lynch. (I'm nicknamed the Jazzbear because if I don't get my regular jazz fix I'm told I'm as grumpy as a bear!)
Forget the Formula One GP and all those other culturally bankrupt events for which Melbourne is sadly too well known, this wonderful jazz festival bears true merit allowing us to be seen in the wider world as more than a bunch of beery AFL followers. Congratulations and gratitude to the likes of Michael Tortoni and the other dedicated organisers who have compiled this outstanding programme.
what a pity this wasn't onble Michelle video...great show..and the inimitable Michelle..we have many fine voices in the country, and like me they all know she is the best
Any musician that has passed away deserves recognition even if people arent familiar with them. They simply have contributed to the arts and thats a major respect period. Rest In Piece Paul Motian.
What a stunning broadcast this should be!
A local great of legendary status superbly supported, playing the incomparable music of a true jazz genius.
The Jazzbear will definitely be sitting back with some cool refreshment saturating his ears with heavenly sounds.
Joyous listening to all;
Christopher Lynch.
My admiration of Jacques goes back a long way, to the 1960s when I first heard and saw his original trio on IMT.
Through his early recordings, I first became interested - via the 'back door' - in the wondrous music of the incomparable J.S. Bach, which led to a broader love of the classical genres generally. Quite possibly there are others who are in my position. (I still cherish a vinyl copy of his recording of Bach's Brandenburg Concerto No.5 BWV 1050.) Merci Jacques!
Schumann furthermore, is another composer whose work I adore. I'll certainly be purchasing this album.
Had the pleasure of seeing his brother Nat perform at the Montsalvat Jazz & Blues Festival in the early 1990's. He played this and Mercy Mercy Mercy and a lot of others songs. A fantastic show.
Cant say I know Alan Pasqua, but when that inimitable Brecker sound cuts through the room I have to drop everything and just focus, drift. Here's another discovery I have to add to my collection.
I just love the sensuous, subtle beauty of CD's playing, which epitomises the extraordinary allure of the region from which he hails. As a young man I was as enchanted with Scandinavia as I later became with the East and this music is so evocative of my imaginings during my sojourn there. Superb music to savour in quieter times. Thankyou for the video clips too.
I just love the sensuous, subtle beauty of CD's playing, which epitomises the extraordinary allure of the region from which he hails. As a young man I was as enchanted with Scandinavia as I later became with the East and this music is so evocative of my imaginings during my sojourn there. Superb music to savour in quieter times. Thankyou for the video clips too.
Hello ABC Jazz,
Re the above comment.
Sorry if I forgot to put my name to this, but please feel free to add it!
Thankyou ( Kam sa ham ni da! ) and warmest wishes,
Christopher Lynch.
Chris: We are trying to locate two other master tapes we made in 1969 and 70. One more of Max and the other of Billy Thorpe.
I am a 4-5 finger speed typist myself, never did learn properly either. Fountain pens and blotting paper, talk about basic technology.
While working on the project, a distributor in Melbourne made the observation that fans are the most under estimated people in the music business. I was a know nothing fan up until last July. Never worked in the business, let alone be the executive producer of an album that is about to be released worldwide. Had no relationship with anyone or anything regarding the music business.
One of my first contacts was Bob Bertles. The path was Peter Evans (lighting guy at the venue where we recorded - I had never met), then to Peter Williams (ex-Meteor, Groove etc, etc, etc.), then Mike Rudd of Spectrum, Ariel fame, then Tim Dunn, Ruffus Records, Bob's label, then Bob. Bob was so enthusiastic that another part of Aus R&R history had been found and would be released. Not a single person in the process thought I was "just a fan with a crazy idea".
Any way, I'll keep you posted of future developments.
Sorry Brian, but should have added that if your organisation issues or reissues any other quality Australian rock or jazz recordings please let me know. It's uplifting to know there are people out there like yourself who truly appreciate their music. No doubt most of today's designer-clad executives heading up leading 'music industry' multi-nationals couldn't care less about the quality of music they distribute and are only out to make fast bucks. (They probably wouldn't know a C Dorian scale from a II,V,I voicing!) You impress as being vastly different. Keep up the good fight Brian!
One other thing. Sorry about my typos. I never did learn to type properly. Ridiculous I realise. (I was brought up on Shakespeare as well as Latin in addition to logarithm tables, Copperplate writing using nib pens, ink and blotting paper in the era of valve radios.)
Best wishes once more.
Absolutely wonderful news. Having wonderful friends and relatives in Korea, this for me will be compulsory listening. I was fortunate to hear some of this fare live and had the pleasure of meeting and thanking Simon Barker for bringing this fascinating, extraordinary music to a local audience. I've travelled widely for decades in Asia and consequently I'm always delighted to hear music from this intrigueing continent - particularly Korea -being promoted. Thankyou ABC Jazz and Mal Stanley.
Chris: What an eloquent recitation of what we grew up with...and yes I agree, some bands just seemed to mesmerize us. After we got the go ahead from Max on the project, I asked him how he would describe the music style of that particular lineup. His own words were, and I included this in press release, "a unique sound, a cross pollination of rock, jazz, soul and blues." He said, "we had two rockers and two jazzers", seeming to say to me, Well what else would you expect?.
Glenn Baker said while listening to the live album,:
"Hey Brian,
Sitting here listening to the album and grooving away royally. You can see why they blew audiences away. They were truly a "musical" band, in an era of bubblegum outfits. "
I am trying my best to make sure this is a very big hit, to thank Max and to finally pay him back for over 50 years of great times, a debt we will never really be able to pay in full.
The great things about forums like this, is you get to meet people you would otherwise never meet, and everyone has a story and contribution to make. Even though we are online and have never met face-to-face, I still consider it meeting.
Here is a remarkable fact about this project - I have never met anyone that I have been working with, and the only person I have spoken to about the project in the last 7 months is Glenn Baker! I spent a lot of my past in high tech projects that spanned the globe, so I just applied my knowledge of how to run a remote project and take advantage of everything the Internet had to offer, and that was it. The last time I spoke to Max, Bob or Dave face -to-face, was 43 years ago!
Thanks again Brian.
As a 'boomer' - I was born in 1949 - I was fortunate to live thrugh a period of astonishing musical developments in jazz and popular music. The 60s commenced with the likes of Elvis and Ricky Nelson yet finished up with Woodstock! What a contrast. As a kid I enjoyed snippets of jazz on TV shows like Peter Gunn and heard jazz pieces including 'The Girl From Ipanema' , Chris Barber's take on 'Petite Fleur' and Kenny Ball playing 'Midnight In Moscow', all on the radio! Like many teens in the 60s I grew to love Cream, Spencer Davis,The Pretty Things, John Mayall, Jimi Henrix,The Doors, Brian Auger & Trinity, Ray Charles, Geogie Fame,Paul Butterfield among others and blues greats like Robert Johnson. (During this period I was learning/playing drums, piano and flute. I had young friends who were also enthusiastic struggling musicians.) The 'big bang' for me though was hearing 'Kind Of Blue' in 1967. I was never the same after that. We had superb Aussie acts back then too including The Purple Hearts, Tully, Jeff St John, The Missing Links, Doug Parkinson and such. However, my favourite local outfit was Max Merritt & The Meteors. His band - for me at least - encapsulated all the sounds I'd been enjoying up until then and had the added bonus of two of the nation's greatest jazz musos on board in Stewie Speer and Bob Bertles.
I used to watch these guys in a state of rapture. Stewie made drumming look so relaxed and easy, but of course it isn't and never was. He grafted hard for decades to play the way he did. How I tried to emulate his style and sound - unsuccessfully.
Getting back to my first love, jazz, that too went through a period of breathtaking growth. From cool and hard-bop to 'Bitches Brew'. Incredidle. Yes Brian. We were blessed to be around some tremendous sounds in a truly golden era, although the politics of the time were as bad or even worse as they are now.
Naturally, I was an enthusiastic listener to jazz presenters including Arch McKirdy, Geoff Hiscock and Ralph Rickman.
Great talking with you.
Chris.
I had not told Press Play Music in detail about the release, and I was looking for words to describe how fans feel about Max and The Meteors live in those days. I could only describe what multitudes of baby boomers say when you mention Max and The Meteors live performances in those days, it is simple, "I remember those, they were awesome."
Our publicity campaign is covering about 600 outlets including radio, news papers, magazines, blogs, street rags, TV stations and syndicators. The media blitz will happen when we do the digital release, then again when we do the CD release.
The newsworthiness of the release is two fold - not every day do 43 year old master tapes shows up for first release, and the fact that two teenage kids made the recording and it ends up as a release for one of Aus and NZ most famous bands!
The entire story about Been Away Too Long is on the "Everything You Ever Wanted to Know about Been Away Too Long page (EYEWTKABATL). http://www.lostraxx.com/styled-2/index.html
Thanks a million Brian.
I followed the links you provided. What can I say? brilliant, brilliant, brilliant. It's all there .... Bob's dangly flute complete with flutter tongueing and over-blowing, Stewie's Blakeyesque drum solo - he loved Art Blakey - and the time-stopping atmosphere. Big respect and gratitude. Chris.
Chris: You can hear Kush in full on www.lostraxx.com then click on the Been Away Too Long page, or enter http://kkush.viinyl.com into your browser, or type "Max Merritt Kush" into your browser search field. Feel free to pass these links around as much as you like.
Kush delivers all the magic you remember: awesome arrangement, great sax and flute work, 2 1/2 minute drum solo by Stewie (the only Stewie drum solo ever recorded!) and a crescendo for the last 3 to 4 minutes!
We just set up Aus and NZ distribution with Press Play Music, and you will be able to order it from any record store you desire, online or bricks & mortar, and even pre-order the CD as soon as the digital release takes place.
We are hoping to have a global digital release around Feb 1st, and CD global release Mid to late March.
This is a once in a lifetime even for most bands, let alone a beloved one like Max and The Meteors.
Hello Brian Lewis and thankyou for the info regarding the upcoming Max Merritt album.
I'll be purchasing it!
I'm particularly looking forward to hearing 'Kush'. I did hear the band playing it live once when l was a kid and was simply awe-struck at the time. As I recall, the magnificent Stewie Speer - one of my all-time favourite Australian drummers - was also featured playing a knockout drum solo on this piece and Bob Bertles doubled on flute.
Another thought. Aren't we fortunate to have a marvellous website like ABC Jazz to exchange news!
What a great performance, as I suspected even better than when I caught the pair in Greenwich Village back in Oct.
I doubt there is anyone who does a better version of The Nearness Of You. I hope theres a recording coming out from one of these gigs.
Thanks to ABC Jazz and the Sydney festival for the tickets to the Chatswood show last night.
It's the first live jazz I've seen in a while, and we both really enjoyed it. I love the rhythm section so I was unsure how the duo format would play out, but for the most part Meldau used the piano's broad range to cover the rhythmic and melodic elements. Redman's playing was brilliant. Both semed really in tune with their playing and with each other. Great venue too.
This is exquisite, timeless, truly outstanding music - the sort one can never get enough of. Essential listening.
Great to know too that good ol' ABC Jazz is listened to in California.
Possibly my favourite modern drummer/percussionist. (I own several of his albums alongside those of Jackie Terrasson.)
I admire the way LP explores myriad musical influences and the meaningful manner in which he can employ the most simple percussion instrument with such beauty and impact. The driving, heavy sound he achieves on his pared down drumkit - snare, bass and ride cymbal only - is frankly astonishing. A fine recommendation.
Great video clips too! Thanks ABC Jazz.
Bob's Bertles fans may be interested to know that a brand new live album, Max Merritt and The Meteors "Been Away Too Long", recorded in 1969 and never released, will be released in about a month.
Bob plays on all tracks, but he solos on two - Kush (Track 4), a brilliant rendition, and The House Will Rock (Track 7).
If you want a full-length preview of every number on the album go to http://www.facebook.com/lostraxx and follow the links to the viinyl streams.
Hi Ivan,
My name is David Phillips, I am a full time double bassist with the Adelaide Symphony Orchestra, and have recently collaborated with some of Adelaide's finest musicians to create an album of original contemporary jazz. The band is called Bottleneck and our debut album is called 'Diversions'. We are really proud of it and would like to send you a copy with the hope that you will like it and play it on your show. Could you please let me know who and where I should send a copy to.
Kind Regards
David
Hi Gerry,
My name is David Phillips, I am a full time double bassist with the Adelaide Symphony Orchestra, and have recently collaborated with some of Adelaide's finest musicians to create an album of original contemporary jazz. The band is called Bottleneck and our debut album is called 'Diversions'. We are really proud of it and would like to send you a copy with the hope that you will like it and play it on your show. Could you please let me know who and where I should send a copy to.
Kind Regards
David
Just heard Duke's Place, with Louis! Very nice! I'm listening on my iBook in San Diego, California@ 12:19 a.m. Wed. I used to listen way back in the 60's when I lived in Perth to Jim McLeod's Jazztracks. He had a smooth almost silky style that worked!
Delighted to see the one and only beautiful Billie on 'the front page' again.
Sure there are almost countless female 'jazz singers' around today. They're musically slick, photogenic and subsequently highly marketable - particularly to part-time jazz listeners - yet the majority of them lack that elusive 'soul' so essential for true greatness. Billie's life was fraught with sadness, but its this factor that made the difference in her recordings. Billie lived through what she sang.
It's about time !!!... to hear some of the great last Wang fest highlights. not enough of it so far!
as we head towards the 66th Aust Jazz Convention. time
Season's greetings
He was a drummer's drummer, but not because of the flash and technique. He attracted my attention because of the lack of it. The way he used space, the way he implied time, and his use of rubato in his solos, were things I hadn't heard before, at least not from a drummer. He had a style of his own, one of the truly great innovators. Sadly missed.
I saw these guys at a little bistro a while back and ever since then my ears perk up whenever I hear Jazz. They really put some wings to their music. I never really cared for Jazz up till then.
The CD of Andy's Coltrane tribute has now been released, you can find it at CDbaby.com and either download it, or buy an album. http://www.cdbaby.com/cd/andysugggroup2
Monk to me/according to me is the Jazz "Jesus" Please listen to Brilliant Corners. Underground, Straight, No Chaser , Criss Cross just to list a few, and let me know what you really think of his playing style. Nobody alive today plays like Monk...and Bud Powell ofcourse. Wish I had seen him live.
Heavenly music! I've purchased it, therefore I know it's good. Superb playing throughout from three local musicians of whom we can all be proud. Thankyou gentlemen.
Sad news. Paul's intimate, sensitive, thoughtful playing exemplified the 'less is more' approach to drummimg. Like many others no doubt, I've admired his work since first hearing him working with Bill Evans and continue to marvel at his more recent work alongside various ECM musicians.
Many younger drummers would do well to take note of four aspects of Paul's delightful work. First, he didn't use a huge kit surrounding himself with a barrage of - often useless - tom-toms and crash cymbals. Second, he never set out to impress others through employing a flashy, speedy technique. Third, he was a great 'listening' drummer whose playing enhanced and gently propelled that of the other musicians with whom he worked. Paul's number one concern was the music, not himself. Finally, his drums always sounded so superbly tuned. Love that crisp snare.
Thankyou so much PM for your contribution to music and for inspiring young drummers as I once was.
Hi there. I've noticed that you guys from ABC Jazz recently have been playing some of the music from Jakob Bros 'Balladeering' (http://abcjazz.net.au/artist/jakob-bro)...
Thought I'd ask if ABC Television might be interested in showing the documentary film about the album (info attached below)? It's entitled 'Weightless' (http://www.imdb.com/title/tt1578845/). It's about film about musical creativeness and improvisation. It features Lee Konitz, Jakob Bro, Paul Motian, Bill Frisell, Ben Street, Joe Lovano, James Farber, Jørgen Leth among others.
Maybe you can forward this e-mail to the right person at ABC's documentary department? I hope you can help us out.
Best regards - Sune
Contact regarding distribution/sales: Andreas Koefoed (andkoef@yahoo.dk), Producer, Koefoed Film (Denmark).
---
INFO ABOUT 'WEIGHTLESS':
Running Time: 50 min.
Format: DigiBeta, HDCAM, DVD
Language/Subtitles: ENG
I see there is a link above that help "Discover more about Brad Mehldau on ABC Jazz". How come there isn't one for Joshua Redman? Asking because I wanted to discover more about him on ABC Jazz. You know the one and only trusted Jazz channel in the whole of Australia. Please help!!!!!!!
Thanks for recording and broadcasting this wonderful performance.
It was a true pleasure to attend the Piano duets: Alister Spence / Satoko Fujii
in June, it's wonderful to have a chance to listen to these magical moments again
Just caught Josh and Brad Duo a few weeks ago in NYC , this is a must see for fans of either of them.The Sydney venues will probably be even better than the one I attended on 12th street at the New School.
I've been thrilled to see these two modern-day greats live with their own superb bands. Therefore, if their joint recording is anything to go by, their live performances should be breathtaking.
This is a really impressive album. The original compositions are superb but his rendition of Everlong blows my mind every time. Dave Grohl would be proud.
Loved this joint. Initially thot it was Monk. Had to do a little bit of searches to comfirm was up! Much respect. Gonna get this joint thats what next.
Want to let you know what a delightful and inspiring program you did on ABC Jazz with Mike Nock. That's the sort of stuff we should have on ABC Jazz regularly - selected music with interesting and informed discussion with people who are connected to the music with a variety of attitudes. - Good wishes - Henk van Leeuwen
Spellbinding! This intriguing music has a slightly eastern feel - a wonderful characteristic - leaving yours truly at least keen to hear more. I've enjoyed the sound of the bass clarinet for some time since hearing the likes of Benny Maupin and Eric Dolphy working with it. Thankyou for this excerpt Jessica Nicholas and ABC Jazz.
Delighted to have JM back here. Only one disappointment - why isn't he including Melbourne in his itinerary?
So many of us here would be thrilled to see him live.
I heard Sandy on a program on 14th Oct between 3pm & 4 pm & she played with other artists including a yukelle I enjoyed the tune & the mastery of the fusion How do I get the title of the song/CD for further listening
I was having dinner lsitening to abc jazz and on came this exquisite arr of Scarborough Fair, I said to my flat mate , that can only be one person and of course it was the great Joe Chindamo, who for a brief period was my teacher and is a great friend, still just as fresh and inspiring as always, thankyou Joe, you are unique ..
Hello marhus78,
Great to hear from another jazz lover. Yes, that was quite a night; around forty years back yet the memories remain.
I'll never forget Miles entering from stage left looking cool, slim, mean, trumpet in hand and ready to fly.He never uttered a word all night. The music spoke for itself. The band ... oh heck I could talk about Miles all afternoon!
The Jazzbear wishes you happy listening always.
Agree with you wholeheartedly MiamiLawyer. Miles is punching savagely on this, but the album would certainly lack a special feel without McLaughlin's stunning guitar work. Love Billy Cobham's pulsating beat too and oh those cymbals!
I bought my first 2nd hand car (complete with outdated tape deck) in 2004 and to this day the only tape that has never been removed, revamped or altered in any way is my copy of 'Somethin' Else' (with 'Stars Fell on Alabama' and 'Flamenco Sketches' to fill out the B-side). Probably the most listenable album of any genre or artist ever.
When Marc Johnson solos, he really 'says' something melodically - unlike so many other bassists who are merely content to display their technical skills. (How many of us have suffered through interminable bass solos!) The way he interacts and shifts with pianists and other soloists is astonishing. MJ is not just a player to trot out 4/4 beats in strict keeping with key/chord settings, but like other top line bassists - think Scott LaFaro, Ron Carter, Christian McBride - he constantly probes and propels the music. Adore his work with the incomparable Bill Evans.
This is one of the great albums....the music was so new & performances outstanding.....and the joy of hearing "Cannonball" when I was a young musician in the Sixties
You deserve a standing ovation for broadcasting this soulful, ground-breaking album ABC Jazz.
I was fortunate to hear Miles playing wxcerpts from this live - many moons ago! - and I was simply awe-struck. The film about Jack would no doubt have made him feel proud.
(For what it's worth, this is marvellous music to have on the stereo too when exercising!)
MY utmost gratitude to all associated with ABC Jazz. Feeling down? Get aloft listening to this people. Trust the Jazzbear, it works.
All the good things said about "Sketches Of Spain" are true!
I first got wind of it in 1967 or 1968 - not sure which - when former ABC jazz presenter, the wonderful Arch McKirdy, interviewed bluesman John Mayall. (I was crazy about Mayall back then and still admire him.) Arch asked JM what jazz he liked and he replied enthusiastically "I love the music of Gil Evans". Arch followed this up by playing "Saeta" and his young chap was besotted. I went out and purchased the album which I still have on vinyl.
You missed a great, great album, Modern Jazz Giants, also Prestige and 1956. Featured Thelonious Monk in place of Red Garland and added Julian Adderley. I played out my own disc decades ago.
That aside, my real concern is hearing this commemoration. I just got wise to your programs and fear I have missed the Trane.
Comments by onomibus seem like pretension personified. I do not even go near Wang at the time but refrain to criticise the people who do. So.... stay in your comfort zone and do not be disturbed by the unsatisfactory offerings. After all, there will be some "uneducated lot" amongst us who have to start somewhere. Wang can provide for those people who have not reached the elevated levels of sophistication and perception about what should be produced to "entertain" us culchered blokes and chickididees haha smell the roses the lotta ya!
"Tempus Fugit" indeed. I've just finished re-reading a faded, yellowing article from my scrapbook, which was published in the Sydney Morning Herald immediately following the great man's death. Though the years have swiftly passed, Miles' ground-breaking music sounds as vigorous and innovative as it always has. Thankyou so much ABC Jazz broadcasting all this astonishing music from Miles.
The Plugged Nickel material too, provides a wonderful album and is interesting in its own way as Miles was then going through a challenging period of transition.
Fantastic doco. Just happened to switch over to Dig Jazz on the set top box as I was going out. Hit record and listened to the whole show when i came home. I love you ABC. When are you going to put Radio National and Classic FM on the STB too?
Sorry to hear that! I had the pleasure of bringing Eddie to Wangaratta in '97. He was a real gentleman, and played beautifully, both with Mike Nock, and in a band with Jamie Oehlers, Mark Fitzgibbon & co.
Anon asked for feedback from those involved. I can assure him/her that the programming policy hasn't changed, although there has been a change of personnel on the board.
The policy is, as it always been, to present the best music we can (within the available budget, of course) ; to emphasise bands playing contemporary original music, while also including more mainstream/traditional bands ; to include several interesting international artists, and where possible to set up collaborations with Australian artists ; to feature working bands, but also set up some interesting 'one off' encounters ; to include some new names in the program, while featuring some of the established artists who we know can deliver, often in new contexts.
Anon's concern (I'm guessing) is the absence of 'big name' international acts like Lovano & Douglas from this year's program. Depending on our budget, their touring schedules, the co-operation of other promoters, we may well bring 'big names' out in future years. But I'm confident that all of the international acts coming out this year, whether big names or names deserving wider recognition, will have something special to offer. As will the Australian artists who comprise the majority of the program, and deservedly so.
I think Sandy is right on about the teenage years being crucial in the decision to go into music, or into one kind of music over another. There can be something genuinely frightening about improvising when you have been trained in the conventional reading-from-scores kind of way, always striving to play the notes on the page. Like trapeze-obatics without a safety net. The teenage years are fraught with all sorts of anxiety-causing questions and experiences, so why on earth would you want to intentionally expose yourself to potential failure, embarrassment, humiliation, social ostracism....? Easier to stick with the notes on the page....
Despite this, in the jazz area at the Con in Brisbane where I lecture, we have had young women graduate on every instrument in the last 10 years, although there is still nothing like a gender balance in the program. But I think the fact that women have a good experience at the Con and are accepted as equals, invited to do projects and gigs and so on, encourages others to have a go. The days of "I won't hire a chick" seem to be long gone in Australia, thank goodness! - so young women can look forward to having positive professional and creative experiences once they're out there on the scene.
Others may disagree, but to me, this album contains Miles' paramount version of "My Funny Valentine" - a version that is heartbreakingly tender - peerless. Thus, for this alone, do I earnestly appeal to all lovers of Miles' music to tune in to this broadcast. Thankyou ABC Jazz.
This astounding album has provided a musical 'Road to Damascus' for a number of us. Hearing 'All Blues ' as a teenager simply took my breath away. No words could ever describe the powerful impressions this music generates.
Heard a track off the album on the way to work, suddenly a cold dreary morning found life and warmth. thank you, James Morrison, James Muler and Phil Stack, you made a difference.
This lady is brilliant! She has wisely absorbed so much from the phenomenal Gil Evans and now she is progressing down her own road establishing her unique identity. Adore 'Evanesence'.
Nin Simone admirers who enjoy her version of Screamin' Jay Hawkins' "I Put A Spell On You", might also love another version of this track by The Alan Price Set, which was released in 1967. The Gothic organ sounds on this are spine-chilling. Well worth a listen.
Three superlative musicians working, creating and playing both intuitively as well as tastefully together, makes this an essential listening experience for committed jazz lovers. Okay, so there isn't a drummer. Yet, be fooled not people, this outfit has rhythmic drive aplently in the manner that Oscar Peterson's early trio did, but with stylings of its own. Thankyou Mal Stanley for replaying some of this marvellous music on Jazztrack too.
A truly phenomenal, expressive artist. To me, Nina's hauntingly, wistful incomparable rendition of "Wild Is The Wind", is heartbreakingly tender. How I'd love to be capable of conveying my emotions so meaningfully to somebody I dearly love, in this compelling manner.
BRAVO...BRAVO.. BRAVO..thank God for ABC Jazz....this has been one of the most informative and enjoyable HOUR I have have experienced in quite some time. Bill Evans would only open up to someone that he respected, IE: Marion McPartland. I have been a Bill Evans addict since I first heard his early recordings some 50 yrs ago. What a joy to hear them play together and discussing their interpretations of each song / composition.The last piece "I Love You" knocked me out as it is one of my favourite compositions. Being an older,semi-retired musician ....you made my day !!
Got to hand it to you ABC Jazz.You consistently provide the best of the past with the best of the latest.This sounds like another fascinating musical excursion from multi-faceted and ever-creative Uri Caine. From what I've heard so far, this is definitely a 'must have' album. Don't believe me?
Well, go to Uri's official website and have a listen to 'Crossbow' to whet your appetite.
Not only pianists, but also drummers will enjoy this. (Love Ben Perowsky's crackling snare and crisp cymbal sounds.)
Warm greetings once again ABC Jazz and Charlie Watts admirers.
Love those Youtube clips, but may I passionately recommend the third one listed 'Charlie Watts If It Ain't Got That Swing' - marvellous indeed. In addition to "Watts At Scott's", may I further suggest listening to his corker of an album "From One Charlie ...".
Can't wait to hear this again. Hearty thanks to you ABC Jazz - you've done it again.
Marion asks Bill a number of questions many of us would have asked him if we'd had the opportunity.
Like many former piano students, I simply worship Bill's playing. (I own more than twenty of his CDs, plus cassettes and even a little vinyl.) My first piano teacher, the delightful and I might add patient! - Neil Butterworth - put me on to Bill as a seventeen-year-old kid in the 60s and I remain ever grateful. Thanks again Neil and ABC Jazz.
Don't miss this people!
Fully agree with you Edith Ferns!
A soulful character and my favourite rock drummer. Yes, I'm well aware there are and have been more technically accomplished rock drummers - Mitch Mitchell, Ginger Baker, Buddy Miles, Viv Prince, Aynsley Dunbar, Kenny Jones and such - yet Charlie's solid backbeat combined with no-nonsense fills sits just nicely to my ears. Love his cymbal sounds too, especially that crash!
"Watts At Scotts" is a fine 2 CD jazz set by any standards and is recommended listening from the Jazzbear.
I JUST heard Rajaton - quietly, please please PLEASE can I get a link to that song? I've tried on itunes and google and I can't find it anywhere, I'm desperate to hear it again! thank you so much
Happy to know that Lee is on his way to playing again.No doubt the greatest alto player of all time, and we all love him and his music.I had the privilege of being with him in his home in NYC,to say he is a wonderful human being would be an understatement,just listen to of any his music from the last 6 decades and you will understand.
Hello Hugh,
Agree with your comments.
I'm a jazz fanatic - and I mean fanatic! (I probably drive the ABC presenters and others mad with my e'mails) - who lives in Melbourne and I love to attend several concerts at the MIJF annually. It's a fabulous festival and I'm sure you'd enjoy much of the music too. Hope you can get down some time Hugh.
Your observations regarding Wangaratta are correct. One of the other benefits of the Wang festival is that it introduces many people to jazz who might not otherwise hear much about it. There is something for everyone at Wang including various genres of jazz along with blues. As usual this year, there are some superb international performers joining the locals. The likes of Peter Apfelbaum, Walter Lampe, Josh Roseman and Barre Phillips should provide some fascinating sounds. I haven't heard any music by Fabian Almazan as yet so I'll keep my ears open accordingly.
Furthermore, the annual contests for various instruments provide an excellent springboard for emerging talent.
We all have a right to different opinions - jazz is a highly democratic art form as I've stated previously - but the Wangaratta festival remains an excellent inclusion in Australia's music scene.
Once again, well done to the organisers.
Cheers Hugh,
Chris.
Gee that's a tough call Mr Anonymous. There's lots of wonderful talent in that program, including people from overseas. One of the things about Wang that I like is the way it brings performers from Melbourne and Sydney (and Brisbane!) together and you see different combinations that you don't normally see - and Aussies returning from overseas. I assume you can't see all of them "every other weekend". I saw Bucket Rider one year and was completely shaken (in a good way). It was a highlight to see The Cat Empire before I'd even heard of them and they went on to become big international stars. I was recommending them to all my friends (and even giving them my CDs which I had to rebuy). Seeing The Necks in the Cathedral there was almost like a spiritual experience, and I wont' be forgetting it soon (including the reaction of some punters who were having trouble 'getting it'). The Blues festival and the 'old-time' venues can become your whole festival if you wanted. I was completely knocked out when I saw Mia Dyson there. The main street festival in Wang is also an experience different from what you can experience in a major city festival - especially all the local foods and wines. I'm sure the Melbourne festival is fantastic (I really want to get there for it one year) but I also think Wang is wonderful and I would like to encourage people to go and relax into the experience. And I'm from Sydney, and have nothing to do with the jazz scene apart from being a punter and a try-hard amateur... (BTW, I think you meant Adam Simmons - as much as i would love to see Mark Simmonds play again).
An excellant line up? I'm sorry but Wang has fallen well behind the MIJF in terms of lineup and is in danger of no longer being considered Australia's premier jazz festival. I know that the Australian performers are all great but honestly I can see Mike Nock or Mark Simmonds every other weekend. The big overseas artists such as Dave Douglas, Joe Lovano were always important in the fabric of the festival. With the switch in management to a Wangaratta centric one it appears the festival will be changing into a more regional one? I'm not sure but would be interested to hear from those involved.
We're having a great time here at The Street with audiences delighting in the myriad of pleasures experienced and the foyer, venues and workshops positively buzzing. Its magic.
A truly wonderful singer we hear too little about. Seeing her live in front of the Daly-Wilson Big Band many decades ago at St Kilda's Palais Theatre was quite an experience - especially considering she was on the same bill as Dudley Moore!
Kerrie's impassioned version of "When The Sun Comees Out', is to me the best. Great recommendation.
Oops! I made an error in my previous comment re the incomparable Elvin Jones. I should have referred to Bach's Cello Suites BWV 1007 - 1012 not his ' solo cello concertos' .
Elvin's powerful, polyrhythmic feel virtually created a new epoch in drumming. His metrical sub-divisions at times made many of us wonder if his drumming was over-dubbed! (The same feel one has when enjoying some of Bach's solo cello concertos.) I still remain awestruck when hearing Elvin's dialogues with John Coltrane and with Sonny Rollins on the Village Vanguard live sessions.
Elvin Jones certainly brought drumming to the front of the stage with such force and - for much of his life - on a small kit. Phenomenal. All three Jones brothers were commanding, compelling figures in jazz. They must have brightened up their neighbourhood as kids!
Hello Alan Galvin,
Yes, it isn't always easy to get hold of some of the new jazz constantly being released - I too have a battle at times.
I don't know where you live Alan, but in Melbourne I'm often quite lucky when shopping at 'Readings' in Lygon Street Carlton - my favourite store in Melbourne! - or at 'Basement Discs' in Block Arcade in the city. Basement Discs will soon be going online I was told last week. The staff there are serious about their music, are helpful and have kindly ordered in discs for me in the past.
Good luck & cheers,
Chris.
I hear alot of new music on jazztrack program and just wondering where i can go to buy some of the great new music.Is there a music shop that can go to to found record you play.
regards alan
Having listeed to Billie for some sixty years, I feel she is still th mark for other singers to aim at; not to just imitate her but to understand how she approached and handled a song. We love you Lady @ we still miss you,
thank God you were recorded.
Nice to see 'Little Jazz' in these pages.Oh to have been hanging around at Minton's all those years ago when Roy, Diz and all that gang were establishing the 'new music'.
Yet another sad loss in jazz. Thankyou Frank Foster for your wonderful contributions over so many years.
Will think of you whenever hearing "Shiny Stockings".
Hope ABC Jazz pays a musical tribute soon.
The WONDER full Serge Chaloff..."A handful of Stars"..so good to hear that great baritone sound, Serge was one of the players that I listen in my youth.....a gifted talent, thanks ABC Jazz !!
Great comments from both Sandy and Alex. Jazz music can only benefit from having the contribution that women musicians can bring: it's a subtle thing but I think we're talking about potentially different aesthetics, energies and life outlooks. Gender equality has delivered nothing but benefit elsewhere in the music industry.
The late Jann Rutherford was a person who unassumingly thrust herself into the jazz scene and shone.
Originally from New Zealand and blind virtually from birth, her passion and love of the music gave Jann a courage which isn't self conscious. She had a great time playing superb jazz piano and mixing with the cream of Sydney's jazz talent. She also was very generous in sharing her talents and knowledge helping others starting out in jazz.
The Jann Rutherford Memorial Award is a fitting tribute to her spirit, and has always gone to worthy, talented musicians who go on to achieve much.
Since my earlier comment, I've purchased this album and I adore it; there isn't a dud track on it.
Whether you're a vibes player, guitarist, bassist, drummer or purely a Burton fan - there are elements in blissful album to be savoured. Ideal sounds for the Spring season just around the corner! The Jazzbear strongly suggests that jazz lovers at least listen to it.
"Bewitching", is how I'd describe some of the delightful segments I've heard from "Common Ground" via Gary's official website.The overall sound is similar to that of another old favourite Gary Burton album,"Country Roads and Other Places," which sadly doesn't appear to have ever been issued on CD.
Anyway, think I might end up adding this to the collection. Yes, more expense, yet a life without pleasure is a life half lived!
One of the most distinctive voices in jazz, Art's cool almost elegant playing contrasted dramatically with his controversial life - it was anything but a "Straight Life" - yet how fortunate we have been to have had him with us.
Love his album "Straight Life" - particularly the tracks "Surf Ride", "Nature Boy" and "September Song". (His autobiography "Straight Life" is worth reading as it provides some chilling insights into his frequently grim life.)
Dave Brubeck's impact on jazz as a quirky yet sublime composer as well as a unique instrumentalist and band leader, remains undeniable and indelible. The cooler sound which he helped pioneer has had its detractors at times. However that same sound frequently brought new, younger listeners to jazz. And what about those time signatures people! (Paul Desmond's "Take Five" was possibly the first jazz tune I began hummimg as kid in short school trousers. Joe Morello's drumming is still influential and legendary.) Even some classical music lovers I know dig Brubeck. (Their ears always prick up when you remind them he studied with Darius Milhaud and was interested in the work of Arnold Schoenberg among other classical composers. Classical people are strange in some ways!)
Play on Dave.
Bill Frisell is an extraordinarily multi-faceted guitarist. His musical horizons and influences are astoundingly broad.
Adore his work particularly with Paul Motian and Joe Lovano on "Time and Time Again." (ECM 1992)
It is sad that such thinking persists - it does not reflect real life. There is a great deal of undiscovered - and no doubt great talent out there - *ahem* over 28 years of age. My feeling is that age cut offs like this is actaullly discriminatory. Have an Open category as well! Who knows what great talent may be found and nurtured!
Containing swinging sounds to warm the bleakest heart,"Concert By The Sea" continues to remain one of my favourite live music recordings - adore "I'll Remember April" in particular.
My first piano teacher - the wonderful Neil Butterworth in Geelong - put me on to Erroll by lending me a 10" album as I recall, in 1967. The late Dudley Moore was also one of Erroll's many admirers. (Dudley's trio was sensational live too.)
What a delightful recommendation on this almost Spring morn! Thankyou and bless you ABC Jazz.
Thankyou Neil Butterworth for your valuable lessons and patience! If you're still around I'd be absolutely thrilled to hear from you via these pages.
Note: If any other readers have news about Neil Butterworth or Geelong jazz clarinetist, Verne Doleghuy, I'd love to hear from you too please. I'm feeling sentimental!
Thankyou ABC Jazz - I'm looking forward to hearing this.
No doubt the music played will be as warm, friendle and engaging as the smiles on the faces of these likeable chaps!
What a fabulous night of jazz we were treated to at the Sydney Opera House Studio. Matt Keegan's composition and performance were extraordinary - so deserving of the Freedman Fellowship.
The superb Hank Jones is "A Man For All Seasons", where jazz piano is concerned.
"The Oracle", remains the Jazzbear's favourite HJ album. Play it and give your ears the treat they deserve people.
Hearing these recordings again, I remain astonished at the speed at which jazz developed. I tend to compare it to the development of flight, one of my other interests.
Consider the Hot Fives and Hot Sevens - fixed pitch prop driven biplanes. Then Coleman, Coltrane, Miles' 'Bitches Brew' - 1960s space travel - and you've got a great comparison.
Creativity makes life thrilling - not conformity!
I was fortunate enough to catch the PS Quartet at the Wodonga Jazz Basement a last month. As good as they are to listen to on CD, they are absolutely mesmorising to watch live. Pascal is amazing on the vibraphone, the base and piano player are also excellent, however, the magic on the night was with Jenz, the drummer. His ability to use every surface of his drum kit, plus other bits and pieces, was inspiring to say the least. My wife and I ended up buying both the CDs they had for sale and were lucky enough to get them both autographed by the entire quartet. If you ever get the opportunity go and see them live. These guys are a must see.
One other point relevant to this issue, Warne Marsh apparently was born on the West Coast, but as I understand it, only spent a very limited time there.
Hello K.C.Marsh and thankyou for your interesting insights regarding Warne Marsh.
I agree with many of your comments including the fact that he certainly did have a passion to be a great improvisor, which he certainly was whilst employing a heavenly sound. Yes, he could swing too, but to me and a few others with whom I've discussed this issue, he was frequently pretty cerebral as were his esteemed cohorts including Lennie Tristano. Their sound itself was 'cool' too in comparison to other greats of that day including Coltrane and Rollins - whether Tristano and co were influenced by 'cool' as such remains open to question as like all top musicians, their ears would have been wide open to anything.
I agree Lennie Tristano and Warne Marsh weren't from the West Coast, nor did I say so in my comment.
You may be interested in checking out what Richard Cook says about Warne Marsh in his Jazz Encyclopedia.(Penguin Books; 2005.)
Quote:
"He played long, intensely relaxed lines in a buffed grey tenor tone which deliberately eschewed any kind of extravagance of timbre or rhythmical idiosyncrasy : it was a paradigm of 'linear' improvisation, nothing on show for its own sake and every potential emotional outburst suppressed in favour of a coolly effective whole."
I welcome and respect your opinions K.C. - jazz is a highly democratic art form - but my views are more akin to those of Richard Cook. Best wishes re your documentary work - hope to see it upon completion.
Ironically, only last night I was enjoying his marvellous album, "The Spoiler" - great Monday night listening after a stressful day. This splendid album finds him in the company of greats including Blue Mitchell, Pepper Adams, McCoy Tyner and James Spaulding among others. The material covered is equally outstanding with items like "Sunny", and "When The Sun Comes Out" featured.
S.T. certainly had the knack of surrounding himself with equally superb musicians as well as the skill to select and compose outstanding tunes for his albums.
I love the comments but have to make one annotation: Warne Marsh had nothing to do with the Cool School other than he lived on the West coast for a time and may have, from time to time, played with someone who was associated with that. Lennie Tristano was not from the West Coast and not influenced by "Cool" at all.
I'm currently working on a documentary about Warne and this is one of the biggest misconceptions. Warne was one of the most dedicated and talented improvisers on the Tenor saxophone ever. Most who are intimately familiar with his music over the years put him up there with Lester, Coltrane and Parker. He was never cerebral and always swung. His tone was unique and I theorize, because it was not a copy of any of the other greats on tenor, people looked at his pedigree and said, "that must be the Cool sound". For the most part Warne was not concerned about tone and especially like sounding like anyone. His deepest passion was to be a truly great improviser. To that end the instrument was merely the tool he used. If you're looking to associate him with anyone it should be Lester Young and Charlie Parker. Not because he sounds like them, but because it was their musical legacy and the incredible teachings of Lennie Tristano that formed him into the musician he was.
Certainly if you listen to all of his recordings what you'd come away with was an often incredibly sensual, beautiful, swinging sound with the occasional and momentary moments of dissonance that come from an improviser who's improvisational vocabulary was far and beyond what most musicians were capable of, musically and rhythmically.
Shannon, lovin' the sounds..! I just wanted to say, you know when Dennis Chambers talks about playing with Scofield and he remarks that he's not sure who is playing drums, himself or Sco, well that's how I feel when I'm playing with you. Just mighty! See you soon. Jazzrad
The problem is meltrumpet that there is a general expectation to get one's career going by a particular age otherwise the boat has been missed...so to speak..and this is especially true of careers in music...
It is unfortunate that such limited thinking is still out there.. but that is the way it is...
It isn't easy to have one's 'own sound' on any instrument today - let alone vibes - yet this man is the most innovative vibes player I've heard since the superb Bobby Hutcherson. (Love Gary Burton too.) The Jazzbear advises you to claw through this and enjoy!
I own it; I play it: I love it! So will you people. Don't miss this broadcast.
Oh, to have been there when these four top-notch musos were together!
I'm a huge fan of all four of them - I trust the great Paul Motian will be bringing a band here before too long.
I was very sad too, to be unable to see/hear Lee Konitz live again.
I've only heard a track or two from this album, but what I've heard is fab! Mark is a superb musician - as my former piano teacher stated,"He's got chops". Furthermore, David Rex has his own distinctive alto sound.
I reckon I'll be purchasing this.
one of the highlights of the festival for mine, congrats to sophie and all those involved for putting on inventive and exciting programming such as this!
Thrilled to hear this sweet news. Play on beautiful soul! Sorry I couldn't hear and see you again live Lee, yet pray that will alter very soon. Please let me know dear ABC Jazz if this wonderful jazz legend performs in Melbourne again.
Scare Quotes is another outstanding album from Tim Stevens and his trio. The band has consolidated its sound and further developed the sensitive interplay between its members. Tim is such a lyrical player and composer with an instantly recognisable musical signature. This new album confirms that he is one of the very best jazz pianists working in Austraila today.
Love Mose - the personification of 'white cool' - a unique stylist and composer. Hint: Would be delighted to hear/see him live at the next Melbourne jazz festival. If you enjoy Mose people, try Georgie Fame too!
Anybody possessing the unorthodoxy to release an album titled "Space Is The Place" - adore that alliteration - will be assured of garnering my attention. Even a pharoah would have blanched at that album's cover art!
Viva originality. May his 'Ka' skydrift daily.
Help ABC Jazz or other readers please!
Is the Red Onions album "Big Band Memories", available on CD?
Dying to get hold of it - heard it on vinyl decades ago.
Cheers,
Chris.
A memorable concert on Saturday. The atmosphere which they managed to create with each piece was amazing. Great interplay between sax/bass clarinet and voice, and then sax and piano and vocals. The rhythmic patterns were extraordinary (you really did not feel the absence of a traditional rhythm section), mixed with great harmonies. I loved the use of the bass clarinet. And you cold see the three had a great time playing.
Finally I appreciated the human aspect, besides the artistic one, when presenting the compositions. It really brought it to life.
Roberto
Sincere thanks and congratulations to all involved in performing in or promoting this world class festival.
This is the type of event which will promote Melbourne culturally to the wider world - not merely another boring, outrageously expensive, boozy sporting activity like the money-losing Grand Prix!
So much superb music was heard it's hard to know where to begin, but to me one of the numerous highlights - apart from the likes of Sonny Rollins naturally - was the inclusion of some Korean Pansori in a cross-cultural setting. Hopefully, more of this type of experimentalism will be forthcoming in future festivals.
In summary, this was a festival that made Melbourne a delightful place in which to live over the past week or so - and that's a compliment coming from somebody who has travelled to over twenty countries and lived overseas!
Thankyou.
How blessed we are to have a delightful jazz soul like the legendary Alan Browne in our midst.
I remember as a spotty-faced kid, my delight when seeing and hearing the fabulous "Red Onions" live with Gerry Humphries, after sneaking out from home - after bedtime - wearing my duffle coat via a back window!
A wonderful drummer is Alan with a quirky philosophy on life. I always delight in the way he makes a small kit sound so grand. Memo young drummers - you don't need a big kit or the world's flashest technique to make your presence felt. (I call Alan's kit a "New York Racing Kit", as it just contains the serious, gutsy essentials - no baubles, bangles and beads so to speak. Oh yes, another astonishing local drummer - originally from New York - is the breathtaking Edward York, who uses a similar kit. His singing cymbals are extraordinary people. Hear him if you can.)
Swing on A.B. and thankyou.
Hello Mel Stanley,
Last night, thanks to winning two tickets in your recent competition, a friend and I enjoyed the most wonderful evening listening to Norma Winstone and her two fantastic musicians.The three of them seemed so very in tune with one another and seemed to be getting as much pleasure from playing together as we did listening to them. It was a truly wonderful evening and we both thoroughly enjoyed the music and the venue.
Many thanks,
RuthQuinn.
That song "I stole the Blues" is truly awful. Weak voice, awkward phrasing and melody, average musicianship - I think the blues is is no danger of being stolen in that song..
How fortunate we are here to have such interesting guests in this country. Thankyou to all involved in bringing these fascinating musicians over to inspire us. Furthermore, through doing this, Australia is signalling to the wider world that there are many educated, cultured people here with minds on far more admirable pursuits than pop 'music', reality TV, beer, 'barbies' and 'footy'!
Thankyou Jason Moran for this thoughtful gesture concerning the wonderful Lee Konitz, for whom I've held tremendous admiration for many years.
I was one of those folk who sadly couldn't see and hear him live last night. To say the least, I was looking forward to it.
I earnestly pray Mr Konitz recovers speedily and that we might enjoy his live presence again before too long.
By the way, I've had the pleasure of seeing and hearing Jason Moran live too, therefore trust me when I state this man is brilliant!
I have just had the misfortune of hearing what, without a doubt, would have to be the worst piece of music that is played on this wonderful station. The sooner it breaks and has to be thrown out, the better! I believe the "artist" was Abdullah Ibrahim, and the track to be Bayi Lam. I have never found or heard a piece of "music" to be so irritating.
Apart form this one dreadful piece, the music that is played on ABC Jazz is wonderful and I enjoy it very much.
Keep up the good work!
Your biggest fan, Gordon.
This is a delightful recommendation - I have one of her albums in my collection, but haven't played it in a while. I will now after hearing this. Female jazz singers today are in in danger of being in over-supply. Yes, they're musically savvy, young, slick, photogenic and consequently highly marketable. However, so many lack the soulfulness of the likes of Peggy Lee, Julie London, "Sassy Sarah", "Lady Day", Patricia Barber, Norma Winstone, Cassandra Wilson and Astrud Gilberto as examples.
This lady has something a little different to offer and I'll listen to her more.
Thankyou and bless you ABC for your decades of support to jazz and for organising this interview.
I understand Sonny Rollins is going to be interviewed again today at 4.00 p.m. in Melbourne.
Will ABC Jazz be recording this?
I would love to attend in person, but duty calls as I have to work!
Please advise.
(I'm still reeling with excitement as a consequence of attending his inspiring concert last night.)
Cheers,
Chris.
Prophet-like Charles Lloyd remains a beacon of musical and genteel spirituality in today's tasteless, commercialised, conformist world. How priviledged many of us were to experience his sage-like presence live during 2010.
I've been a Lloyd devotee ever since swooning to his album "Charles Lloyd Live In Europe", featuring - wait for it dear reader! - then youngsters Keith Jarrett, Jack DeJohnette and Cecil McBee. Needless to say, I just about wore out that vinyl in the same way I did "Kind Of Blue." If you only listen to one Lloyd track this week people, emerse yourself in "Tagore", from this eclectic album. Lloyd's exquisite flute playing here is quite eastern, remainding me of the Korean Taegum. (Note - there is still debate about the Romanised spelling used here.) Because of this playing and that of the astonishing Jeremy Steig, I studied flute for a few years. Oh yes, I adore Herbie Mann too!
A sensational recommendation to complete another wonderful week on the one and only ABC Jazz website. Thankyou.
I am currently listening to ABC Dig Jazz, the best discussion and interview on Jazz music in Melbourne I have heard for many a day, thanks to Charles Lloyd, Paul Grabowsky and guests. We old Jazz lovers have enjoyed many great Festivals in and around Melbourne for the last 50 years. I just hope the youth of today takes their IPods out of the ear plugs and gets to experience GOOD LIVE music and learns to appreciate what special artists we have in our great city. Thank you for the programs on ABC Jazz. :Lynne
The sad passing of Gil Scott Heron reminded me of Ron Carter's wonder bass playing on " Piece of a Man". Gil had only Ron and Brian Jackson on piano for backing. Carter at his brilliant best and still awesome 40 years later.
There's only one thing I can say ... I've already got my tickets to see and hear "The Emperor". For me, there is only one place to be next Monday evening - his concert! Bring it on. This is going to be one of my life's musical highs, up with seeing and hearing Duke Ellington And Miles Davis in person.
Be there people.
I hope ABC Jazz will be recording this as no doubt some fascinating music will emerge during this concert.
There is some superb jazz being produced in Asia these days from people like Junko Onishi, Junko Kishino and Hiromi - Japan, along with the likes of Youn Sun Nah - Korea, and that's only the proverbial 'tip of the iceberg'.
East Asia is rapidly becoming the next Scandinavia in terms of innovative music. (Okay, I'm a little biased as I have great relations and friends there after making countless trips!) India of course has been an influence since the 1960s through the likes of Don Ellis and recordings including "Indo-Jazz Fusions."
Just going over some concerts I've been to this year and saw the above reviews. I went to the Brisbane show and was very disappointed in the sound - it started out terrible as though no sound check had been done at all - my head was swimming and confused in the levels bouncing around the room. It did improve after the first 30 seconds but still wasn't great. The second set was a fair bit better but I can't help but feel this was mostly due to the songs chosen being more minimalistic than anything the engineer did.
I spoke to some friends who were sitting up front and said the sound was fine but up at the back was a different story. Maybe they were getting a lot of stage spill and sitting behind/under FOH... guess it's worth paying the extra $ to avoid the risk of disappointment. I thought my $99 would've covered a decent mix.
I still enjoyed the night but it took concentration to just hear the music instead of thinking about what the heck is going on with the sound!? Not what I've come to expect from QPAC and especially engineers mixing for internationally touring artists.
What can be said about "The Man", that hasn't already been said! Hearing "Kind Of Blue", as an impressionable seventeen-year-old in 1967 - ironically the day Trane passed away if my memory is correct - irrevocably turned my head around musically.
The Beatles? I couldn't have cared less. I'd moved on to higher ground, crossed the proverbial Rubicon and like so many others, would never look back. Thankyou Miles and for the sweet lady who lent that album in blue vinyl!
I appreciate the musicality, and the personality or humanness that comes through in Lee's recordings. I love the alto sax, and consider it to be the soul of many jazz compositions. Lee breathes his soul into the music.
For those younger jazz lovers wanting to learn more about the "The Emperor", there is no better place to start than this marvellous album. Highly recommended and a collection necessity.
Gratitude to you in abundance ABC Jazz. Obligatory listening as this is an essential album in any worthwhile jazz collection. If in doubt, listen to this programme and you'll be sure to agree with the Jazzbear! I'll be sitting back with a heart-warming glass of red so why not join me? You'll be hearing one of the world's pre-eminent musicians at the top of his game with incomparable backing from Wilbur Ware, along with astonishing support on the traps from Elvin Jones. Unmissable folks.
The first perfection based classical take on a classically gestated yet rythmnically 'Jazzical' number i've heard for a long time. First up in Bill Charlap's radio entry to my sound-life; sweet yet parriodically jazz like, the author -i think- knows the same love i do for double irony. Back in the classical lap after a strolling around the dynamics of jazz, never letting up, concluding in a fritzly jazz-jerked wind-down that resounds of his classical understanding. All i had time to hear was ABC Jazz's 12:20 broadcast of (what i believe to be*) the first song played on *Live At The Village Vanguard. Must get that record and check it out. Even if it is said to have come from the money capitol - new york new york.
Thanks ABC; as a big konitz fan, I'll be listening for sure. Tell me one thing please - is this album available on CD? I want to add it to my collection. Cheers. Chris.
So much has been said and so much awaits to be said about masterly Ron Carter. His playing on "Miles Smiles" and "Miles In The Sky" - love those electric elements Mr Carter! - says more than I can about this innovative bassist.
Why would I like to see James Morrison perform at the festival? The question is why not?? He is without a doubt one of our nation's best multi-instrumentalists. Ever. Not just in the current era. His trumpet work is outstanding, but add to that his skills on the keyboard,or the tuba, or the euphonium, or the trombone, add in the picolo trumpet... the list goes on. Phenomenal! Possibly this freakish ability gets overlooked by some; not by all.
And there is the fact that he just a genuinely nice bloke, who thinks about other people, who brings his friends into the picture when performing, and who has a great sense of humour. Not perfect, no-one is, but as a muso and performer, right up there.
Thanks for the chance to join the choir singing his praises!
I 100% support this excellent recommendation. Having heard Bernie live countless times and having the pleasure of owning a few of his excellent CDs - including performances with Ten Part Invention - I believe he's one of our living musical treasures and if I might be so bold to day so, one of the world's finest exponents on alto-sax.
I enjoyed a performance from Lee Konitz in Brisbane in the 90s in South Brisbane at the Melbourne Hotel. His accompanying pianist was Clive Moorehead from Brisbane and also Mike Nock. So he will not be making his Australian debut in June. Nevertheless I will still be travelling to Melbourne to catch his performance as he is a legendary performer and instantly recognisable from his tone and style of playing.
A truly magnificent singer - a lady who can still show many trendy younger singers 'how it's done'. Superb voice, nice range and control,lovely intonation, soulful and capable of crossing genres comfortably.
One of the heavenliest joys of being a jazz father was taking my son along to see JR perform live, at the now sadly defunct, Continental Cafe in Prahran, Melbourne, some years ago. What a crackerjack saxman! My son and I also enjoyed seeing his fabulous father Dewey, live at an earlier point in time. Well, that night Joshua played superbly - picking up the alto too! - and graciously signed his "Beyond", CD for us. We mentioned to him the importance of parent to child relationships in music - we remain amateur musos - and he was delighted to know we had seen his beloved dad together. In summary, as parents and older jazz lovers, we all have a duty to pass on the flame to younger listeners as well as to inspire and educate them about this paramount art form.
That wonderful night he wrote, "Peace, Love, Gratitude", on our CD. Well Joshua, that's what I'm now saying to you and to the wondeful team at ABC Jazz!
A super-duper recommendation! Love this man's bold out-front gutsy trumpet sound. Great music to share if you're lounging around having a chat and a cheery glass of red with fellow jazz lovers. Adore his albums "Gumbo Nouveau" and "From This Moment". NP can take old chestnuts like "You Steeped Out Of A Dream", and give them a fresh outing. Try his take on "When The Saints Go Marching In", and you'll hear what I mean!
Yes indeed. Swing the Count sure did! Being a cornerstone of 'The All-American Rythym Section', alongside Freddie Green, Walter Page and probably the world's most innovative hi-hat using drummer - Papa Joe Jones, he couldn't miss. Possibly Basie's greatest contribution - like that of Woody Herman - was the fact that his band offered opportunities for other gifted musicians to gain experience and recognition, as the biographical information correctly indicates. The history of The Basie Band is in itself fascinating, as I believe - I hope correctly - that it morphed via The Kansas City Blue Devils, to the Benny Moten Band and finally fell under the leadership of the Count himself. (I'll be interested to read any other comments on this subject from other contributors.)
As the biographical information accurately implies, Roberts is a highly versatile pianist."Deep In The Shed"' is a very interesting album and well worth a listen, but "Gershwin For Lovers" 1994, remains my personal favourite MR album. Try them both anyway.
Delighted to see Tony Gould being inducted into the Hall Of Fame. Well done Tony and well deserved. Thankyou Tony for so many years of superb music and the lovely evenings many of us have enjoyed at Bennett's Lane and other venues over the years!
Lee's lilting, melodic, almost tender alto sound, reminds me of a breeze filtered through willow trees at dusk. If other readers haven't heard Lee live as yet, may I recommend they do so at the upcoming festival.
Try "The New York Album", as a listening experience too.
Who doesn't love Oscar! Along with Bill Evans, Wynton Kelly and Sonny Clarke, this superb technician was one of the pianistic heroes of my youth and no doubt for many other struggling kids. Loved his interview with another musical great, Andre Previn. (I think this can still be seen on Youtube.) My first purchase of Oscar's recordings was "The Jazz Soul Of Oscar Peterson", with Ray Brown and Ed Thigpen. Do any other readers know if this has been released on CD?
Herbie Nichols was innovative, swinging, unique and remains woefully undervalued as an extraordinary musician and quirky composer. Listen to "Herbie Nichols Trio" Blue Note 1519 - you'll realise every aforementioned compliment was deserved!
An extremely interesting and versatile musical voice - wonderful live too. Still enjoy listening to 'Trio Jeepy'. A far more lateral thinker musically than Wynton.
Hello Tab Webster,
I envy you! How I would love to have been in your position back in the 1960s. Great to hear you made the most of your wonderful opportunities. Agree with your comments re Buddy Rich. Sure, he possessed some of the fastest hands in the business, but in terms of style, there were other far more influential drummers when I was growing up.
Give me Joe any time.
Thank you ABC Jazz (and of course Luke and Janos). This album is absolutely beautiful. Dreamy, touching compositions complemented by first rate playing. I love it!
An fascinating tour with a new twist awaits us - particularly those of us who continue to enjoy Trio Toykeat and Scandinavian jazz. Welcome back Iiro Rantala.
In my teens and early 20's living close to Manchester I was blessed to see and hear all the great American bands and groups that toured the UK in the 60's.
One that stands out was the Dave Brubeck tour of 1964. Not only did I enjoy the concert, Joe's drumming was special, but the following night I had a ticket to a drum clinic arranged be a leading drum store where Joe with his Ludwigs' on a small stage entertained and showed 50 to 60 drummers what it was all about.
Some say Buddy Rich was the "Daddy of them All" but there will always be a special place in my heart for Joe Morello
The doyen of the walking bass! That cosy, swinging sound of Ray's could warm any jazz club on a freezing evening, as well as set up a heavenly groove in any context.
Norma Winstone's moving vocals catalogue a breadth of emotions from subdued exultancy to heart-rendering angst.Her musical selections state what many of our innermost thoughts long to announce. The more I hear this lady's voice, the more I'm impressed.
Unquestionably an exceptionally influential guitar voice. My favourite Wes album is with the hard-driving Jimmy Smith - "Jimmy and Wes The Dymamic Duo". The arrangements on it are by the magisterial Oliver Nelson. There isn't a dud track on it, so if you love Wes and Jimmy, trust the old Jazzbear! - this is the album for you.
Love jazz? Love reggae? Need a new listening experience? Listen to "Yard Movement", and you'll appreciate why Monty is referred to as 'Alexander The Great'!
Ah the brilliant Jarrett! Love his Standards Trio and his work with Miles. May I strongly suggest too that Jarrett lovers listen to his early work with the incomparable Charles Lloyd. Try "Charles Lloyd In Europe", "Love-In" and "Forest Flower: Charles Lloyd At Monterey".
Warne Marsh and the "Cool School" brigade were certainly a group of intriguing musicians. Their take on improvisation hasn't always appealed to everybody - it could be pretty cerebral - yet Marsh, Tristano and their like certainly provided a fascinating contrast stylistically with other more gritty, emotional improvisers of the day. I for one, adore the sound of Lee Konitz's alto. I strongly recommend all jazz lovers give this music a fair hearing and decide for themselves. I'll be tuning in for sure!
A subtle drummer who personifies the 'less is more' approach to drumming with his sensitivity toward the musicians around him. Paul skirts the beat, often merely hinting at it or implying its pulse, rather than openly stating it. As a bit of a drummer, I love his crisp snare, finely tuned toms and shimmering cymbal work. P.M. capably demonstrates that drummers don't require large kits to create meaningful sounds. A legend in my humble opinion.
Hello John Crombie,
Glad you enjoy Art Pepper..
Yes, as far as I know this great album is still available. You'd probably be able to get it at numerous outlets, but if you have trouble one of the better CD retailers would no doubt be able to order it in for you.(I'm not sure where you live, but in Melbourne I normally shop at Readings in Carlton or Basement Discs in the city. They're very helpful people.)
Cheers,
Chris.
This lady is a legend! Her gentle, lilting, alluring voice first captivated me as a boy when I heard her "Girl From Ipanema", and has stayed with me ever since. The outstanding musicians working with her, including the great Stan Getz, cool Luiz Bonfa as well as the masterful Tom Jobim*, certainly enhanced her "Jazz Samba" album. (Which I still have on vinyl!) A delight to listen to on balmy evenings or just about anytime, Astrud and her soulmates played a powerful role in introducing many of us to the subtle beauties of Brazilian jazz. An excellent recommendation.
*Note: Antonio Carlos Jobim is a heavenly musical story in his own right. I regard him as the Brazilian Gershwin!
Poetry & Jazz is a great and difficult art whose possibilities are rarely achieved -.as here on Casino. Poetry & Jazz requires a proper synthesis that would be attained by poets & musicians rehearsing & working together .This rarely If ever happens.
The rundown sketch of Casino's verbal content & attitudes, employing a weighted signifying voice & banal rhyming couplets does this art form a disservice .
Try Mingus working with the Langston Hughes script for Scenes from a City. ..
And though it not quite in the poetry & jazz category that I have mentioned I would most like to recommend to your audience Fred Hersch's Leaves of Grass
the great American poem by Walt Whitman for which Kurt Elling provides the main voice.
I have Art Pepper's 'Jazz Profile' CD Any 'Art' Jazz musician is worth listening to ! Art Blakey, Art Tatum, Art Farmer, even Art(ie) Shaw. I would like 'Art Pepper Meets the Rhythm Section' for my collection. Is it still available ? John Crombie
Esteemed musicians and memorable standards are combined in this magisterial album. On this recording, the superb Art Pepper ably demonstrates that he was more than a a cool West Coaster". Yet, as reported, all did not proceed well at the commencement of the recording session.. Art hadn't been playing for a fortnight prior. Apparently, his sax was in terrible shape and of course there was no rehearsal time! However, all elements clearly bonded and we are left with this marvellous music to savour. Have an enjoyable listen!
Ginger Baker is certainly a very multi-faceted drummer and a man who 'knows his onions' where African drumming is concerned. Like most kids in the 60s, I loved his licks on many Cream tracks, but over the years I've developed an interest in his drumming on other levels. I'd love to have heard him with the Graham Bond Organisation; alas that is now impossible. One track I particularly like of Ginger's, is his playing on "Can't Find My Way Home", with Blind Faith, filmed live in London's Hyde Park. (This can be found on Youtube.)
The enigmatic Mingus stands tall today as one of America's great composers, band leaders, innovators and for having a unique fat bass sound. His life described in "Beneath The Underdog", is not only about his own struggles, but also about the sheer fight for dignified survival so many of his people endured. (Anybody interested in jazz or American social history should read this book.) Mingus teamwork with Danny Richmond on drums is some of the finest in jazz. He fostered other important talents in his bands too, incuding greats like 'Captain' John Handy. So many compliments could be heaped upon Charles Mingus; I particularly adore his compositions such as "Goodbye Pork Pie Hat", "Better Git It In YOur Soul" and "Wednesday Night Prayer Meeting".
Note: Another book relating to African-American history worth reading is "Go Tell It On A Mountain", by the insightful James Baldwin. Another top recommendation Swingwombat!
Well done and best of luck for all nominees and of course the gratuitous plug: you can see several of the nominees as Stonnington Jazz, go to the website to have a look: www.stonningtonjazz.com.au
This was a truly inspiring documentary. As a lover of world music, a study of eastern philosophy, and a novice hand drummer, I found this episode to be quite enlightening.
Think of superb jazz singers and the extraordinary, spell-binding "Lady Day", springs immediately to mind.
Billie's rendition of "Lover Man" is my personal favourite of that sad ballad, while - to me - her most meaningful piece is "Strange Fruit."
Speaking of "Lover Man", there is an exquisite instrumental version of this on a fairly rare album titled "What's New", by Bill Evans with Jeremy Steig. (Highly recommended for jazz flute aficionados.)
One of the most versatile and all-round talents in jazz. Is there anything in the jazz canon he hasn't tried? Always a treat live too. Still adore his early work on the Fender Rhodes.
I have loved the Brubeck sound since around 1963/4 when I bought Time Out, but rocked to his wonderful muusic before then !....let's hope Dave continues way beyond his 90th in August and my commiserations go to the Morello family....He was the very best in his field !!
Duke to me, is "The Emperor" in terms of jazz royalty. If I were to pick the greatest live jazz concert I ever attended, it would be Duke's live performance at Melbourne's Festival Hall many decades ago when I was a wide-eyed young jazz lover. To say that astonishing band was star-studded, would be a gross understatement! - Cat Anderson, Cootie Williams, Rufus 'Speedy'Jones, Johnny Hodges, Harry Carney, Lawrence Brown and more, all right there in front of me in their smart band uniforms. Even the way the guys loosely wandered on stage one at a time had style! That band was as hot as the night on which it took place, but how blessed I was to be there. I wonder if any other readers remember that thrilling night? (I recall being driven there with some other passionate jazz lovers whose names I fully recall, in a wonderful old Morris Oxford, if my memory is correct.) The band played all those superb old tunes - we sang along with "I'm Beginning To See The Light" - along with excerpts from the then new "Far East Suite." The highlight that night musically for me was "Harlem", from "Black, Brown & Beige".
Tuned in on digital TV. Alan Broadbent Trio - Song of home . a laid back melancholy track. Reminds me of Sydney in years past.. (while Im stuck in melbourne right now) x
Monk remains to jazz what Van Gogh is to art - a true individual. A wonderful yet quirky composer - one of the greatest in the USA - who almost broke our hearts with "Round About Midnight" and smirk cheerfully with "Epistrophy". It's hard to imagine an experimenting modernist like Monk admiring James P.Johnson for example, but that was our Thelonious.
So much about 'The Sphere' epitomised jazz, from his zany hats, habit of dancing around the piano and some of those adorable iconic album covers! Great recommendation.
A beautiful soul was our beloved Billy and a heavenly composer. Love the guy and one of his favourite sayings:
"Ever onward and upward." Life wasn't easy for Billy in many ways, yet his wonderful compositions live on.
"Lush Life" melts me every time I hear it - no matter who is performing - and reminds me of life's empty pages.
Enjoy Joe Henderson's tribute album if you have the opportunity.
Meanwhile, I'm going to "Take The A Train", and dream of "Lotus Blossom".
A fine recommendation is Jimmy Giuffre. What an unusual yet fascinating jazz thinker.
Try "The Jimmy Giuffre 3" Atlantic Jazz 7567-90981-2; you'll be in for a pleasant Autumnal musical treat.
For a long time, I've been trying to obtain quite an early Gary Burton album titled "Country Roads & Other Places", without success. I'd be grateful if any other readers could tell me whether or not this fascinating album is still available. (I once had a vinyl copy, but never got it back after lending it! Silly me.) Cheers, Chris.
Note: Love Gary's work with Chick Corea too. His four-mallet work is really something.
This man is brilliant! (I've seen him live twice and own several of his recordings so please trust me.) His pianistic style is both unique and refreshing - love those codas. Brad can make a classic ballad his own. He has frequently been compared to the great Bill Evans, yet Brad is very much his own man. In terms of sheer impact and musical intensity however, he can be likened to Bill! The videos will thrill the most jaded listener.
Fabulous Betty Carter was indeed a singer's singer! Having enjoyed the privilege of hearing Betty's remarkable vocal skills live, I can assure readers that she truly was as great - and even greater - than her numerous admirers have declared.
Savour those excellent video clips and be astounded.
Sonny Rollins, Sun Ra and Ron Carter! I may only be new to Jazz, starting to listen to it five and a half years ago but I know these men are not to be missed! im defenitely seeing Sonny. I may have a HSC English assessment the day after but no way am I missing this!
A stellar outfit which continues to astonish us all, with the excitement, creativity and almost magnetic force of the powerhouse musicians within it. This multi-faceted band is correctly regarded as a consummate Australian musical institution. If visitors to Australia want to gain a speedy, yet memorable insight into our jazz - and the quality side of our music! - then this is the band to access.
Excellent music. I have listened to the concert several times while I write my thesis. I don't know much about jazz but what I heard I liked very much and to think it was recorded in 1938. Thank you ABC, can you please keep this link on for a while? Can I save this concert?
I saw the Brubeck Quartet at Festival Hall in Brisbane, back in the early sixties - without a doubt, the highlight of the concert was Morello's solo on Take Five. 4BH had a tape of the concert for several years, I called their request line a few times just to hear it again!
Joe is probably my favourite local pianist. There is always something special about a Joe Chindamo gig or a new CD. This man is definitely world class. ( Superb musos work with him too.)
Thank you so-o-o much for posting this .
It is AWSOME that human needs are catered for & that isolation can become a thing of the past ...
I am very sentimental about Breakthroughs that make life easier for us - I even cried on the day of the monumental achievement of being able to dial UK DIRECT !!! to speak to my Dad - w/o going through an operator !!!!
This Benny Goodman 's Concert will make my 80 yr old uncle VicK feel young again to know that he can tune in to the music of his era on demand ....Thank you for Progress !
I wish I had met the man to thank him.
My first "real" kit were the silver ludwigs 'cause I figured if i had the same drums then obviously I could play just like him............ hmmm
The grace notes, finesse, energy etc. that's what we still try to copy so an inspiration you certainly were so to the mighty Joe , my thanks.
'I'm thinking of you "Brooklyn Jim P "
doug Gallacher
Online on demand ...24hr Jazz....who'd a thunk it/
I remember when the only way we could hear Jazz
was to Listen to the Voice of Americas Jazz Hour on short wave
and locally, Geoff Brookes at some late hour once a week!
Mighty swinging cat !!
You'll be missed !!
Thanks for the rebound tip as passed on by many drummers .
"Take Five" what a great groovie solo over a vamp..... promise of things to come....
There is a lot you've left for us . Thanks.
This should prove fascinating. Monk remains a jazz prophet. As a composer he rates up there with Gershwin, Mingus, Strayhorn, Jobim and other greats. Monk to me is what Van Gogh is to painting - both unique and beautiful.
Thanks for the info and leads on Newport. When I follow your leads to relevant websites, I know I'm in the hands of passionate experts who adore this art form as much as I do! ABC Jazz is unquestionably, my number one website. Beautiful!
Joe's drumming style was unique in an exciting jazz era. Sadly we can't thrill to Joe's sweet timing, lush cymbals and tasty fills any longer - except on disc. His solo on "Take Five', remains one of the most innovative in jazz and one that other kids like me had fun attempting to imitate - much to the annoyance of the neighbours! Loved his 'stick games' on "Unsquare Dance" too. Swing on Joe and thankyou.
As a great Lee Morgan fan, while I enjoy the Blue Note Lighthouse session, I actually prefer the double CD on the Fresh Sounds label. This is incorrectly entitled "Live at the Lighthouse '70", but was in fact recorded at a San Francisco Club on that tour just before or after the Lighthouse (and was recorded and broadcast by a local radio station). The sound quality is not as good as the Blue Note (probably being a recording of the broadcast), but the group is even more fiery (especially Maupin).
I also like Morgan's album with the late Clifford Jordan, and I discussed Lee with Clifford (and also Billy Harper) when I toured both of those tenor saxophonists.
Lethal Lee Morgan and his band are truly on fire here! My all time favourite boxed set. Although comprised of only three discs, there isn't a flat moment on it. Even Lee's ultra-cool introduction on Disc One is worth a listen and contrasts with the heat to follow on "Beehive". The real burner for me however, is "Neophilia", on Disc Two. Bennie Maupin's haunting opening on bass clarinet eventually leads into a passionate climax and all concerned 'own-up' in their almost seductive solos. Disc Three ends with - you guessed it - "The Sidewinder". Essential listening for all Lee Morgan fans - and not too many of us aren't. Sensational kick-butt music from a man at the top of his game who would tragically leave us soon after this album was recorded.
I'm curious about Faust doing the jazz festival. They were a fairly uniteresting rock band in the 1970s, why are they part of the festival? Do they play jazz now?
Wonderful stuff. Such good quality sound for such a long time ago , and the music!!!!...magical memories.
It's interesting to hear how respectful the big audience was...only applauding the ends, and the special solo moments.
I'm ecstatic! Joy, joy joy - on my on the way to jazz heaven! What an astonishing array of jazz royalty we're about to embrace along with a renowned Korean p'ansori artist. (My Korean friends will be as thrilled as I am.)
Congratulations to all the wonderful organisers for the sounds coming our way. I'm saving up hard for all my tickets starting now. Hey lawdy mama! Bring it all on.
Here are the links, which are constantly being updated. For us Australians, did you know ohnny Pearson provided music for the ABC series "Certain Women" and the Ten Networks "Prisoner". Also Theme to "Division 4". Johnny Pearson is not in the best of health but at the young age of 85 is doing his best.
Hi Joe, You may not remember me. I played clarinet and sax under Peter Clinch. Great to read you went on to do do excellent things in the music industry.
I went on to other activities in the humanitarian and social work areas overseas. But I still play music here and there.
Best Wishes
Some great tracks and artists on this LP. Curious choice of version for "Someday My Prince Will Come" - introduced to jazz by Brubeck but made famous by Bill Evans! Still anything by Dave Brubeck is wonderful. Patrick
dont miss them, they're the real deal, you'll be sorry if you do. i've seen them in NOLA at parades and the maple leaf loads of times and ther're hot'n'funky!! got to be more of this kind of stuff in australia!!
A recommendation: If like me, you enjoy the music of Tomasz Stanko and some of the early electric Miles, have a listen to trumpeter Enrico Rava's album "The Pilgrim And The Stars'. (ECM 1063)
This fascinating album features original compositions and Enrico combines beautifully with John Abercrombie guitar, Palle Danielsson bass and Jon Christensen drums.
Unfortunately missed this interview (again). Could ABC Jazz provide a link to the audio file for a couple of weeks?
Thanks
Patrick
PS just love ABC Jazz
Have a great birthday Dave and stick around longer please!
"Take Five", was possibly my first favourite jazz piece when I was just a skinny little kid. (Although I realise the late Paul Desmond wrote it.) Gee I had fun trying to imitate Joe Morello's dangly drum solo. Additionally, I still adore Desmond's cool alto sound.
Loved that quirky album cover art on "Time Out".
Thanks Dave.
Um, Cathy. I was saying - 'pretty unanimous'. There's been no argument from the fans, above ! And although your a Perth resident Im sure you will be agreeing with me about the Brisbane venue too. Suggest you fly up here next time the RTF perform.
I also attended the QPAC concert and can concur that the sound was brilliant. Nothing short of a 100% standing ovation. Rare for a jazz band in Australia. Amazing concert
Tune in? You bet I will! Thanks ABC Jazz. I'd never miss any broadcast to do with my number one teenage hero.
(Heck, who would have cared about The Beatles in the 60s when you had Miles.)
I'm sure this wonderful man and superb musician, is receiving the joy in jazz heaven that he bestowed upon so many of us during his remarkable sojourn in this world. Frankly, when I played "Lullaby Of Birdland" on my stereo just after hearing of his passing, I felt very emotional. Seeing him live a few years back in the company of my marvellous former - and patient! - music teacher and her talented husband, was one of the great joys in my musical life. Thankyou George for the music, the laughs and the inspiration. I pray we can meet one day!
I attended the Melbourne concert at the Regent Theatre. Although I'm no sound engineering specialist, there was some sort of amplification buzzing occuring in one or two of the pieces the guys played. Its was distracting and in some instances lasted for over 10 seconds or so.
Musicianship wise the guys were brilliant and highly professional. Its great going to a concert of this calibre and having members of the band speak to the audience and throw out a couple of jokes. I've listened to Chick Corea's music since the 70's as a teenage kid, although, i wasnt full on into jazz/fusion etc, i did respect the musicianship part of it and Mr.Corea's use of synthesiser/electronic keyboards.
I've been a student of classical piano on and off for many years and its only been of late that i have started to study and compose complex jazz music. Attending this concert creates inspiration and motivation. I would love to see Chick Corea come out with the Electrik Band :-)
Checked the band last night in Brisbane. Heavenly stuff. They seemed to have most of those engineering problems above sorted out (and the Concert Hall is clearly better then those stages mentioned above).
Hard to fault, one of the best 3 concerts Ive ever been too. The Jean Luc violin allows for more soaring through the heavens, and Frank's work was very fine. Chic was totally on top of every area. The good spirits and humour of the group came through as well - far better atmosphere than that generated by synthesised laughs, over-produced dirges and sombre musicians in black and white gear.
The band are still growing together I think, and I sure hope that a performance will be released before the end of the year. That should be one for the ages.
Saw this last night in Brisbane. What a treat. What a line up!! What a bunch of pros!!! 40 years practice playing together does pay off. One of my best concerts ever.
Can't complain about the sound in Perth. I hadn't been to a concert in the Riverside Theatre at the Convention Centre before. We were quite amused that the seats had swing up benches for lectures- we could have taken notes!! Anyway, the sound was great. Perfect volume and pretty much crystal clear. Chick was wonderful, Stanley amazing, Jen Luc sizzled, Frank did a sterling job and Lenny White, well, what a groove machine. (I'm in love) My friends and I, (all big fans from way back), thought the whole thing was brilliant. :)
I hope Mr. Coppell hires Peter Walker to engineer the sound for future jazz performances at the Opera House. Mr Walker has the ears, brain, sensitivity, and skills needed to do the job well.
Yes I made it to the Melbourne gig at the Regent Theatre. It was a great show and it was nice that we had some lighting, smoke and a backdrop this time (including the RTF projection). I too must question the quality of the amplification. I was rather surprised that they went for 'rock concert' volume rather than something a little more subtle and sensitive. Up in the balcony I was bashed with rather a lot of noise in the first set making it difficult to hear Chick's keyboards or Frank's guitar playing. Lenny's drums were way too loud - even when he was hanging back they still dominated. Things improved as the night went on as Chick sent a heap of frantic hand signals to the sound board. Inexcusable was a very annoying and intermittent buzz which no-one on the sound board seemed to hear. Lenny mustn't have had any foldback because he couldn't tell his snare was vibrating loudly in the quieter passages while he wasnt playing. Otherwise he would have simply put his hand on it or turned it off!
Enough complaining - it was a great show. Chick graciously gave plenty of limelight to J-LP and Stanley Clarke - the latter premiered his piece 'New York' to a very receptive audience. J-L P's 'Mirage' also got a guernsy and so to did Stanley Clarke's 'School Days'.
The RTF repertoire was fresh, energetic and played with exuberence. It was wonderful to see how songs such as 'Senor Mouse' and 'No Mystery' have evolved over the years. I lost count of the number of key changes Chick introduced towards the end of 'No Mystery'!
Encore? You bet! Nothing less than a red hot performance of 'Spain' of course, complete with audience participation (normally this would make me shudder, but this time I sang and clapped until my hands were sore). I never thought I would see Chick to 'Spain' live - I read somewhere that he had 'retired' it.
Seeing RTF live is now something that I can cross off my bucket list! Please come again some day...
A great night for the fans... a terrible night for the sound engineer. Why bother bringing some of the world's leading jazz musicians to the Opera House and then letting someone (patently) incompetent sit behind the mixing desk? I'm the first to acknowledge that live mixing is a challenge (and, one person's ideal mix is another person's horrible noise). Incompetence, however, is just plainly obvious - it's not a matter of taste. Is there any other explanation for the bizarre level of processing and EQ applied to the mix - such that all softer, more subtle musical moments were drowning in various forms of hiss and noise?
If the hiss was "unfixable" (e.g. the guitar amp had a bad night), here's a tip for all budding engineers: ride the faders! Fade it out during the quiet moments, grease it back in when the band starts up again. Don't (don't!) turn it on and off capriciously, which merely draws more attention to it.
Here's another two tips: (1) this is a JAZZ event, not rock'n'roll. There's no need to pin people in their seats with volume. This leads to tip (2): the Opera House is a difficult venue for amplified music (ask anyone!). Mostly, you can't beat its (excessive) reverb time in the bass end - it was designed for un-amplified classical music, which generally benefits from the longer reverb. When you turn up a PA to the levels of last night's show - the bottom end (Stanley) becomes indecipherable. RTF's music is complex and interwoven; sensitivity is required (from the engineer) to reproduce it appropriately. None was in evidence.
I've heard that the sound in Melbourne was also highly questionable... Michael Coppel (the promoter) - are you listening? Not good enough.
If you're still reading, here's an even more appalling (technical) aspect of last night's show: the on-stage fold-back. We humble punters don't hear it, but the musicians rely on it almost entirely to hear each other on such a large stage. I was close enough to see members of the band struggling all night to get it adjusted up, down, up, down... they never looked comfortable! The foldback engineer can ruin a performance even more thoroughly than the front-of-house guy. When the musicians are fighting the system, struggling to get a sound and enduring feedback - as they were all night - it's a mighty distraction and hardly conducive to settling in to lay down a hot solo. If you were there last night, ask yourself: how many times did Stanley and Frank adjust their volume and tone controls during their solos? I can tell you: dozens! Every few seconds they would tweak, and tweak some more. Why? Because they couldn't get "comfortable" with their sound. Thank you, the foldback engineer.
Sadly, both engineers seemed to spend most of the night looking at the frequency spectrum displayed on their laptops. Here's my last tip: when mixing sound, the most important tools are your ears, your brain and your sensitivity. And a warning: next time, my partner will NOT be able to restrain me from bumping you out of the way and taking over.
I've been wanting to see these guys for a long time, but $120 for a sit-down show at a theatre?
Disappointing to see the promoter chose these sort of venues.
What a concert. First time I have seen Stanley Clarke live, and he is amazing. All the band were terrific, and JLP added some excellent content, Chick was as good as ever, Frank took up the guitar duties with all the right riffs, and added his own magic, Lenny White held it all together, with some very good fusion but not over the top fusion drumming. Also liked his high hat.
I missed his Syd Concert and flew to Melb to catch it there. I was not dissapointed. The duets between the percussionist, who is pure genious and the keybourds was mindblowing. Phrasing great, Money well spent. seeing them live is so far removed from listening to a CD. Another Galaxy.....
Thankyou ABC Jazz for this interesting interview with the wonderful Tomasz Stanko. Unique he is!
What a joy it was hearing his multi-influenced band of musicians live in Melbourne recently.
Hopefully, more ECM artists will grace us with their presence ongoing.
This album is a stunner! - if in doubt just listen to Cassandra's quirky take on 'St James Infirmary.'
Some female jazz singers have sultry voices which consistently haunt the senses - for example Billie Holiday, Julie London, Astrud Gilberto, Patricia Barber - well to me this lady has that same quality. Seeing her live some years ago was indeed a sensual treat too.
Took my best friend to the Village Vanguard last night to see Jacky's 11pm set, as part of a Bachelor celebration. We were very shocked as Jacky proceeded to not really play. The legendary owner Lorraine was grumbling at the bar, people started to walk out. Jacky stood up walked off stage and fell down when he came back. This went on with Jacky not "completing thoughts" for about, 40 minutes. He and the club owner were sort of tangoeing in front of us. Then about 6 people walked out, shortly after Jacky stood up and said good night. Extremely disappointing. Clearly something beyond your standard drunkenness. Weird!
I'm going to see them in Perth. In just over a week. So excited! I still remember the first time I heard them - lay on the floor in the dark and listened to the Romantic Warrior LP, which I still have, naturally. It was a heady and moving experience. Of course that was with Al Di Meola, but I'm looking forward to hearing Frank Gambale, and Jean Luc Ponty, and would like to send best wishes to Bill Connors too. Bring it on!
I'm confused about the dates of the event. February 5 is Saturday; February 6 is Sunday. Another event (Dungog Film Festival's "In the Raw") is being held in the Richard Wherrett Studio on 7 February which is a Monday.
Please check your dates and correct the website information please.
As noted from Ticketmaster site :
"Bill Connors has a medical situation that will not allow his traveling to Australia at this time. We all wish him a speedy and full recovery. He is making good progress. Although the circumstances are unfortunate, the guys are thrilled that Frank Gambale will be joining Return to Forever."
Yes, i was looking forward to seeing Bill Connors too. Perhaps he is sick ?
I would like to know why he can't appear. ....ABC - can you advise here utilising your incredible resources ??
But Frank Gambale should be interesting also, not having ever seen him live. I hope he may offer some variety other than all sweep picking - I do enjoy that and he is impressive but would love to hear/see him challenge himself in other areas in a more surprising and subtle manner. You never know.
I read they will play upto 3 hours ? And separately also. Be great if Chick did some stuff he did with Jean Luc Ponty on My Spanish Heart album... Rhumba's and such ....An amazing lineup all told !!!
Yes, don't miss this one. We play a couple of their tunes in Mean Feet Brass Band - Rebirth are an inspiration. I think its' like a movement; there are a number of small brass bands doing amazing things these days around the world. Obviously Rebirth and others with that brilliant American New Orleans street rootsy soul/funk/jazz sound but also coming out of Europe with some more classical style influences; check out the Mnozil Brass, they are amazing. In fact just do a search on youtube using "brass band" and you get a lot of great stuff including some great Rebirth performances.
Frank Gambale is likely a worthy replacement for Bill Connors. And he's a true local hero of the international jazz guitar scene to boot.
But I'm still disappointed that this concert, at these prices, has changed billing from: "The real deal, the band exactly as it was on the album".. to: "A great lineup, with some of my favourite players".
I thought that my $300 (for two tickets) was buying Return To Forever of the "Hymn of The Seventh Galaxy" era. That's what it said on the poster when we bought the tickets. Specifically.
Isn't there a Trade Practices Act to cover this situation?
Or, at least, an email from the Opera House (they know where I live) letting me know of the material change of circumstances. An offer of a refund wouldn't go astray either (I don't want one). But they should have informed, and offered.
I heard about the changed line-up entirely by chance, today.
Unmissable! This joyful outfit kicks butt and is already written on my calendar for 2011.
Brings back colourful memories of my time as a drummer in my daggy school brass band.
I too have waited 30 years to see these guys - my musical heroes!! Last year when Chick toured with the Five Peace Band, I met him backstage in Adelaide, 25 years after I first met him in Sydney as a young fan. I told him that while I have been blessed to have seen him 5 times, in different cities of the world, my life would only be complete if he could bring RTF to Australia. He acknowledged that they had missed Australia on their 2008 world tour and promised to try and bring them. I'm sure he would have planned it anyway, but I'd love to think I had something to do with this great fortune! I will be travelling to Melboune to see RTF with seveal members of my family and then again in Adelaide 2 days later. I want to see all these guys but Stanley and Lenny have been top of my list of those I have yet to see for soooo long. I have been so lucky to have seen many very great jazz legends in my life, and this will just top it off for me. Lucky, lucky, lucky......
Another sad loss within our great world of jazz.
Particularly love his work with Dizzy along with Gil Fuller & The Monterey Jazz Festival Orchestra.
Thanks for the joyful memories James. Bet you're already jamming it up with Diz in Jazz Heaven!
Harry! Look at you go mate! I remember doing that corporate event with you at Hilton when you were just 16 remember, you were talented then & looks like you have just skyrocketed since then.
Absolutely superb music, so appropriate to the title of the album. In particular the song "Kisses" is paricularly well presented and oh, so romantic. Denise has a lovely voice and nice vibrato, the piano accompanyment is excellent and the choce of songs is very good. Truly romantic music to be played "When lights are low" Proficiat Denise. Now to rush off and order this album!!!!!
Is there any way that you can revise this promotional material to also include Frank Gambale (guitarist ) who is also on this RTF Australian Tour 2010 Frank has played many years with Chick and I am sure you know is an Australian from Canberra! His career has been as profound as any artist's can ever be and we should be showering him with praise and publicity. I am so excited that he will be touring here and everyone should know!
Kind Regards
Kris
Never listened to Miller before. Blown away.
Big Miles fan and also of Pat Metheny, so the cool integration of guitar and brass sets me off!
Great groove! – Greg A,
Can`t tell you how much I enjoy listening to "A.B.C." Dig Radio, and tonight is just the best. Marcus Miller; What can one say? I`m a huge fan of M.M. and being a bass player myself, this is akin to heaven. Well Done.....
Regards, John Walsh.
Is there a support band? It would be really great to see a local band have the opportunity, like Chris Poulsen Trio did with the Yellowjackets a few years ago...
Well said Simon - this is indeed a very nice Christmas present (even if we have to wait until Feb). I had no idea they were touring but quickly purchased a ticket after picking myself off the floor. Should be absolutely massive!!
I never tire of listening to this man's music. I miss the days when I could see him live, when he used to tour in Michigan. His singing is that magical combination of technique and passion that is always greater than the sum of its parts and utterly hypnotizes the listener.
Fantastic News! I have waited decades to see these guys! I saw the Al Di Meola Project in Manchester and London in 1985, but I am a little bit too young to have seen RTF live. For me this will be the concert the year - and I don't care who else is coming Down Under - no-one plays like Return to Forever. Check out the Return to Forever Returns CDs & DVD from their 2008 US tour - should be able to find clips online - then buy your tickets!!
Not having been lucky enough to be there is there and having missed the broadcast is any way of still getting a listen? This thread has definitely got my curiosity aroused - very intriguing!
Above it did mention it would be available for 2 weeks after broadcast although it neglected to provide a link (!!)
- hey! why only 2 weeks?! Has ABC gone pay-per-view or something?
All Jukka Perko information and albums are available from me Henk van Leeuwen, promoter, who brought Jukka Perko on 3 occasions on tours to Australia and New Zealand - www.henk.com.au - Thanls to ABC Jazz for the interest
Not sure what people or critics mean when they nominate highlights, but the Alister Spence Trio performance was the best set I have seen at Wang for years. The festival itself had a particularly strong lineup but some of the organisation needs to be "tweaked". You didn't need to be Nostradamus to realise that scheduling an act of Kurt Elling's stature on the Sunday night was going to lead to many hundreds of people missing out. A bit of forward planning, perhaps in the form a of book of numbered tickets, at least would have allowed the volunteers to allocate available seats for the second set. I prebooked but some poor devils waited hours and still missed out. Incidentally the answer is not to ticket all "name" concerts; the one ticket system is a significant part of the success of the festival and many jazz punters won't bother with the 5 hour drive if the festival turns into a pick and choose ticket ripoff. One final opinion, I'm a great fan of Mr Elling but someone needs to tell him that he's overdoing the "Great American Songbook" schtick and if he doesn't watch out he won't be the first artist turned into a boring celebrity by a grammy.
This year's festival was one of my favourites for many years, really enjoyed the program, with lots of highlights for me. Look forward to the next 21 years!
There are some great pics there, is it possible to credit the photographer/s?
As a big ECM fan and lover of nothern European jazz generally, I'm delighted to know this intriguing, uniquely original musician is returning to our shores. However, I would be further thrilled to listen to him live at an intimate jazz venue like Bennett's Lane, rather than a large concert hall. What are my chances one day?
If you want a TRUE 'trumpet-off' with strict judging criteria that not even anonymous internet forum kings can debate, I have a simple solution that might just work...get the competitors on stage together (no expensive house rhythm section required Adrian) and the winners of the competition could be decided by who can play highest note with the loudest tone and most distasteful musicianship.
Always a little disagreement with judging in these situations. Look at the history, Ian Chaplin didn't get in, he is one of the best players on the instrument in Australian history, Philip Rex had the same situation. Mags and Muller equal when the judges job is to decide?
We are humans, we have biases and aesthetics, all differing, that is evident here. The judges use theirs and make their choices.
To those who say there was clearly a winner I disagree, and I'm probably quite knowledgeable in the arena of jazz trumpet. The guys all sounded great and I'm glad I wasn't judging.
Get over it people. It was a great opportunity for them to be heard and show their skills, beyond that they got some pocket money that will maybe pay their rent for a couple of months, if that, go buy their music.
As for the judges, all good people who have spent their life in music and deserve our respect too.
"Firstly to deride participants to this forum on the basis of their anonymity is with respect churlish and completely misses the point. Whether a participant chooses to post under his or her own name is largely irrelevant."
- Unfortunately Johnny, I disagree with you on this one, which is why I used my real name. I think people should stand by their opinions and reasonings and I feel internet forums encourage a lot of mindless and unsubstantiated material, purely because the poster needn't be publicly accountable for what they express in the domain.
"Finally, you raised the character of the 3 finalists however I am at a loss as to why? No one here has commented or raised any issues as to the personal standing or integrity of these 3 young men, quite the opposite. AS to better spending our time congratulating Matt for representing Australia overseas, again I am confused by what this means as I am not sure it is in this capacity that he is in NYC."
- I admit that paragraph may have seemed irrelevant, but what I meant to do was eradicate any sense of bias as I have known and played with Eamon for many years. My comments about this forum really don't have anything to do with my opinion of who should have won the award, I haven't even heard most of the final.
In terms of Matt representing Australia, that was a figure of speech. He is by default representing us. He was raised and he studied here.
Picking up on Adrian's comments, I don't think that the judges should enter into public debate but I don't see why they can't let the audience know what it was about the winning performance that made it stand out. This doesn't require any criticism of the other performers. The judges could simply prepare a few sentences which highlight the most impressive aspects of the winning performance - the depth of the ideas, distinctiveness of voice, mastery of the range of the instrument, engagement with the band...
Congrats to all the players - wonderful performances all 3. I'll be buying your records - I've got a few already.
The judges don't follow a strict mathematical process, as you might get e.g. in a gymnastics contest, with 10 points for technical ability, 10 points for originality, etc etc. It really wouldn't be workable. eg, if one judge is a 'hard marker', a scoring process would give their vote less weight than someone inclined to give higher points.
We do try to achieve consensus in deciding which 10 entrants are invited to play at the festival ; then which 3 should be chosen to play the final round ; and which finalist wins which prize.
If anyone can advise of a similar competition where the judges do enter into a public debate to justify their decision, or announce scores for each performer, I would be surprised ; but would also be interested to hear how it works.
Thanks for clarifying Adrian. My apologies for not knowing about this before posting.
Do the judges allocate marks for each person in each criteria as they hear or is it 'generalised?'
As Johnny Jazz said I think it's more the curiosity factor - nobody is trying to diminish the character or the playing of any of the 3 players but of course it's going to be subjective and open to interpretation. It is a competition after all and all finalists know that they are putting themselves 'out there' for public scrutiny. Let's remember that esentially it ia a PUBLIC competition, otherwise it would be held by a magazine and people would submit a CD.
Unfortunately the finalists don't deserve this kind of scrutiny as they are all great but I think people just want transparency in the judges decision.
Anyhow this is likely my last post as this seems a bit pointless but congratulations to all 3 finalists, they played their asses off and they should all be proud of themselves.
Shannon, thanks for your comments. I would like to respond. Firstly to deride participants to this forum on the basis of their anonymity is with respect churlish and completely misses the point. Whether a participant chooses to post under his or her own name is largely irrelevant. I'm sure you would not know most of the people who have posted here. As you also personally well know many participants to forums such as these choose to remain anonymous. Surely this does not cheapen their contribution?
The posts I have read have almost without exception been respectful. There is however strong feeling about how the award was judged and a desire for more information as to the process. Surely the public who of course are the lynchpin of these awards are entitled to this information. Indeed I have read other forums where jazz musicians have questioned and been openly contemptuous of the standard and the process of some of the major jazz awards in this country. Shannon you will not need to travel far to come across this view from your fellow musicians.
In your post you talk about the potential hurt to Eammon. With respect this again misses the point. Eammon's playing as with all the finalists was exceptional. Indeed the awards were the event I enjoyed the most this year. To ask for more information about the process is not to cast aspersions on Eammon or indeed the Judges. I for one as with many other people would simply like to know by what criteria the entrants were judged upon. Very simple. In fact I can easily live with Eammon winning the award I would just like some more information. In any event the criticism meted out to other jazz award winners on other forums from their fellow musicians is I would submit more likely to be hurtful than the postings on this forum.
Such discussion that is going on here is more likely should the festival respond in an appropriate manner to lead to the protection and advancement of the integrity of the competition. All the public is asking for is more information as to the judging process.
Finally, you raised the character of the 3 finalists however I am at a loss as to why? No one here has commented or raised any issues as to the personal standing or integrity of these 3 young men, quite the opposite. AS to better spending our time congratulating Matt for representing Australia overseas, again I am confused by what this means as I am not sure it is in this capacity that he is in NYC.
Yes, there ARE criteria for the judges to follow. These are stated on the entry form, which is available on www.wangarattajazz.com
The criteria don't include reference to where anyone lives ; sorry, but that 'theory' is simply silly.
The 3 finalists are judged on how they perform in the final round. Unavoidably, the judges will take into account how someone plays in the final round, compared to how (and what) they played in the semi-finals.
The policy of not asking the judges to explain/justify their decision is not a matter of treating the audience with 'disrespect'. It's more a matter of treating the finalists with respect. If the judges are critical of some aspect of their playing, they can explain that to the finalist in question (if they wish to discuss it with the judges), rather than making potentially critical comments in a public forum.
It is a subjective competition, not an Olympic sprint.
Some of these comments are so offensive.
To all those who thought Mat was great, maybe your energies would be better spent telling him how impressed you were with his playing and how proud you are that he is representing Australia on the world stage, as he does in New York.
Hopefully Eamon doesn't end up reading these comments; imagine if you put your heart and soul into playing your best, both leading up to and during a competition, won it and then had to read about people thinking you didn't deserve it. How utterly hurtful. If you disagree with the judges' decision, that's your business. Hiding behind the anonymity of the internet is, well, just cheap.
The beauty of this competition is the exposure it gives to the players. I know many of the top ten players were largely unknown to the general jazz going public in each state.
Having had the absolute privilege of sharing the stage (at various times) with all of the gentleman who made the final, I can safely say that they are all fantastic players and genuinely fabulous human beings with so much to offer the Australian and international jazz scenes.
To baritone sax lovers:
If , like me, you love a bold, warm bari sax sound and you enjoy players such as Serge Chaloff along with Pepper Adams, may I recommend Nick Brignola's 1996 album, "Flight Of The Eagle". Some original compositions along with fine renditions of standards like "My Foolish Heart" and "Body & Soul" are included. Nick is capably supported by Kenny Barron, Rufus Reid and Victor Lewis. Well worth a listen; this collection cooks.
I doubt that formal judging criteria would solve anything... i would like to go and have another listen though. Is there a podcast of the finals broadcast here?
Must agree with the general sentiments here. I thought all the finalists were exceptional and each had different strengths. Eammon had a wonderful warm tone and I thought Nicks playing showed avant gardish elements which I really enjoyed. Matt however I thought was just on a different level and I must say I was shocked to hear he didn't win. I was really very surprised. One theory I heard was the reluctance of the judges to award the title to a non resident performer Matt, like Jacam Manricks last year, currently residing in NYC. As indicated by Adrian however don't expect any feedback from the Judges. We the punters are the poor old cash cows continually treated with disrespect. I challenge the festival to award an audience choice award for the finals which would be very simple to do. Matt would have romped it in this year
Great comments Adrian, but your comparison and agreement with people re: Monk and Oscar kind of proves my point below.
If you can't compare Oscar and Monk then why do it at Wangaratta in a competition format without some kind of judging criteria? At the end of the day these 3 awesome musicians were being judged/adjudicated/compared/whatever you want to call it.
Being that this really IS a competition then what are the criteria? If it's to be transparent then the finalists need to know what they are being judged or asessed on.
I am declaring an interest in that I am friends with Mat but I thought it was a given he'd win when I listened to the finals on ABCFM. You mentioned that the judges listened to the semis and the finals and most of the anonymous people likely didn't - so does this mean that their performances in the semis were also adjudicated? Did anyone tell the finalists that? I'm sure Mat wouldn't have done the same set if this were the case.
Whilst the other finalists were great Mat showed a maturity that was unique and while others mention the 'tradition' of the music and uniqueness in Eamon there were a lot of '60s Miles influences happening there too.
I'm not taking anything away from the other two I thought they were great and I really loved their playing, but I didn't think either of them were 'the best' in my humble opinion.
Jazz is what it is because some like Zorn, some like Bird, some like Kurt Elling, and others hate them all and consider themselves Jazz afficienados.
What is right or wrong?
To me transparency and a judging criteria are the only fair way to judge a 'competition' as Jazz moves further away from its original tradition.
Generic???? Are you KIDDING me. Maybe listen to the recording again. Mat has such an original voice it's RIDICULOUS. Who does Mat sound like to you? Just because he can play all over the instrument doesn't mean he's generic.
Oops! Nearly forgot re my Serge Chaloff comments.
Thanks too for those knockout video clips!
I always know you wonderful jazz lovers at ABC Jazz can be depended upon. Thankyou once more.
Serge Chaloff is somebody we should all listen to more often. His warm, full-bodied tone caresses the ears whilst lovingly embracing the music.
"Blue Serge", is certainly a wonderful album through which listeners can know Serge better. My favourite tracks incude "Stairway To The Stars", "A Handful Of Stars", How About You?" and "All The Things You Are". With such renowned greats accompanying him - Sonny Clark, Leroy Vinegar and Philly Joe Jones - nothing more need be said. Sure, like just about everbody, I love "Jeru", yet I believe Serge had a bigger, fatter, more expansive sound.
I'll hazard a guess that Eamon won because he has a more developed 'personal' voice. He is an utterly recognisable trumpeter with his own sound and approach to improvisation. Matt is a spectacular player but sounds more generic. The judges are entirely correct in ordering their priorities in this manner... it is actually the tradition. That's why Thelonius Monk is accepted as a more important pianist than Oscar Peterson even though Oscar Peterson could 'bring the house down' in a way that Monk never could. Jazz is an ARTFORM not a craft or a sport (even though aspects of craft and physical prowess do play a part).
Eamon is one of my favourite trumpeters (I am a professional trumpeter myself) he can actually surprise - so, so rare. That's not to take anything away from Matt who is one of the most extraordinary trumpeters we have produced but this award is not a 'brass' award or a 'trumpet' award it's the National JAZZ Award people...
On behalf of the Wangaratta Jazz festival, I feel the need to make a few points.
* The three judges are very experienced and respected musicians, who took the task of assessing the recorded entries, and the performances at Wangaratta, very seriously. I have the utmost faith in their integrity, and have no doubt that they gave their honest opinion on the performances presented to them.
* The judges listened to every performance in the semi-finals and the finals. I would be surprised if some of their (mainly anonymous) critics could say the same.
* I would be very surprised if any other similar competition would ask the judges to publish the reasoning for their decisions (as suggested here), and enter into a public debate. I have no intention of doing so. I suspect that such an exercise would be fruitless. The judges' decision is final. Having said that, the judges are happy to provide feedback to any of the contestants who might contact them directly.
* People can debate the merits/strengths of the respective musicians who were in the finals. That's fine, everyone is entitled to an opinion. [Someone raised the example of Oscar Peterson/Thelonious Monk ; it's a good point..for what it's worth, I think Peterson had a far more commanding technique, but personally I'd be more swayed by Monk's originality and wit. If others disagree, I can't say they're right or wrong, just that they have a different opinion]. It does surprise me when people are so confident in their own knowledge/opinion that they can declare not just that they disagree with the judges, but that the judges 'clearly' got it 'wrong'.
* I hope that this debate doesn't detract from the achievements of Eamon, and Mat, and Nick, in making the finals in what was a very strong field, and all playing some superb music throughout the course of the weekend.
To preface I am a big fan of the playing of the judges.Friday night's performance by Mike Nock New Quintet featuring Phil Slater was a highlight of the festival and I've enjoyed James Greening's playing in a variety of settings. I've listened to and played jazz for over 40 years and heard live the playing of trumpeters including Louis Armstrong, Dizzy Gillespie, Woody Shaw, Freddie Hubbard and Wynton Marsalis.
Maybe because where I was sitting - at the back and up top - the impact of Mat Jodrell's playing was immediate. The last of the three finalists to play, his sound seemed to fill the room in an acoustic sense especially when he moved back from the mike. The quality of his tone was profound and reminded me of a 1988 sound check by Marsalis in the Perth Concert Hall.
Of the three finalists Mat apparently was the only one to play the same three pieces. His control of dynamics and the nuances in the quality of his tone in Flamenco Sketches were superb and no doubt he used similar devices both in the semi and final but the overall impact on this ballad was both times sensational. Should he have played a different blues in the final? Straight No Chaser in the final possessed an interaction with the trio especially Ben Vanderwal that provided some of the highest quality playing of the weekend and he surely did not play the same solo as the semi. His ability to maintain control of the rhythm with Ben's propensity to utilise complex poly-rhythms was first rate.
Mat's original with a McCoy Tyner-style ostinato that Sam Keevers nailed superbly provided Mat the opportunity to again display technical facility and accuracy; a knowledge of contemporary musical form; and the highest notes of the final.
I have used the 10 point criteria above to analyse Mat Jodrell's performance. In the interests of accountability I would suggest that the judges make public their analysis of the three finalists that an overall jazz-educated audience may better understand the way this artform is perceived by its most talented practitioners.
May I begin by saying that I have no connection to any of the players in the final nor do I mean any disrespect to any of them - reaching the final and being able to play under that sort of pressure is a great achievement. However, as a regular attendee of the festival and a regular patron of the competitions I feel I need to comment on this year's decision. It seemed to me and all of my companions (all long time jazz fans and students of the genre) that the failure to award the final to Matt Jodrell was no less than astounding. Surely all patrons of the competition (and purchasers of tickets to the festival) deserve some feedback from the judges ,in all the competitions, to enlighten us as to the reasons behind the decision. Perhaps then we would not feel so amazed at what appeared to be a travesty. Otherwise we may feel that we are being treated, as one prominent critic labelled us in a review of last year's proceedings, "just a festival crowd".
Matthew Jodrell has actually been studying at the Juilliard School and we will be hearing a lot more from him too, despite the fact he was placed second.
To those who say "that's only your opinion" I say that when someone like Matt is that far ahead of the rest and is not rewarded the result lacks integrity. To those who say "it doesn't matter who wins" I say well don't have a competition then, just have the best ten players of the instrument presenting their material. To those who say "well its on again next year" I say that after 4 years of watching these curious decisions I'm boycotting the Awards until there's much more transparency of judging.
Whilst all the competitors were fantastic, this decision really is astounding. Matt Jodrell was clearly the best in terms of musicianship, ensemble interaction and virtuosity. Conspiracy theories aside, it is unthinkable that matt could not have won it as he was clearly the best brass player in the final. I was in the audience and it seemed unanimous that Matt was the best finalist. I can only reiterate what was said previously in that the 'fact matt did not win is an embarrassment and has done nothing for the reputation of the competition"
There were many fabulous musicians in the competition and really getting into the top ten is brilliant so stop complaining that Matt didn't win, or I'll start complaining that my favourite didn't win.
No disrespect to all of the 10 players in the competition! It shouldn't really matter if he played the same tunes though - he was completely pushing the boundaries in all aspects of his playing - I hardly think he was playing it safe. Ultimately all three players played well - but Matt was on another level completely and I find it hard to believe people couldn't hear that.
No disrespect to Mat, who soudned great (as always)......but the people complaining he should have won may not realise he played the same set in the final as he did in the semi-final......maybe the judges decided he sounded great, but was taking a very safe approach?
Every year - nobody gets it! It doesn't matter who wins, half the people will say that's ridiculous, how could they have possibly given it to Mr X?? There will never ever ever be total consensus. As for prejudice against a certain city or state - gimme a break. Go watch some 9/11 conspiracy films.
The great Bernie McGann is indeed an Australian cultural icon.
This is another superbly innovative album from a true master and a worthy addition to any serious collection.
Being a double CD, it represents wonderful value too. Buy it! - satisfaction guaranteed.
Congratulation to Eamon however I believe strongly that the wrong decision was made here. Matthew was not only incredibly original, but showed his technical mastery of the horn and his ridiculously strong musicality.
Matthew Jodrell was clearly on a completely different level both musically and technically as a trumpet player. The fact that he did not win is such an embarrassment and has done nothing for the reputation of the competition. It was an obvious choice.
Decisions in competitions are rarely so easy. How the judges got this wrong is so hard to understand. If decisions like this continue to be made, the reputation of the competition will suffer.
Hey all, here we have the problem with competition in music! They all played wonderfully, but so different. Nicks chops were also incredible in his first tune, wailing up to double G's. Mathew was fiery as always, he is amazing. Eamon played the ballad so beautifully that I thought he was in another class there. It's not all about range, volume etc.
They picked the guy who was more original, less idiomatic perhaps. Jodrell's set was incredible and he is an astonishing trumpeter but Eamon's got something else going on. I remember years ago when Will Guthrie was judged winner over Danny Fischer and lots of people were kind of surprised but it seems to me that decision has been well vindicated with Will going on to develop in all sorts of directions and really influence a lot of other musicians.
The last guy (Matthew Jodrell) absolutely killed it and gave the rest a lesson in how to play (especially with a band). Maturity was second to none.
Also he wasn't out of tune for the whole set.
Can't quite fathom this decision but congratulations to Eamon. He sounded good.
For the award winner I'd like to offer a special invitation to perform at the first Sydney International Jazz Festival (SIJF), which will take place in August 2011.
as a kid in 70's I was a member of the Breen Machine (Janice Breen School of Dance) and was lucky enough to have had the opportunity to meet members of the Daly Wilson Big Band and Kerry also. This has brought back some great memories of my childhood... :)
i play this chart in a youth jazz orchestra. i am 13 years old and this is the most amazing jazz chart i have ever read or heard. florian ross is a compositional genius!
Thankyou, thankyou, thankyou to all the ABC Jazz team for these superb Dizzy Gillespie videos. You've made my morning; brought a tear to the eye!
Words don't come easily when attempting to describe the exquisite beauty of Diz playing 'Tin Tin Deo'.
I adore jazz and good ol' Aunty ABC. ( If any ill-informed right-wing politicians ever rubbish the ABC I'll just about declare war on them.)
With respect and gratitude,
Christopher Lynch.
I can say that ABC Jazz and The various iterations of the Planet both now in digital form are a soul saver, I could not dream of going anywhere in the world without access to them.Thanks ABC.
Schedule
Sydney Friday 22 Media Day
Brisbane Jazz Festival 23 October 2010
Ellington Jazz Club Perth 26 - 28 October 2010
Wangaratta Jazz Festival 30 - 31 October 2010
Sydney Opera House 2 November 2010, 8.30pm, Concert Hall.
I had the pleasure of seeing the Shannon Barnett Quartet last night (Sat 2nd Oct) in Ballina (not listed in the itinerary). The friends with whom I watched this show were as impressed as I was. To say that all the musicians were comfortable with their instruments would be to understate their vituosity. The complete control with which they played allowed each musician/instrument to have a spellbinding conversation with each other and with the audience.
Shannon Barnett's precision and breathing were notable, as was the tone elicited from her instrument: sad and wistful in "Pesos"; soaring and uplifting in their beautiful arrangement of Crowded House's, "Four Seasons In One Day". Nashua Lee's guitar work was superb. The lightning finger work on the fretboard even brought a smile and shake of the head from bassist, Christopher Hale... nuff said! Hale himself was assured, providing a stable base from which others were able to provide improvisation, and very capably taking control in his own spotlight moments. Behind this was the rhythmic simplicity of drummer, Ben Hendry. His consistent and persistent rhythms had our table bopping, hypnotised by the train-ride he was providing.
My only gripe is that the Crowded House arrangement is not on the CD... I'd love to see it included on a live album :)
We had a brilliant night... I couldn't recommend this quartet highly enough. Just go see them yourself.
It was a great interview, but I turned on in the middle of it and was not sure who was being interviewed. I enjoy Mike Nock's music very much. More piano jazz and quartets would be good for the programme.
listening this music is wonderful!
I propose to provide this music in all offices, it could increase the efficency...... :-))
I will follow your web site closer
From Italy, let me say a big CIAO to all of you.
Wow I loved this song so much I tried to download it on i tunes. Its not coming up on the album tho? How can I hear this song its not on the internet anywhere!!
This is an incredible album. Each member of the trio brings something fresh and interesting to the table, resulting in a highly enjoyable listen. This will be on high rotation at my house.
Wish I'd made this date back then, I've listened to this session four or five times now , and delighted with the playing and the musicians. Wish it could all be again...
Relaxed at home on Sunday afternoon and thoroughly enjoyed listening to this great concert through my stereo system recorded in February 2001.
A great line-up of musicians and great vocals by Nichaud and Shelley.
I have always been a Gerry mulligan fan and one of my all time jazz classics is the Chet Baker/Gerry Mulligan live recording of My Funny Valentime at Carnegie Hall in the 1950's.
It would be fantastic if Gianni and Friends performed this concert again in Melbourne almost ten years later. It would be an extremely popular concert and I for one would not miss it!
Hey...looks like a very enjoyable play list and I won't be able to hear you, but I hope you tell Eve to listen...she just got back to Oz today. If it becomes a CD please let me know...
and meanwhile have a great broadcast performance!! Yea for you!
Love
The old Auntie
Oh wow - I didn't know this recording existed! This was such a great night. Will's playing and musical presence in Melbourne is missed - so nice to hear him at the Fender Rhodes too. Thanks for let us relive this night!
Well, I managed to miss Smokin' at the Half Noten with Wyn Kelly and Wes Montgomery. Is it on CD and, if so, can you supply details? Your avid listener - Andrew Burke
The entire soundtrack to the Oscar-winning film "Good Night and Good Luck" is terrific - the film itself is a wonderful tribute to Edward R Murrow and a bygone era of journalism as well as popular music.
Someone PLEASE change the track here, this is not doing jacam or this piece justice. Who's is that alto player? It's obviously NOT jake as he's conducting
Wow, what a concert, for those of us who were there!
Between the talent of these guys & the acoustics of the recital centre it was a very special night.
Good on you abc jazz for making this available!
Regards
Its 2.28pm and I am listening to radio -ABC jazz on tv. I am just blown away by the announcer. She is intelligent listening. At first,having grown accustomed to listening to the "noise" and drama on commercial radio stations, thought she was over the hill and too boring - how wrong I was! She is incredible: clued up with the music,talented and intelligent- I am now sold to listening to the quality of her comments. Simply WOW!
Great music and lovely conversation.
I would like to hear more by John McLaughlin, Chick Corea, Stanley Clark, John Coltrane if not too much to ask. John McLaughlin is doing so much in innovations and would be lovely if your station could keep abreast of such progress in musical evolution.
Superb. One of my favourite late 20th century recordings. Thanks for this intimate experience.
I saw Ray Vega do a version of this with students from Elder Conservatorium a couple of years ago - they did a sterling job of fleshing out the unusual patterns and textures.
The city of Stonnington comes alive this May as it celebrates it's 5th year of the Stonnington Jazz Festival. With ten alluring days of sultry jazz performances by some of the most experienced in the business, and some up and coming fresh jives in between, this year's festival is promising to be an exciting and diverse musical indulgence for all. Whether you are an avid jazz listener, or just simply looking for a night of great live music, you will surely not be disappointed with the spectacular line-up in store.
From the cosy and intimate Red Bennies and Greek Deli Bar, to the Grand Ormond and Malvern Town Hall, there is a gig to suit all tastes in this cosmopolitan mecca of Melbourne. So just sit back, relax and be immersed by the sensual musical poetry that only Australian Jazz can bring to the senses!
For 5 years the Stonnington Jazz Festival has lit up the city with world class talent. For a few days in late May soak yourself in sounds and styles, cool and smooth, hot and hard, soft and sexy.
Hear what’s happening, be it Joe Chindamo,’s fingers dancing ebony and ivory soundscapes from the Cohen Brothers films, Bernie McGann shoehorning rocking riffs from his altosax, Bob Sedergreen getting down with his septet and hooking up some vocal magic, James Morrisson doing his thang, the Pearly Shells Swing Orchestra sashaying big band swing, The Shuffle Club blending the blues and so much more, Ten Part Invention making things happen, Stonnington City Brass blowing you a touch of old dixie with a sweet taste of vocalist Beverley Sheehan, Alan Browne dealing out the beat, Vince Jones and friends, plus hot young artists Sam Anning, Raj Jayaweera and burgeoning jazz singers Nichaud Fitzgibbon and Sarah McKenzie and more besides.
So listen up May 20 to 30 at Ormond Hall, Malvern Town Hall, Chapel on Chapel, Red Bennies, Prahran Market, and The Greek Deli. There’s cool jazz, blowing your way…
The normally suburban Stonnington will swing to the riffs of jazz musicians from around the world this April.
If you roam Chapel St after dark, you might be drawn by the sublime trumpet melodies of James Morrison, or the groovy tinkering of pianist Joe Chindamo.
Stepping into the venue, Allan Browne's smooth drum beats make your feet dance. And the music cuts through the rest of your week, drowning out life's little details, leaving the pure joy of jazz.
The majestic Malvern Town Hall is just the place to see the rise of young musicians like Julien Wilson and Sam Anning bringing an untainted and raw perspective on the old favourites.
Fingers will click, hips will swing, and tongues will wag, and as the night nears an end, you are already thinking of the next day's show.
You asked about increasing the quality of the signal on Digital TV. Sorry that's out of our hands. The ABC has a finite amount of Digital TV bandwidth and that's what they can spare for ABC Jazz. We are thankful they could squeeze us in.
Some of the tracks on this cd nearly came out about 15 years ago. The wait has been worthwhile. Since then, Warwick's style has only improved. The sensitivity of the cryptically titled p.449 is juxtaposed with the pyrotechnics of Chromania. This is a great album and demonstrates that Warwick is not just a brilliant trumpet player, but is also a composer of great merit. The ABC should give it maximum exposure!
The City of Stonnington has for the fifth year assembled a line-up of brilliant 100% Australian jazz for Stonnington Jazz 2010 Festival..
Hot on the heels of the Melbourne International Jazz Festival this festival continues to showcase premier Australian jazz musicians including James Morrison, Vince Jones, Joe Chindamo, Allan Browne, Ted Vining, Bernie McGann, Tony Gould, Graeme Lyall, David Jones, the Sedergreens and the Fitzgibbons.
The festival also showcases younger brilliant jazz talents including Julien Wilson, Sam Anning, Raj Jayaweera, Sarah McKenzie, Phil Stack, Zac Hurren and Mick Meagher.
The festival offers a superb variety of jazz for all jazz lovers at superb venues including the big concert style ambience of the Malvern Town Hall and the more initimate jazz club style ambience of Chapel off Chapel.
Please can you restore the ABC Jazz sound quality on channel 201 so we regional listeners can continue to enjoy the high quality broadcast that you used to have.
are you referring to abc jazz in general or the mal stanley program?the only jazz on the abc that i listen to is gerry kosters definitive "jazz up late" which i check out either live on friday night ( too late) or more often, on line
I'm listning now to the Dick Hughes interview with Andew Ford I'll always listen to Dick Hughes when I can find him on air.I like his styly of presentation & music.
This CD, once again, showcases the excellent talents of this fine group. With James behind the group, wearing his many musical hats, it's sheer musical bliss. A good rhythmical mix of styles and band combinations. Would love to see some liner notes.
This is a beautifully mastered album. JR has really captivated my spirit with his artistic and creative abilities. The final track 'Chiba' especially...the melodies brought me into this state of peaceful contentment...10/10!
missed the interview with Johnny McLaughlin - can I download it anywhere? - my Dad used to play his "JM - Guitart Player" album quite a lot when I was growing up - it had photos of JM as a boy on the cover....
Warwick has more heart and soul in his performances, coupled with a depth of Jazz knowledge that only comes from doing the "Hard Yards".
Along with Phil Slater, they are prominently the best examples of Australian exponents of Jazz in the most pure of explored and unexplored territory on the Jazz Trumpet.
There is precious little left for a true lover Jazz that Warwick cannot deliver.
Was just flicking through tv channels..came onto the jazz radio..this cool Latin tunes playin. Hmm this is sweet, wonder who it is..oh it's my uni small ensemble lecturer! Funky as Ferg!!!
I attended the Adelaide concert. Shorter displayed what he is more recently known for, namely economy of notes and the encouragement of melodic passages. The first number, lasting a whopping 70 minutes, took the audience on a veritable journey, lingering at various points of interest to explore the terrain. The episodic nature of the improvisation saw the group get excited about an interesting rhythm, and hang around to explore it fully, before meandering off to the next point of excitement, perhaps an interesting melody, harmony, sound, or 'conversation'. In one memorable episode, the bass player employed a bow in classical music style to explore a soulful, evocative melody, that was sensitively accompanied by piano. Shorter led the group to the softest of whispers, exploring tender, husky tones, with his companions employing their instruments in different ways to match his mood. Outbursts from the drums caused an interplay of comments from bass and piano, with Shorter tempting and teasing with rapid single note comments. The musicians are clearly masters of their instruments, and revelling in improvisation of melody, harmony, rhythm, sound and alternative use of their instruments. The group received a tumultuous standing ovation from the Adelaide audience.
What a delight this website is . Made the snow in New York look like Bondi beach for me . Great to see the master play the piano with such fine support from mark . My hope is that this great website can be expanded to include some historical Australian jazz footage which is sorely missed on the web .
cheers Sean Wayland
Long time ago I was pleased to see and hear Wayne Shorter playing together with Joe Zavinul,Jacko Pastorius & co.under name of Weather Report.It was 1983,just a few days before I left Europe to live forever in Australia.Weather Report was and is in my heart forever (like "Return to Forever").
Great sounds! I love hearing Dave Beck with you in this setting. This gig seems to bring out the best of your contemporary jazz writing.
Regards to All.
Jazzrad
For those equivocating on whether or not to M,M&W at The Famous Spiegel Tent tomorrow: Yes! Yes! Yes! They played The Sydney Recital Hall last night, and I was privileged enough to be there. Sell your grandmother if you have to, for under no circumstances can permit yourself to miss this trio!
I just found the site after listening to Andrew Ford's wrapup for the year with the Charlie Haden Interview. What a great human being as well as an amazing performer. Would this recording be available on ABC Records at any time? I note the license expiry date above on the 2nd!
Great site and congratulations on keeping the spirit of Music to Midnight alive in so many fantastic forms. Again what would we do without our ABC!
Cheers,
Lyndsay
He is the Grandson of Mario Manricks, my father. I am his second son & Jacam is my youngest son. Mario was born in Portugese Goa and died in Ceylon in 1966 at age 49. No I dont believe he was ever in Australia.
Having had the pleasure of seeing Five Peace Band Live in March 2009 at Hamer Hall, it was with much happiness and relief that this album was made. The concert was simply out of this world (Andromeda perhaps?). Fancy being transfixed by two 'old' legends - Chick Corea & John McLaughlin - for three hours. These guys have a combined age of about 150 years, but with an energy level to put the rest of us to shame. The other members of the band (Christian McBride, Kenny Garrett and Vinnie Colaiuta - Brian Blade substituted for Colaiuta for the Australian leg of the tour and is not on the disk - pitty as I think he was the better player) were no less impressive, as the recording does attest. I do recommend this as a cornerstone of any jazz fusion collection. Best of luck with your nomination guys!
I agree with Aztex (24-Nov-09), the sound of DIG Jazz is now dreadful, and living in regional SA means we have no other alternative than to listen to mono or streamed garbage. I have written to the minister in the (unlikely) hope that something can be done to restore this once magnificent service. From the thousands of comments regarding DAB+ quality (in metro areas only) the sound of ABC's digital broadcasts are inferior to FM, so that is hardly an alternative either (if I could receive it). Dark days indeed for Jazz lovers!
The 8 musicians used for the chamber orchestra tracks where layered on top of one-another.
So the resulting sound is actually a Jazz Quintet with a 40 piece chamber chamber group.
Here's a new review of the album:
Thanks for the feedback. We understand your disappointment at the reduction in bandwidth for ABC Jazz (we are not overjoyed ourselves). The reduction is from 192kb stereo to 92kb mono.
The broadcast of two standard definition digital television channels, ABC1 and ABC2 - soon to be three, with the launch the childrens' channel ABC3 in December - as well as a high definition channel puts the ABC digital television spectrum under quite some pressure.
As you can imagine, allocation of bandwidth for Terrestrial Digital Television is hardly an ad hoc undertaking and the ABC, like all other operators, must work within their allocation
Retention of the original streaming rates would, I'm afraid, be dependent on the provision of more digital television spectrum to the ABC.
They are all magnificent sax players. Lets not split hairs about who played better.They are all extraordinary- but in very different ways. The one thing they all have in common is that they were all taught by my brother, the late, great Tony Hobbs. I think they all did their teacher proud- the only tragedy is that he wasn't here to see it. Love you all Zac, Phil and Jacam. My brothers legacy lives on in you.XXX
Phil Noy clearly did play wonderfully well and deserved to be a place getter in the competition. I know Phil, he is a delightful young man with loads of talent. However, on the day of the competition Zac Hurren played better. This is my belief, and also the belief of two thirds of the judges. Well done by all participants.
Wow - hearing this on the radio literally stopped me in my tracks. A truly beautiful and original song with killer understated production. Can't wait to hear the rest of the album. Big up to ABC & TIna - thank you!
You seem to have a beef about many things, as well as no judgement about music.
Mr Elling is a genius, pity you don't get it (and I've been playing and listening to music for 45 years).
His live performances are amazing. I've seen him 3 times, twice last April when he played with the SSO (who were inspired by the man). His live performances are picture perfect - you should go to one when he's back - if you can open your mind and ears.
Clearly a lot of folk around the world have been "fooled" by Kurt, read his Wikipedia entry.
Qute a few of us presetn at the comp felt Phil Noy should have won, Zac is powerful and gave great performances but we think Phil should have been number one.
Wang Jazz Festival.- Looking for Accomodation? - Due to late cancellation. Accomodation available Narah Cottage King Valley 0428 526 750
thnks Jo Ludeman
We had the honour to see this great musician in concert last night in Perth. We were blown away by his talent and energy. (hope I am that fit at that age) A truly masterful performance. The crowd did not want to let him leave. Left us both with a huge smile on our faces. If you ever get the chance to see him live DO NOT miss it.
I had the pleasure of watching Hugh Masekela's live performance at Hamer Hall, the Arts Centre in Melbourne last night. Hugh did not disappoint, but I only wish the audience stood up and danced a bit more! Perhaps it was the venue, but nonetheless it was a moment so rewarding, to see this musical genius and legend grace our city. Despite his age, which I believe is 70 somthing, he moves like a 20 year old, full of energy. He is a joy to watch and I feel more fulfilled that I had an opportunity to see him perform live. His music is moving and so very poignant but also so charged with rhythem that you can't help but move along. I may not get a chance to see him again and was glad I went along. Not only is he a brilliant performer, but also a true gentleman. After a long performance, he took the time and stood and greeted each and every one of his fans who lined up to meet him for photo and autograph. A true legend! Thank you Hugh Masekela.
This is NOT Hugh Masakela's debut in Australia- he toured in 2004 and performed in Ballarat for the 150 year celebration of the Eureka Stockade.
as for the picture debate
I took this picture of Masekela in December 2004 in Ballarat during his performance
Having played Take 5 so many times, this is very special and something I will bookmark.
This is a perfect example of how easy composing music can be.
Dave is an inspiration to all and "his music will live forever".
Watching and listening to both musicians perform from so many miles away, and yet with such intimacy - would be a joy even if the performers were total strangers to me. But to see my old coutryman, school-acquaintance and fellow-musician Mark Ginsburg perform with such grace and assurance is a delight beyond words. To have come from a background very similar to Mark's makes his compositions ans style all the more evocative.
The weather is great in Bellingen this time of year and looks terrific for the whole of the Festival weekend. It will be 23 deg on Saturday and Sunday so take your sun screen with you. We have been hfor the last 4 Festivals and have had a fantastic time each year. Do yourself a favour and go this year if you can make it.
Will, I think you are living in the past. The world has changed.
a) Technology has made it possible for all people including young and budding musicians to be exposed to all sorts of musical influences and experiences. The borders are dissolving.
b) Jazz is a vehicle rather than a genre. In fact it is too broad to be expressed as a genre. What is important about jazz is that It enables musicians to express themselves in new ways and step outside the bounds of what might be normal.
c) You cannot separate identity from artistic expression. Australian musicians are Australian (or some combination of Australian and whatever heritage they came from). There is nothing wrong with exposing Australian jazz and Australian musicians to an Australian audience. The Australian talent pool is quite amazing. It is also underexposed.
d) As it stands today, no-one owns jazz anymore. Many cultures have contributed to what we call jazz.
I do agree with you regarding moderation but I see no issue with a leaning towards our own talent pool. I happen to be in New York at the moment. There is a lot of new vibrant and very exiciting music (read jazz) developing here that needs to be included. Oddly enough, even this new material is not getting sufficient exposure in the US market because of the other forces at play.
Kristin's musicality is obviously amazing.. and what a tone! She sounds like a woman - not a little girl. Love it! .... definitely one of my favourite jazz singers x
I saw Paul play at last year York Jazz Festival in Western Australia. His music is the best amongst the rest. Thank you Paul Grabowsky. You are among the great of Derek Bailey, Ornette Coleman and Cecil Tailor.
I saw Herbie Hancock play at this year Perth Arts Festival in Western Australia with John McLaughlin and it's was fantastic. I hope he would tour back here with an orchestra and to play the music of Michael Jackson. It could be done because during the late seventies I saw Gil Evans plays the music of Jimi Hendrix in Singapore as part of the USIS cultural program.
You can still hear the Melbourne Bill Frisell Trio concert on line ...at the Jazztrack
web page...abc.net.au/classic/jazztrack
Later this week the Joshua Redman trio concert at the Melbourne Int Jazz Festival
will be posted as well at the same link.
about the new dig jazz format:
have been listening to dig jazz since it started [it plays non stop through our sound system and then i glance at the laptop if i want to know what is playing.] it has been absolutely wonderful.
the music is still great and i can still look on line to see what is playing [very important] but
we do miss those cool announcements - the presenters that in a few words made you feel you were really at a jazz venue and really part of something new and exciting.
thanks A.B.C for helping to keep jazz alive in australia. e.
Looking forward to purchasing a digital radio and hearing ABC Jazz. However please don't go overboard with Australian content. Jazz does not have its roots here and should not be used in a nationalistic ideal for a new radio station based on this genre. We are a small country with jazz artists of international renown but using them simply in the pursuit of local content will be a turnoff to jazz lovers.
Comments
Just heard your program featuring Ken James. There was a number called Last Straw, which I immediately recognised as something else - the Cymbalism track from Drum Suite, by Manny Albam and Ernie Wilkins. I'm sure Last Straw was presented as a Ken James' original.
Louis Allen
Sydney.
you guys help keep me sane and happy.
There are some intriguing musical stylists emerging from Asia who have held my ear for some time and these include Hiromi. I'm looking forward to seeing her live in Melbourne shortly. Her album "Jazz In The Garden", with Stanley Clarke and Lenny White, is an aural delight and highly recommended. (Adore her take on "Sakura Sakura" particularly.) How thrilling to see Asian jazz making such an impact.
Hello & please advise details of the track that was played today at 2.10pm - 2.12pm
Thank you & Kind Regards
Excellent artist expanding Jazz back to one of its roots....
the percusion instrument on this album is not a bod-run; it is pronounced Bow (as in ship)-ron
awesome!
Gil - to me - could do no wrong. As a teenage boy back in the 60s, I was awestruck after hearing 'Solea' for the first time from "Sketches Of Spain' featured by the wonderful Arch McKirdy during his Monday night jazz programme on 3LO. (Essential listening in those days. There were several other excellent jazz presenters in that golden era too including Eric Child, Ralph Rickman and Geoff Hiscock.) A uniquely lateral thinker, Gil was 'A man apart' indeed. Furthermore, love Gil's 'Svengali' and his take on the Jimi Hendrix tune, 'Up From The Skies'.Nice one ABC Jazz.
Christopher Lynch.
Re Gil Evans,
There is a terrific arrangement of La Nevada by Lalo Schifrin on the his CD 'Jazz Meets The Symphony #4 - Metamorhosis'.
Hi Jessica,
Today (Friday 11/05) you played a cover of 'In the Dark' by a female vocalist around 3pm. It was fantastic! Who was the artist?
Thanks!
Relaxing after a good dinner, suddenly to my great joy and surprise I manage to connect to good old Aussie land, on my computer in Goteborg Sweden, I lived in Sydney during eight great years I am so fond of you all, Came 1965 into a pub I smoked at the time asked my Aussie bloke on the right. "Excuse me where is the ash tray"?Moments of waiting for his reply............., "Your are standing in it" Thank´s for good music it inspires me to hear and remember. One of many Swedes
As soon as I heard the first few bars I knew it was Miles in Spain.The arrangement is spectacular;the oud is such a beautiful touch.
Where can we buy "Cosmic waves" ? It was lovely.
I can see why she likes this photo.....
no drummer ever like Gene Krupa
He sounds amazing... would love the chance to see him perform with all the Brazilian/Caribbean influences and two new amazing musicians!
A sublime, deeply meaningful conception. The jazz message, being global, is now something we can all embrace and celebrate as it represents the triumph of the divine human spirit over adversity.
To those who haven't listened to much jazz or only tune in occasionally, please seriously do so. I pray it brings as much peace, beauty and fulfilment in your lives as it has in mine and countless others. Why not learn a musical instrument too if you haven't?
Hi Jessica,
Can you help with a recently played question please? Last Friday early afternoon - a track by a 'drummer as band leader' recent release. I seem to remember it being a European artist. Very organic and textured with an open 'room sound' ????
Kind Regards,
Paul G Man
Special thanks Mal Stanley for the thoughtful Mingus feature on last night's Jazztrack.
Yet another quality I adore in Mingus, was his uncanny ability to work so intuitively with drummer Danny Richmond. What a rhythm section! Additionally,adore his guest work with other musicians including Miles Davis on albums like the hauntingly beautiful "Blue Moods".
Happy listening to all,
Christopher Lynch.
Can’t wait to see and hear the live performance of this legend!
Mingus was born in 1922 which means it is his 90th anniversary. Worth celebrating anyway!
arguably, a once in a life-time opportunity to hear one of the most influential jazz pianists of our time aside from the great Bill Evans.
She sure reminds me of Tord Gustavsen but that's a great echo to make anyway! Where can I buy a cd?
Mingus remains one of America's greatest 20th century composers - a true pioneer yet fully aware of his roots and the injustice suffered by his people. Fiery, iconic, spiritual and purpose-driven, Mingus will always stand tall in jazz and contemporary music generally. "The Black Saint and the Sinner Lady", is another of his masterworks and is an essential inclusion in any serious jazz collection. Seeing the Mingus Big Band live a few years back was a truly memorable experience.
Thankyou Mr Mingus and ABC Jazz.
Christopher Lynch.
The best!
hi jessica, last sunday (15/4) you played, around 1.40pm, a track from a young english saxophone player named josh something (peleydo?). can't find a playlist from your program. is is possible to let me know who it was. he was sensational. cheers, david
merritimes@gmail.com
There's never been a more soulful female jazz singer. Yes, 'Happy Birthday' indeed Lady Day.
Thankyou too Mal Stanley for the thoughtful feature on Billie in last Saturday's edition of Jazztrack.
By the way people, do have a serious listen to Duke Ellington's 'Far East Suite', as mentioned. This astonishing album is too rarely heard from and just look at the all-star line-up performing on it!
Happy listening all,
Christopher Lynch.
Simply exquisite. A team of masterful musicians including a groundbreaking saxophonist, combined with the sensitive soulfulness of a stately vocalist interpreting classic love ballads, make this album a treasure.
Dave Brubeck is a part of my life and I heartily agree with Christopherr Lynce when he comments on Paul Desmonfd and Joe Morello. I lved in rural Australia as a boy and tennager and hearing Dave Brubeck was a window into the world to me - sophisticated, distant and very very cool.I bought all his LP's much to the mystery of many of my friends.
Play on Dave
i love this track, sounds very much like my favourite hip hop band ATCQ's Electric Relaxation! Who sampled who???
Does anyone know if the concert at the opera house with the sydney symph was released on dvd?
I cannot miss that .
That sounds great! I enjoyed it..
Oops Sorry - I remembered her as Canadian because of the Diana Krall concert - seems she's American.
Melody Gardot is Canadian. She is amazing. She was here as a support act with Diana Krall. Read about her on Wikipedia.. She is almost blind as she was severely disabled after a car ran her off her bicycle, but through her own will power and music healed herself to the point where she can perform as beautifully as this - writes her own songs too.
Absolutely brilliant. I have a few Bobby McF cd's. Classical with Yo Yo Ma and also Chick Corea. Leave me breathless every time I hear them. This man is truly blessed.
Looking forward to Bareny's performances at Stonnington Jazz, for more info go to www.stonningtonjazz.com.au
The Movin' and Groovin' Orchestra ? You have to be joking!
Wonderful performance! Hope it'll be repeated.
Why doesn't ABC Jazz include Marian McPartland's Piano Jazz from NPR? It used to be on ABC Classic FM years ago.
Others may disagree, but to me the jazz flute is the ultimate in 'cool'. Yes, the saxes are soulful, the piano sensitive and a complete orchestra, yet the flute - like a beautiful lady - bears hidden mysteries.
Over the years I've studied piano and played drums, yet playing flute has been the ultimate. Just warming up can mean dreaming about interesting people and exotic locales. While on the subject of the flute, how about some Jeremy Steig?
Thanks ABC Jazz.
Christopher Lynch.
No doubt he is the best performer and Amazing Artist.
web design miami
Sophie Brous has an amazing voice. I was just wondering if she has any records available to purchase. I would enjoy hearing more from her.
Anonymous.
Re your foolish comment sic "full of uninspired overseas players".
So the likes of McCoy Tyner, Terence Blanchard, Dee Dee Bridgewater, Chris Potter and Hiromi - to name a few - can be described in this misguided manner? Do you REALLY know anything about these superb musicians?
If you - whoever you are - believe you can do more to contribute to the artistic content of this festival, then no doubt the organisers would welcome your input.
Your ill-considered remarks make me - and no doubt numerous other serious jazz devotees - wonder if you really know much about this inspirational art form.
You're always entitled to your opinions Anonymous, but please ensure you know what you're talking about.
In the twit's remarks I thought C.Hawkins, Sonny Rollins, Paul Gonsalves, Joe Henderson, Wayne Shorter, and one or two others were much more important than all except Prez and Trane (?) but it's all subjective I suppose !
Sorry to say, but Mr Tyner is just going through the motions for the sake of his retirement fund these days. Those who remember the monumental power of the man from his mid-90s Melbourne concert will be sorely disappointed; by all means attend to pay homage to one of the all-time giants of jazz, but rein in your expectations. (He does have a very capable band.)
Chris Potter OTOH is an artist at the height of his powers. Folks, don't miss that gig.
Sorry but Ho Hum another corporate jazz event full of uninspired overseas players. Bring on Wang!!
This wonderful festival truly is a 'special event' - we passionate jazz lovers owe the organisers a massive outpouring of gratitude. Over the past 24 hours I've been listening to some favourite CDs from McCoy Tyner, Terence Blanchard and Hiromi in eager anticipation of this musical extravaganza. No doubt others are doing likewise. Thanks ABC Jazz and Jessica Nicholas from Christopher 'The Jazzbear' Lynch. (I'm nicknamed the Jazzbear because if I don't get my regular jazz fix I'm told I'm as grumpy as a bear!)
Forget the Formula One GP and all those other culturally bankrupt events for which Melbourne is sadly too well known, this wonderful jazz festival bears true merit allowing us to be seen in the wider world as more than a bunch of beery AFL followers. Congratulations and gratitude to the likes of Michael Tortoni and the other dedicated organisers who have compiled this outstanding programme.
Loved the track Mad about the Boy from A Small Hotel, Charmaine Jones is a gorgeous singer and Mike Bevan on guitar is brilliant. Thank you!
So...when is it? Where is it being held? Some info please people for those of us who enjoy Jazz but are not fanatical supporters!
Great !
what a pity this wasn't onble Michelle video...great show..and the inimitable Michelle..we have many fine voices in the country, and like me they all know she is the best
unusual expreince...loved it
Ah Michelle
Why dont they bring this to Japan? They have Osaka music festival in the summer but id like to see more international acts.
Any musician that has passed away deserves recognition even if people arent familiar with them. They simply have contributed to the arts and thats a major respect period. Rest In Piece Paul Motian.
I always wanted to play drums, I do know a lil bit but I am good guitarist player. Paul was an inspiring drummer and my band mates still follow him.
Stellar performance as usual!
Just extraordinary. I hope this recording is available to buy and cherish. Sublime!
Pete from Lilyfield
I thought ABC Jazz on Digital Radio replayed JazzTrack on Tuesday at 2pm??? not on ..
hi ivan,
is it possible to get your weekly playlist? do you have your own email mail list for updates?
regards,john obrien
can we please have a playlist of the tracks you play?
Saw Bernie and his quartet at the Sound Lounge in early Feb. Absolutely brilliant.
What a stunning broadcast this should be!
A local great of legendary status superbly supported, playing the incomparable music of a true jazz genius.
The Jazzbear will definitely be sitting back with some cool refreshment saturating his ears with heavenly sounds.
Joyous listening to all;
Christopher Lynch.
My admiration of Jacques goes back a long way, to the 1960s when I first heard and saw his original trio on IMT.
Through his early recordings, I first became interested - via the 'back door' - in the wondrous music of the incomparable J.S. Bach, which led to a broader love of the classical genres generally. Quite possibly there are others who are in my position. (I still cherish a vinyl copy of his recording of Bach's Brandenburg Concerto No.5 BWV 1050.) Merci Jacques!
Schumann furthermore, is another composer whose work I adore. I'll certainly be purchasing this album.
Had the pleasure of seeing his brother Nat perform at the Montsalvat Jazz & Blues Festival in the early 1990's. He played this and Mercy Mercy Mercy and a lot of others songs. A fantastic show.
Cant say I know Alan Pasqua, but when that inimitable Brecker sound cuts through the room I have to drop everything and just focus, drift. Here's another discovery I have to add to my collection.
not enough from women
She is incredible!!!!, Improvisation is unbelievable, I could listen to her for hours.
More creative genius from the master and his apprentices!
a great listen[with eyes closed]..fantastic...saw them live from front row at 'the Stadium' in Sydney in ???
Brilliant!
I just love the sensuous, subtle beauty of CD's playing, which epitomises the extraordinary allure of the region from which he hails. As a young man I was as enchanted with Scandinavia as I later became with the East and this music is so evocative of my imaginings during my sojourn there. Superb music to savour in quieter times. Thankyou for the video clips too.
I just love the sensuous, subtle beauty of CD's playing, which epitomises the extraordinary allure of the region from which he hails. As a young man I was as enchanted with Scandinavia as I later became with the East and this music is so evocative of my imaginings during my sojourn there. Superb music to savour in quieter times. Thankyou for the video clips too.
Hello ABC Jazz,
Re the above comment.
Sorry if I forgot to put my name to this, but please feel free to add it!
Thankyou ( Kam sa ham ni da! ) and warmest wishes,
Christopher Lynch.
Chris: We are trying to locate two other master tapes we made in 1969 and 70. One more of Max and the other of Billy Thorpe.
I am a 4-5 finger speed typist myself, never did learn properly either. Fountain pens and blotting paper, talk about basic technology.
While working on the project, a distributor in Melbourne made the observation that fans are the most under estimated people in the music business. I was a know nothing fan up until last July. Never worked in the business, let alone be the executive producer of an album that is about to be released worldwide. Had no relationship with anyone or anything regarding the music business.
One of my first contacts was Bob Bertles. The path was Peter Evans (lighting guy at the venue where we recorded - I had never met), then to Peter Williams (ex-Meteor, Groove etc, etc, etc.), then Mike Rudd of Spectrum, Ariel fame, then Tim Dunn, Ruffus Records, Bob's label, then Bob. Bob was so enthusiastic that another part of Aus R&R history had been found and would be released. Not a single person in the process thought I was "just a fan with a crazy idea".
Any way, I'll keep you posted of future developments.
Regards,
Brian
Sorry Brian, but should have added that if your organisation issues or reissues any other quality Australian rock or jazz recordings please let me know. It's uplifting to know there are people out there like yourself who truly appreciate their music. No doubt most of today's designer-clad executives heading up leading 'music industry' multi-nationals couldn't care less about the quality of music they distribute and are only out to make fast bucks. (They probably wouldn't know a C Dorian scale from a II,V,I voicing!) You impress as being vastly different. Keep up the good fight Brian!
One other thing. Sorry about my typos. I never did learn to type properly. Ridiculous I realise. (I was brought up on Shakespeare as well as Latin in addition to logarithm tables, Copperplate writing using nib pens, ink and blotting paper in the era of valve radios.)
Best wishes once more.
How can I not listen to this!!
How sweet; they finish on Take Five :)
Thanks again Brian for your comments and extra info.
Please keep me informed of any further developments.
Cheers, Chris.
I'll be listening - wouldn't miss it for quids!
Absolutely wonderful news. Having wonderful friends and relatives in Korea, this for me will be compulsory listening. I was fortunate to hear some of this fare live and had the pleasure of meeting and thanking Simon Barker for bringing this fascinating, extraordinary music to a local audience. I've travelled widely for decades in Asia and consequently I'm always delighted to hear music from this intrigueing continent - particularly Korea -being promoted. Thankyou ABC Jazz and Mal Stanley.
Chris: What an eloquent recitation of what we grew up with...and yes I agree, some bands just seemed to mesmerize us. After we got the go ahead from Max on the project, I asked him how he would describe the music style of that particular lineup. His own words were, and I included this in press release, "a unique sound, a cross pollination of rock, jazz, soul and blues." He said, "we had two rockers and two jazzers", seeming to say to me, Well what else would you expect?.
Glenn Baker said while listening to the live album,:
"Hey Brian,
Sitting here listening to the album and grooving away royally. You can see why they blew audiences away. They were truly a "musical" band, in an era of bubblegum outfits. "
I am trying my best to make sure this is a very big hit, to thank Max and to finally pay him back for over 50 years of great times, a debt we will never really be able to pay in full.
The great things about forums like this, is you get to meet people you would otherwise never meet, and everyone has a story and contribution to make. Even though we are online and have never met face-to-face, I still consider it meeting.
Here is a remarkable fact about this project - I have never met anyone that I have been working with, and the only person I have spoken to about the project in the last 7 months is Glenn Baker! I spent a lot of my past in high tech projects that spanned the globe, so I just applied my knowledge of how to run a remote project and take advantage of everything the Internet had to offer, and that was it. The last time I spoke to Max, Bob or Dave face -to-face, was 43 years ago!
Regards and keep on rockin' as Max would say,
Brian
Thanks again Brian.
As a 'boomer' - I was born in 1949 - I was fortunate to live thrugh a period of astonishing musical developments in jazz and popular music. The 60s commenced with the likes of Elvis and Ricky Nelson yet finished up with Woodstock! What a contrast. As a kid I enjoyed snippets of jazz on TV shows like Peter Gunn and heard jazz pieces including 'The Girl From Ipanema' , Chris Barber's take on 'Petite Fleur' and Kenny Ball playing 'Midnight In Moscow', all on the radio! Like many teens in the 60s I grew to love Cream, Spencer Davis,The Pretty Things, John Mayall, Jimi Henrix,The Doors, Brian Auger & Trinity, Ray Charles, Geogie Fame,Paul Butterfield among others and blues greats like Robert Johnson. (During this period I was learning/playing drums, piano and flute. I had young friends who were also enthusiastic struggling musicians.) The 'big bang' for me though was hearing 'Kind Of Blue' in 1967. I was never the same after that. We had superb Aussie acts back then too including The Purple Hearts, Tully, Jeff St John, The Missing Links, Doug Parkinson and such. However, my favourite local outfit was Max Merritt & The Meteors. His band - for me at least - encapsulated all the sounds I'd been enjoying up until then and had the added bonus of two of the nation's greatest jazz musos on board in Stewie Speer and Bob Bertles.
I used to watch these guys in a state of rapture. Stewie made drumming look so relaxed and easy, but of course it isn't and never was. He grafted hard for decades to play the way he did. How I tried to emulate his style and sound - unsuccessfully.
Getting back to my first love, jazz, that too went through a period of breathtaking growth. From cool and hard-bop to 'Bitches Brew'. Incredidle. Yes Brian. We were blessed to be around some tremendous sounds in a truly golden era, although the politics of the time were as bad or even worse as they are now.
Naturally, I was an enthusiastic listener to jazz presenters including Arch McKirdy, Geoff Hiscock and Ralph Rickman.
Great talking with you.
Chris.
Chris:
I had not told Press Play Music in detail about the release, and I was looking for words to describe how fans feel about Max and The Meteors live in those days. I could only describe what multitudes of baby boomers say when you mention Max and The Meteors live performances in those days, it is simple, "I remember those, they were awesome."
Our publicity campaign is covering about 600 outlets including radio, news papers, magazines, blogs, street rags, TV stations and syndicators. The media blitz will happen when we do the digital release, then again when we do the CD release.
The newsworthiness of the release is two fold - not every day do 43 year old master tapes shows up for first release, and the fact that two teenage kids made the recording and it ends up as a release for one of Aus and NZ most famous bands!
The entire story about Been Away Too Long is on the "Everything You Ever Wanted to Know about Been Away Too Long page (EYEWTKABATL). http://www.lostraxx.com/styled-2/index.html
Thanks a million Brian.
I followed the links you provided. What can I say? brilliant, brilliant, brilliant. It's all there .... Bob's dangly flute complete with flutter tongueing and over-blowing, Stewie's Blakeyesque drum solo - he loved Art Blakey - and the time-stopping atmosphere. Big respect and gratitude. Chris.
Chris: You can hear Kush in full on www.lostraxx.com then click on the Been Away Too Long page, or enter http://kkush.viinyl.com into your browser, or type "Max Merritt Kush" into your browser search field. Feel free to pass these links around as much as you like.
Kush delivers all the magic you remember: awesome arrangement, great sax and flute work, 2 1/2 minute drum solo by Stewie (the only Stewie drum solo ever recorded!) and a crescendo for the last 3 to 4 minutes!
We just set up Aus and NZ distribution with Press Play Music, and you will be able to order it from any record store you desire, online or bricks & mortar, and even pre-order the CD as soon as the digital release takes place.
We are hoping to have a global digital release around Feb 1st, and CD global release Mid to late March.
This is a once in a lifetime even for most bands, let alone a beloved one like Max and The Meteors.
I appreciate your interest.
Brian
Hello Brian Lewis and thankyou for the info regarding the upcoming Max Merritt album.
I'll be purchasing it!
I'm particularly looking forward to hearing 'Kush'. I did hear the band playing it live once when l was a kid and was simply awe-struck at the time. As I recall, the magnificent Stewie Speer - one of my all-time favourite Australian drummers - was also featured playing a knockout drum solo on this piece and Bob Bertles doubled on flute.
Another thought. Aren't we fortunate to have a marvellous website like ABC Jazz to exchange news!
She's from Adelaide
I love this music!!
Don Burrows is definitely one of our greatest Jazz musicians ever. A great joy to hear him play.
What a great performance, as I suspected even better than when I caught the pair in Greenwich Village back in Oct.
I doubt there is anyone who does a better version of The Nearness Of You. I hope theres a recording coming out from one of these gigs.
Waiting for the festival to come.........
Thanks to ABC Jazz and the Sydney festival for the tickets to the Chatswood show last night.
It's the first live jazz I've seen in a while, and we both really enjoyed it. I love the rhythm section so I was unsure how the duo format would play out, but for the most part Meldau used the piano's broad range to cover the rhythmic and melodic elements. Redman's playing was brilliant. Both semed really in tune with their playing and with each other. Great venue too.
I recommend seeing them if you can.
This is exquisite, timeless, truly outstanding music - the sort one can never get enough of. Essential listening.
Great to know too that good ol' ABC Jazz is listened to in California.
Possibly my favourite modern drummer/percussionist. (I own several of his albums alongside those of Jackie Terrasson.)
I admire the way LP explores myriad musical influences and the meaningful manner in which he can employ the most simple percussion instrument with such beauty and impact. The driving, heavy sound he achieves on his pared down drumkit - snare, bass and ride cymbal only - is frankly astonishing. A fine recommendation.
Great video clips too! Thanks ABC Jazz.
Bob's Bertles fans may be interested to know that a brand new live album, Max Merritt and The Meteors "Been Away Too Long", recorded in 1969 and never released, will be released in about a month.
Bob plays on all tracks, but he solos on two - Kush (Track 4), a brilliant rendition, and The House Will Rock (Track 7).
If you want a full-length preview of every number on the album go to http://www.facebook.com/lostraxx and follow the links to the viinyl streams.
Enjoy.
Brian Lewis, Producer
LosTraxx Records
Hi Ivan,
My name is David Phillips, I am a full time double bassist with the Adelaide Symphony Orchestra, and have recently collaborated with some of Adelaide's finest musicians to create an album of original contemporary jazz. The band is called Bottleneck and our debut album is called 'Diversions'. We are really proud of it and would like to send you a copy with the hope that you will like it and play it on your show. Could you please let me know who and where I should send a copy to.
Kind Regards
David
Hi Gerry,
My name is David Phillips, I am a full time double bassist with the Adelaide Symphony Orchestra, and have recently collaborated with some of Adelaide's finest musicians to create an album of original contemporary jazz. The band is called Bottleneck and our debut album is called 'Diversions'. We are really proud of it and would like to send you a copy with the hope that you will like it and play it on your show. Could you please let me know who and where I should send a copy to.
Kind Regards
David
Beautiful! Now I want the album.
Working back way too late for any evening, let alone a Friday; this last set made the past hour a pleasure.
Listen to you all the time from Sunny San Diego California.
Fantastic. Heard this tune a few times on abcjazz - The album - Song and Dance seems to be unavailable now?
Nice. I actually thought I was listening to some 'new' piece by the Bill Evans Trio.
Just heard Duke's Place, with Louis! Very nice! I'm listening on my iBook in San Diego, California@ 12:19 a.m. Wed. I used to listen way back in the 60's when I lived in Perth to Jim McLeod's Jazztracks. He had a smooth almost silky style that worked!
Mike Thomason
An Aussie in California
Delighted to see the one and only beautiful Billie on 'the front page' again.
Sure there are almost countless female 'jazz singers' around today. They're musically slick, photogenic and subsequently highly marketable - particularly to part-time jazz listeners - yet the majority of them lack that elusive 'soul' so essential for true greatness. Billie's life was fraught with sadness, but its this factor that made the difference in her recordings. Billie lived through what she sang.
nice and great post,i like it very much.Thanks for sharing.
Best cover of Imagine ever done.....:)
It's about time !!!... to hear some of the great last Wang fest highlights. not enough of it so far!
as we head towards the 66th Aust Jazz Convention. time
Season's greetings
All great artists
It is a Quintet.
Thank you for playing my music.
He was a drummer's drummer, but not because of the flash and technique. He attracted my attention because of the lack of it. The way he used space, the way he implied time, and his use of rubato in his solos, were things I hadn't heard before, at least not from a drummer. He had a style of his own, one of the truly great innovators. Sadly missed.
GREAT CD!!
I saw these guys at a little bistro a while back and ever since then my ears perk up whenever I hear Jazz. They really put some wings to their music. I never really cared for Jazz up till then.
James Moody one of the really great tenor men and a pioneer of modern jazz. Why do we have to lose these great players?
The Hannah James Group will be playing at Bennett's Lane Melbourne on the 11th of December 2011. It would be lovely to see any melbonites there!!!
Hi Anon,
The CD of Andy's Coltrane tribute has now been released, you can find it at CDbaby.com and either download it, or buy an album. http://www.cdbaby.com/cd/andysugggroup2
Gee, listening to this has been so enjoyable. These guys capably demonstate that playing jazz is indeed 'serious fun'.
Thankyou ABC Jazz.
beautiful lack of melisma makes this sound so pure and credible.............never heard of her!
Monk to me/according to me is the Jazz "Jesus" Please listen to Brilliant Corners. Underground, Straight, No Chaser , Criss Cross just to list a few, and let me know what you really think of his playing style. Nobody alive today plays like Monk...and Bud Powell ofcourse. Wish I had seen him live.
Bummer
Heavenly music! I've purchased it, therefore I know it's good. Superb playing throughout from three local musicians of whom we can all be proud. Thankyou gentlemen.
Sad news. Paul's intimate, sensitive, thoughtful playing exemplified the 'less is more' approach to drummimg. Like many others no doubt, I've admired his work since first hearing him working with Bill Evans and continue to marvel at his more recent work alongside various ECM musicians.
Many younger drummers would do well to take note of four aspects of Paul's delightful work. First, he didn't use a huge kit surrounding himself with a barrage of - often useless - tom-toms and crash cymbals. Second, he never set out to impress others through employing a flashy, speedy technique. Third, he was a great 'listening' drummer whose playing enhanced and gently propelled that of the other musicians with whom he worked. Paul's number one concern was the music, not himself. Finally, his drums always sounded so superbly tuned. Love that crisp snare.
Thankyou so much PM for your contribution to music and for inspiring young drummers as I once was.
Thanks Gerry, a good listen, even though Ted was sounding croaky! And some great tracks chosen, of course.
Congratulations Tam! Looking forward to great things
Love this song, its perfect for where I find myself presently. Made me cry but thats ok. I may send it to him :)
Hi there. I've noticed that you guys from ABC Jazz recently have been playing some of the music from Jakob Bros 'Balladeering' (http://abcjazz.net.au/artist/jakob-bro)...
Thought I'd ask if ABC Television might be interested in showing the documentary film about the album (info attached below)? It's entitled 'Weightless' (http://www.imdb.com/title/tt1578845/). It's about film about musical creativeness and improvisation. It features Lee Konitz, Jakob Bro, Paul Motian, Bill Frisell, Ben Street, Joe Lovano, James Farber, Jørgen Leth among others.
Maybe you can forward this e-mail to the right person at ABC's documentary department? I hope you can help us out.
Best regards - Sune
Contact regarding distribution/sales: Andreas Koefoed (andkoef@yahoo.dk), Producer, Koefoed Film (Denmark).
---
INFO ABOUT 'WEIGHTLESS':
Running Time: 50 min.
Format: DigiBeta, HDCAM, DVD
Language/Subtitles: ENG
'Weightless' on Facebook: http://www.facebook.com/pages/Weightless-A-Recording-Session-With-Jakob-...
Trailer on YouTube: http://www.youtube.com/watch?v=RfTMS7gd2z4
More about Jakob Bro: www.jakobbro.com
JazzTimes article about Jakob Bro: http://jazztimes.com/articles/26241-weightless-a-film-on-jakob-bro
http://www.facebook.com/video/video.php?v=10150108631310693
Jørgen Leth about 'Weighless': http://jorgenleth.blogspot.com/2009/12/balladeering.html
"En vidunderlig film", Berlingske Tidende
"Et mesterværk om et mesterværk", Jazznyt
"En rolig, smuk udfoldet dokumentarfilm", Politiken
That has a great sound to it.
Thanks a lot for the share :) Loved it
Why is it mono on TV channel 201? What a waste of digital transmission.
I see there is a link above that help "Discover more about Brad Mehldau on ABC Jazz". How come there isn't one for Joshua Redman? Asking because I wanted to discover more about him on ABC Jazz. You know the one and only trusted Jazz channel in the whole of Australia. Please help!!!!!!!
Great music
Very Nice !
Paul Atherstone is a great composer
Thanks for recording and broadcasting this wonderful performance.
It was a true pleasure to attend the Piano duets: Alister Spence / Satoko Fujii
in June, it's wonderful to have a chance to listen to these magical moments again
Waiting for the festival. Hope to visit there :)
Just caught Josh and Brad Duo a few weeks ago in NYC , this is a must see for fans of either of them.The Sydney venues will probably be even better than the one I attended on 12th street at the New School.
I've been thrilled to see these two modern-day greats live with their own superb bands. Therefore, if their joint recording is anything to go by, their live performances should be breathtaking.
what a house band!
This is a really impressive album. The original compositions are superb but his rendition of Everlong blows my mind every time. Dave Grohl would be proud.
Always interesting to hear Mike's thought on jazz...........great work, Gerry.
Loved this joint. Initially thot it was Monk. Had to do a little bit of searches to comfirm was up! Much respect. Gonna get this joint thats what next.
Dear ABC Jazz and Gerry Koster
Want to let you know what a delightful and inspiring program you did on ABC Jazz with Mike Nock. That's the sort of stuff we should have on ABC Jazz regularly - selected music with interesting and informed discussion with people who are connected to the music with a variety of attitudes. - Good wishes - Henk van Leeuwen
Fabulous! This is deffo going to be a highlight
Bill here loved it but where can I purchase?
Spellbinding! This intriguing music has a slightly eastern feel - a wonderful characteristic - leaving yours truly at least keen to hear more. I've enjoyed the sound of the bass clarinet for some time since hearing the likes of Benny Maupin and Eric Dolphy working with it. Thankyou for this excerpt Jessica Nicholas and ABC Jazz.
Delighted to have JM back here. Only one disappointment - why isn't he including Melbourne in his itinerary?
So many of us here would be thrilled to see him live.
I'll be interested to hear this again ; as I recall, Aaron, Takashi & Nori did a great job of playing Sara's music with her & Andre.
I heard Sandy on a program on 14th Oct between 3pm & 4 pm & she played with other artists including a yukelle I enjoyed the tune & the mastery of the fusion How do I get the title of the song/CD for further listening
How could one pick a winner from this stellar line up ?Congratulations to each and every one of you!
Great sound, nice soul.
Scarborough fair,
I was having dinner lsitening to abc jazz and on came this exquisite arr of Scarborough Fair, I said to my flat mate , that can only be one person and of course it was the great Joe Chindamo, who for a brief period was my teacher and is a great friend, still just as fresh and inspiring as always, thankyou Joe, you are unique ..
lots of luv mike
I'm with Roger D, great to have Dig Jazz on the 'trannie', much better than having to turn the 'tele' up loud when out in the garden.
Now let's hope the trial become permanent!
Gil from Evatt.
Hello marhus78,
Great to hear from another jazz lover. Yes, that was quite a night; around forty years back yet the memories remain.
I'll never forget Miles entering from stage left looking cool, slim, mean, trumpet in hand and ready to fly.He never uttered a word all night. The music spoke for itself. The band ... oh heck I could talk about Miles all afternoon!
The Jazzbear wishes you happy listening always.
Thank you for digital radio in Canberra. Now I don't have to drag the tv down the backyard to listen to ABC Jazz. Again thank you.
Agree with you wholeheartedly MiamiLawyer. Miles is punching savagely on this, but the album would certainly lack a special feel without McLaughlin's stunning guitar work. Love Billy Cobham's pulsating beat too and oh those cymbals!
I bought my first 2nd hand car (complete with outdated tape deck) in 2004 and to this day the only tape that has never been removed, revamped or altered in any way is my copy of 'Somethin' Else' (with 'Stars Fell on Alabama' and 'Flamenco Sketches' to fill out the B-side). Probably the most listenable album of any genre or artist ever.
Simply beautiful - McLaughlin on guitar is amazing and Miles (of course) is untouchable.
Wow, finally ABC Jazz ! Love Tom Ferris and The Red Room. Heard him play at The Basement and loved it!
When Marc Johnson solos, he really 'says' something melodically - unlike so many other bassists who are merely content to display their technical skills. (How many of us have suffered through interminable bass solos!) The way he interacts and shifts with pianists and other soloists is astonishing. MJ is not just a player to trot out 4/4 beats in strict keeping with key/chord settings, but like other top line bassists - think Scott LaFaro, Ron Carter, Christian McBride - he constantly probes and propels the music. Adore his work with the incomparable Bill Evans.
This is one of the great albums....the music was so new & performances outstanding.....and the joy of hearing "Cannonball" when I was a young musician in the Sixties
Wasn't a big fan of his trumpet playing till I heard this track; lots of space, like the dwoit dwoit, this track just oozes personality
You deserve a standing ovation for broadcasting this soulful, ground-breaking album ABC Jazz.
I was fortunate to hear Miles playing wxcerpts from this live - many moons ago! - and I was simply awe-struck. The film about Jack would no doubt have made him feel proud.
(For what it's worth, this is marvellous music to have on the stereo too when exercising!)
MY utmost gratitude to all associated with ABC Jazz. Feeling down? Get aloft listening to this people. Trust the Jazzbear, it works.
Thoroughly agree with you Barry Thomas. Unfortunately however, I didn't get to hear this elegant album until 1968!
First heard 'somethin' else' around 1964. to this day one of my favorite albums along with Miles ' kind of blue'.
pure magic.
Thankyou Gerry - beautiful .. just beautiful.
I was feeling a little down, but since hearing this I've been aloft!
The GB gig at Bennetts Lane some years ago was one of the best I've seen there. His work with Miles was - to put it mildly - astonishing.
wow kristin's face at 3:55, she was really enjoying that altered line!
Ah yeah! Great sound & info. Thanks ABC Jazz & Jerry!
All the good things said about "Sketches Of Spain" are true!
I first got wind of it in 1967 or 1968 - not sure which - when former ABC jazz presenter, the wonderful Arch McKirdy, interviewed bluesman John Mayall. (I was crazy about Mayall back then and still admire him.) Arch asked JM what jazz he liked and he replied enthusiastically "I love the music of Gil Evans". Arch followed this up by playing "Saeta" and his young chap was besotted. I went out and purchased the album which I still have on vinyl.
You missed a great, great album, Modern Jazz Giants, also Prestige and 1956. Featured Thelonious Monk in place of Red Garland and added Julian Adderley. I played out my own disc decades ago.
That aside, my real concern is hearing this commemoration. I just got wise to your programs and fear I have missed the Trane.
JRL, Akron, Ohio, US
Very insightful. "Genius is all self" Thankyou for making this available.
ben waples better play his ass off for his brother james or christmas will be awkward!!
Loved hearing Miles talk this arvo. Thanks for playing.
Daniel in Darwin
Comments by onomibus seem like pretension personified. I do not even go near Wang at the time but refrain to criticise the people who do. So.... stay in your comfort zone and do not be disturbed by the unsatisfactory offerings. After all, there will be some "uneducated lot" amongst us who have to start somewhere. Wang can provide for those people who have not reached the elevated levels of sophistication and perception about what should be produced to "entertain" us culchered blokes and chickididees haha smell the roses the lotta ya!
Being a bit of a drummer in my younger days, I'm really looking forward to this.
Reckon I know what I'll be doing this Thursday at 2.00 pm!
"Tempus Fugit" indeed. I've just finished re-reading a faded, yellowing article from my scrapbook, which was published in the Sydney Morning Herald immediately following the great man's death. Though the years have swiftly passed, Miles' ground-breaking music sounds as vigorous and innovative as it always has. Thankyou so much ABC Jazz broadcasting all this astonishing music from Miles.
The Plugged Nickel material too, provides a wonderful album and is interesting in its own way as Miles was then going through a challenging period of transition.
Fantastic doco. Just happened to switch over to Dig Jazz on the set top box as I was going out. Hit record and listened to the whole show when i came home. I love you ABC. When are you going to put Radio National and Classic FM on the STB too?
Sorry to hear that! I had the pleasure of bringing Eddie to Wangaratta in '97. He was a real gentleman, and played beautifully, both with Mike Nock, and in a band with Jamie Oehlers, Mark Fitzgibbon & co.
Anon asked for feedback from those involved. I can assure him/her that the programming policy hasn't changed, although there has been a change of personnel on the board.
The policy is, as it always been, to present the best music we can (within the available budget, of course) ; to emphasise bands playing contemporary original music, while also including more mainstream/traditional bands ; to include several interesting international artists, and where possible to set up collaborations with Australian artists ; to feature working bands, but also set up some interesting 'one off' encounters ; to include some new names in the program, while featuring some of the established artists who we know can deliver, often in new contexts.
Anon's concern (I'm guessing) is the absence of 'big name' international acts like Lovano & Douglas from this year's program. Depending on our budget, their touring schedules, the co-operation of other promoters, we may well bring 'big names' out in future years. But I'm confident that all of the international acts coming out this year, whether big names or names deserving wider recognition, will have something special to offer. As will the Australian artists who comprise the majority of the program, and deservedly so.
I think Sandy is right on about the teenage years being crucial in the decision to go into music, or into one kind of music over another. There can be something genuinely frightening about improvising when you have been trained in the conventional reading-from-scores kind of way, always striving to play the notes on the page. Like trapeze-obatics without a safety net. The teenage years are fraught with all sorts of anxiety-causing questions and experiences, so why on earth would you want to intentionally expose yourself to potential failure, embarrassment, humiliation, social ostracism....? Easier to stick with the notes on the page....
Despite this, in the jazz area at the Con in Brisbane where I lecture, we have had young women graduate on every instrument in the last 10 years, although there is still nothing like a gender balance in the program. But I think the fact that women have a good experience at the Con and are accepted as equals, invited to do projects and gigs and so on, encourages others to have a go. The days of "I won't hire a chick" seem to be long gone in Australia, thank goodness! - so young women can look forward to having positive professional and creative experiences once they're out there on the scene.
Others may disagree, but to me, this album contains Miles' paramount version of "My Funny Valentine" - a version that is heartbreakingly tender - peerless. Thus, for this alone, do I earnestly appeal to all lovers of Miles' music to tune in to this broadcast. Thankyou ABC Jazz.
This astounding album has provided a musical 'Road to Damascus' for a number of us. Hearing 'All Blues ' as a teenager simply took my breath away. No words could ever describe the powerful impressions this music generates.
Heard a track off the album on the way to work, suddenly a cold dreary morning found life and warmth. thank you, James Morrison, James Muler and Phil Stack, you made a difference.
This lady is brilliant! She has wisely absorbed so much from the phenomenal Gil Evans and now she is progressing down her own road establishing her unique identity. Adore 'Evanesence'.
Nin Simone admirers who enjoy her version of Screamin' Jay Hawkins' "I Put A Spell On You", might also love another version of this track by The Alan Price Set, which was released in 1967. The Gothic organ sounds on this are spine-chilling. Well worth a listen.
Wow! I'd heard of Scott but just realised what an enormous talent he had. Bill's not bad either:)
I went to the album launch at 505, it was a great night and attended by many musos. He is a very talented musician and I hope this cd does well.
Three superlative musicians working, creating and playing both intuitively as well as tastefully together, makes this an essential listening experience for committed jazz lovers. Okay, so there isn't a drummer. Yet, be fooled not people, this outfit has rhythmic drive aplently in the manner that Oscar Peterson's early trio did, but with stylings of its own. Thankyou Mal Stanley for replaying some of this marvellous music on Jazztrack too.
A truly phenomenal, expressive artist. To me, Nina's hauntingly, wistful incomparable rendition of "Wild Is The Wind", is heartbreakingly tender. How I'd love to be capable of conveying my emotions so meaningfully to somebody I dearly love, in this compelling manner.
my all time favorite Jazz pianist . Thank you for this feast.!
BRAVO...BRAVO.. BRAVO..thank God for ABC Jazz....this has been one of the most informative and enjoyable HOUR I have have experienced in quite some time. Bill Evans would only open up to someone that he respected, IE: Marion McPartland. I have been a Bill Evans addict since I first heard his early recordings some 50 yrs ago. What a joy to hear them play together and discussing their interpretations of each song / composition.The last piece "I Love You" knocked me out as it is one of my favourite compositions. Being an older,semi-retired musician ....you made my day !!
Got to hand it to you ABC Jazz.You consistently provide the best of the past with the best of the latest.This sounds like another fascinating musical excursion from multi-faceted and ever-creative Uri Caine. From what I've heard so far, this is definitely a 'must have' album. Don't believe me?
Well, go to Uri's official website and have a listen to 'Crossbow' to whet your appetite.
Not only pianists, but also drummers will enjoy this. (Love Ben Perowsky's crackling snare and crisp cymbal sounds.)
Warm greetings once again ABC Jazz and Charlie Watts admirers.
Love those Youtube clips, but may I passionately recommend the third one listed 'Charlie Watts If It Ain't Got That Swing' - marvellous indeed. In addition to "Watts At Scott's", may I further suggest listening to his corker of an album "From One Charlie ...".
Can't wait to hear this again. Hearty thanks to you ABC Jazz - you've done it again.
Marion asks Bill a number of questions many of us would have asked him if we'd had the opportunity.
Like many former piano students, I simply worship Bill's playing. (I own more than twenty of his CDs, plus cassettes and even a little vinyl.) My first piano teacher, the delightful and I might add patient! - Neil Butterworth - put me on to Bill as a seventeen-year-old kid in the 60s and I remain ever grateful. Thanks again Neil and ABC Jazz.
Don't miss this people!
Fully agree with you Edith Ferns!
A soulful character and my favourite rock drummer. Yes, I'm well aware there are and have been more technically accomplished rock drummers - Mitch Mitchell, Ginger Baker, Buddy Miles, Viv Prince, Aynsley Dunbar, Kenny Jones and such - yet Charlie's solid backbeat combined with no-nonsense fills sits just nicely to my ears. Love his cymbal sounds too, especially that crash!
"Watts At Scotts" is a fine 2 CD jazz set by any standards and is recommended listening from the Jazzbear.
Timeless
My favourite jazz cd of all time - esp "My Man's Gone Now"
I JUST heard Rajaton - quietly, please please PLEASE can I get a link to that song? I've tried on itunes and google and I can't find it anywhere, I'm desperate to hear it again! thank you so much
fabulous - perfect start to the day!
Happy to know that Lee is on his way to playing again.No doubt the greatest alto player of all time, and we all love him and his music.I had the privilege of being with him in his home in NYC,to say he is a wonderful human being would be an understatement,just listen to of any his music from the last 6 decades and you will understand.
All The Best & Warmest Regards!!!!
Love You Lee!!!!!
Hello Hugh,
Agree with your comments.
I'm a jazz fanatic - and I mean fanatic! (I probably drive the ABC presenters and others mad with my e'mails) - who lives in Melbourne and I love to attend several concerts at the MIJF annually. It's a fabulous festival and I'm sure you'd enjoy much of the music too. Hope you can get down some time Hugh.
Your observations regarding Wangaratta are correct. One of the other benefits of the Wang festival is that it introduces many people to jazz who might not otherwise hear much about it. There is something for everyone at Wang including various genres of jazz along with blues. As usual this year, there are some superb international performers joining the locals. The likes of Peter Apfelbaum, Walter Lampe, Josh Roseman and Barre Phillips should provide some fascinating sounds. I haven't heard any music by Fabian Almazan as yet so I'll keep my ears open accordingly.
Furthermore, the annual contests for various instruments provide an excellent springboard for emerging talent.
We all have a right to different opinions - jazz is a highly democratic art form as I've stated previously - but the Wangaratta festival remains an excellent inclusion in Australia's music scene.
Once again, well done to the organisers.
Cheers Hugh,
Chris.
Gee that's a tough call Mr Anonymous. There's lots of wonderful talent in that program, including people from overseas. One of the things about Wang that I like is the way it brings performers from Melbourne and Sydney (and Brisbane!) together and you see different combinations that you don't normally see - and Aussies returning from overseas. I assume you can't see all of them "every other weekend". I saw Bucket Rider one year and was completely shaken (in a good way). It was a highlight to see The Cat Empire before I'd even heard of them and they went on to become big international stars. I was recommending them to all my friends (and even giving them my CDs which I had to rebuy). Seeing The Necks in the Cathedral there was almost like a spiritual experience, and I wont' be forgetting it soon (including the reaction of some punters who were having trouble 'getting it'). The Blues festival and the 'old-time' venues can become your whole festival if you wanted. I was completely knocked out when I saw Mia Dyson there. The main street festival in Wang is also an experience different from what you can experience in a major city festival - especially all the local foods and wines. I'm sure the Melbourne festival is fantastic (I really want to get there for it one year) but I also think Wang is wonderful and I would like to encourage people to go and relax into the experience. And I'm from Sydney, and have nothing to do with the jazz scene apart from being a punter and a try-hard amateur... (BTW, I think you meant Adam Simmons - as much as i would love to see Mark Simmonds play again).
Seen him and his bands live countless times and have never been disappointed, always a great show.
This album ia just as good.
An excellant line up? I'm sorry but Wang has fallen well behind the MIJF in terms of lineup and is in danger of no longer being considered Australia's premier jazz festival. I know that the Australian performers are all great but honestly I can see Mike Nock or Mark Simmonds every other weekend. The big overseas artists such as Dave Douglas, Joe Lovano were always important in the fabric of the festival. With the switch in management to a Wangaratta centric one it appears the festival will be changing into a more regional one? I'm not sure but would be interested to hear from those involved.
Congratulations to all involved - yet another excellent line up.
We're having a great time here at The Street with audiences delighting in the myriad of pleasures experienced and the foyer, venues and workshops positively buzzing. Its magic.
A truly wonderful singer we hear too little about. Seeing her live in front of the Daly-Wilson Big Band many decades ago at St Kilda's Palais Theatre was quite an experience - especially considering she was on the same bill as Dudley Moore!
Kerrie's impassioned version of "When The Sun Comees Out', is to me the best. Great recommendation.
Oops! I made an error in my previous comment re the incomparable Elvin Jones. I should have referred to Bach's Cello Suites BWV 1007 - 1012 not his ' solo cello concertos' .
Elvin's powerful, polyrhythmic feel virtually created a new epoch in drumming. His metrical sub-divisions at times made many of us wonder if his drumming was over-dubbed! (The same feel one has when enjoying some of Bach's solo cello concertos.) I still remain awestruck when hearing Elvin's dialogues with John Coltrane and with Sonny Rollins on the Village Vanguard live sessions.
Elvin Jones certainly brought drumming to the front of the stage with such force and - for much of his life - on a small kit. Phenomenal. All three Jones brothers were commanding, compelling figures in jazz. They must have brightened up their neighbourhood as kids!
Hello Alan Galvin,
Yes, it isn't always easy to get hold of some of the new jazz constantly being released - I too have a battle at times.
I don't know where you live Alan, but in Melbourne I'm often quite lucky when shopping at 'Readings' in Lygon Street Carlton - my favourite store in Melbourne! - or at 'Basement Discs' in Block Arcade in the city. Basement Discs will soon be going online I was told last week. The staff there are serious about their music, are helpful and have kindly ordered in discs for me in the past.
Good luck & cheers,
Chris.
I hear alot of new music on jazztrack program and just wondering where i can go to buy some of the great new music.Is there a music shop that can go to to found record you play.
regards alan
Having listeed to Billie for some sixty years, I feel she is still th mark for other singers to aim at; not to just imitate her but to understand how she approached and handled a song. We love you Lady @ we still miss you,
thank God you were recorded.
Nice to see 'Little Jazz' in these pages.Oh to have been hanging around at Minton's all those years ago when Roy, Diz and all that gang were establishing the 'new music'.
Excellent news both for Canberra and for jazz. A decent jazz festival is essential - not optional - in any truly civilised city; well done Canberra.
Yet another sad loss in jazz. Thankyou Frank Foster for your wonderful contributions over so many years.
Will think of you whenever hearing "Shiny Stockings".
Hope ABC Jazz pays a musical tribute soon.
The WONDER full Serge Chaloff..."A handful of Stars"..so good to hear that great baritone sound, Serge was one of the players that I listen in my youth.....a gifted talent, thanks ABC Jazz !!
Great comments from both Sandy and Alex. Jazz music can only benefit from having the contribution that women musicians can bring: it's a subtle thing but I think we're talking about potentially different aesthetics, energies and life outlooks. Gender equality has delivered nothing but benefit elsewhere in the music industry.
The late Jann Rutherford was a person who unassumingly thrust herself into the jazz scene and shone.
Originally from New Zealand and blind virtually from birth, her passion and love of the music gave Jann a courage which isn't self conscious. She had a great time playing superb jazz piano and mixing with the cream of Sydney's jazz talent. She also was very generous in sharing her talents and knowledge helping others starting out in jazz.
The Jann Rutherford Memorial Award is a fitting tribute to her spirit, and has always gone to worthy, talented musicians who go on to achieve much.
Since my earlier comment, I've purchased this album and I adore it; there isn't a dud track on it.
Whether you're a vibes player, guitarist, bassist, drummer or purely a Burton fan - there are elements in blissful album to be savoured. Ideal sounds for the Spring season just around the corner! The Jazzbear strongly suggests that jazz lovers at least listen to it.
"Bewitching", is how I'd describe some of the delightful segments I've heard from "Common Ground" via Gary's official website.The overall sound is similar to that of another old favourite Gary Burton album,"Country Roads and Other Places," which sadly doesn't appear to have ever been issued on CD.
Anyway, think I might end up adding this to the collection. Yes, more expense, yet a life without pleasure is a life half lived!
One of the most distinctive voices in jazz, Art's cool almost elegant playing contrasted dramatically with his controversial life - it was anything but a "Straight Life" - yet how fortunate we have been to have had him with us.
Love his album "Straight Life" - particularly the tracks "Surf Ride", "Nature Boy" and "September Song". (His autobiography "Straight Life" is worth reading as it provides some chilling insights into his frequently grim life.)
Dave Brubeck's impact on jazz as a quirky yet sublime composer as well as a unique instrumentalist and band leader, remains undeniable and indelible. The cooler sound which he helped pioneer has had its detractors at times. However that same sound frequently brought new, younger listeners to jazz. And what about those time signatures people! (Paul Desmond's "Take Five" was possibly the first jazz tune I began hummimg as kid in short school trousers. Joe Morello's drumming is still influential and legendary.) Even some classical music lovers I know dig Brubeck. (Their ears always prick up when you remind them he studied with Darius Milhaud and was interested in the work of Arnold Schoenberg among other classical composers. Classical people are strange in some ways!)
Play on Dave.
Bill Frisell is an extraordinarily multi-faceted guitarist. His musical horizons and influences are astoundingly broad.
Adore his work particularly with Paul Motian and Joe Lovano on "Time and Time Again." (ECM 1992)
this rendition of In a Mellow Tone is possibly the BEST EVER
It is sad that such thinking persists - it does not reflect real life. There is a great deal of undiscovered - and no doubt great talent out there - *ahem* over 28 years of age. My feeling is that age cut offs like this is actaullly discriminatory. Have an Open category as well! Who knows what great talent may be found and nurtured!
I caught Jason Moran and Bandwagon at the Basement. Stunning. Here's my report and a few pics for anyone interested. http://canberrajazz.blogspot.com/search/label/Jason%20Moran Eric
Delightful
Containing swinging sounds to warm the bleakest heart,"Concert By The Sea" continues to remain one of my favourite live music recordings - adore "I'll Remember April" in particular.
My first piano teacher - the wonderful Neil Butterworth in Geelong - put me on to Erroll by lending me a 10" album as I recall, in 1967. The late Dudley Moore was also one of Erroll's many admirers. (Dudley's trio was sensational live too.)
What a delightful recommendation on this almost Spring morn! Thankyou and bless you ABC Jazz.
Thankyou Neil Butterworth for your valuable lessons and patience! If you're still around I'd be absolutely thrilled to hear from you via these pages.
Note: If any other readers have news about Neil Butterworth or Geelong jazz clarinetist, Verne Doleghuy, I'd love to hear from you too please. I'm feeling sentimental!
Thankyou ABC Jazz - I'm looking forward to hearing this.
No doubt the music played will be as warm, friendle and engaging as the smiles on the faces of these likeable chaps!
Who's Mark Isaacs?!? Why didn't they call ME to be on the panel!!!!
An amazing performance. Is it possible to listen to this song online somewhere?
Thanks
Adrian
What a fabulous night of jazz we were treated to at the Sydney Opera House Studio. Matt Keegan's composition and performance were extraordinary - so deserving of the Freedman Fellowship.
What a lovely lady. So down to earth and honest.
The superb Hank Jones is "A Man For All Seasons", where jazz piano is concerned.
"The Oracle", remains the Jazzbear's favourite HJ album. Play it and give your ears the treat they deserve people.
Coooool as!!
great music; they actually have a tempo and melody line- good to hear some of the standards.
Hearing these recordings again, I remain astonished at the speed at which jazz developed. I tend to compare it to the development of flight, one of my other interests.
Consider the Hot Fives and Hot Sevens - fixed pitch prop driven biplanes. Then Coleman, Coltrane, Miles' 'Bitches Brew' - 1960s space travel - and you've got a great comparison.
Creativity makes life thrilling - not conformity!
I was fortunate enough to catch the PS Quartet at the Wodonga Jazz Basement a last month. As good as they are to listen to on CD, they are absolutely mesmorising to watch live. Pascal is amazing on the vibraphone, the base and piano player are also excellent, however, the magic on the night was with Jenz, the drummer. His ability to use every surface of his drum kit, plus other bits and pieces, was inspiring to say the least. My wife and I ended up buying both the CDs they had for sale and were lucky enough to get them both autographed by the entire quartet. If you ever get the opportunity go and see them live. These guys are a must see.
One other point relevant to this issue, Warne Marsh apparently was born on the West Coast, but as I understand it, only spent a very limited time there.
Hello K.C.Marsh and thankyou for your interesting insights regarding Warne Marsh.
I agree with many of your comments including the fact that he certainly did have a passion to be a great improvisor, which he certainly was whilst employing a heavenly sound. Yes, he could swing too, but to me and a few others with whom I've discussed this issue, he was frequently pretty cerebral as were his esteemed cohorts including Lennie Tristano. Their sound itself was 'cool' too in comparison to other greats of that day including Coltrane and Rollins - whether Tristano and co were influenced by 'cool' as such remains open to question as like all top musicians, their ears would have been wide open to anything.
I agree Lennie Tristano and Warne Marsh weren't from the West Coast, nor did I say so in my comment.
You may be interested in checking out what Richard Cook says about Warne Marsh in his Jazz Encyclopedia.(Penguin Books; 2005.)
Quote:
"He played long, intensely relaxed lines in a buffed grey tenor tone which deliberately eschewed any kind of extravagance of timbre or rhythmical idiosyncrasy : it was a paradigm of 'linear' improvisation, nothing on show for its own sake and every potential emotional outburst suppressed in favour of a coolly effective whole."
I welcome and respect your opinions K.C. - jazz is a highly democratic art form - but my views are more akin to those of Richard Cook. Best wishes re your documentary work - hope to see it upon completion.
Ironically, only last night I was enjoying his marvellous album, "The Spoiler" - great Monday night listening after a stressful day. This splendid album finds him in the company of greats including Blue Mitchell, Pepper Adams, McCoy Tyner and James Spaulding among others. The material covered is equally outstanding with items like "Sunny", and "When The Sun Comes Out" featured.
S.T. certainly had the knack of surrounding himself with equally superb musicians as well as the skill to select and compose outstanding tunes for his albums.
I love the comments but have to make one annotation: Warne Marsh had nothing to do with the Cool School other than he lived on the West coast for a time and may have, from time to time, played with someone who was associated with that. Lennie Tristano was not from the West Coast and not influenced by "Cool" at all.
I'm currently working on a documentary about Warne and this is one of the biggest misconceptions. Warne was one of the most dedicated and talented improvisers on the Tenor saxophone ever. Most who are intimately familiar with his music over the years put him up there with Lester, Coltrane and Parker. He was never cerebral and always swung. His tone was unique and I theorize, because it was not a copy of any of the other greats on tenor, people looked at his pedigree and said, "that must be the Cool sound". For the most part Warne was not concerned about tone and especially like sounding like anyone. His deepest passion was to be a truly great improviser. To that end the instrument was merely the tool he used. If you're looking to associate him with anyone it should be Lester Young and Charlie Parker. Not because he sounds like them, but because it was their musical legacy and the incredible teachings of Lennie Tristano that formed him into the musician he was.
Certainly if you listen to all of his recordings what you'd come away with was an often incredibly sensual, beautiful, swinging sound with the occasional and momentary moments of dissonance that come from an improviser who's improvisational vocabulary was far and beyond what most musicians were capable of, musically and rhythmically.
Shannon, lovin' the sounds..! I just wanted to say, you know when Dennis Chambers talks about playing with Scofield and he remarks that he's not sure who is playing drums, himself or Sco, well that's how I feel when I'm playing with you. Just mighty! See you soon. Jazzrad
The problem is meltrumpet that there is a general expectation to get one's career going by a particular age otherwise the boat has been missed...so to speak..and this is especially true of careers in music...
It is unfortunate that such limited thinking is still out there.. but that is the way it is...
Love the sultry smooth voice of Norah and the very easy-to-listen to Quartet.
It isn't easy to have one's 'own sound' on any instrument today - let alone vibes - yet this man is the most innovative vibes player I've heard since the superb Bobby Hutcherson. (Love Gary Burton too.) The Jazzbear advises you to claw through this and enjoy!
I wonder why there is an age cut off, what about people over 28 who are interested in a professional career in jazz?
Beautiful. More Jamie Oehlers please.
Survivor of the big three - Bird, Lee and Paul - no other altoists get near them.
I own it; I play it: I love it! So will you people. Don't miss this broadcast.
Oh, to have been there when these four top-notch musos were together!
I'm a huge fan of all four of them - I trust the great Paul Motian will be bringing a band here before too long.
I was very sad too, to be unable to see/hear Lee Konitz live again.
I've only heard a track or two from this album, but what I've heard is fab! Mark is a superb musician - as my former piano teacher stated,"He's got chops". Furthermore, David Rex has his own distinctive alto sound.
I reckon I'll be purchasing this.
one of the highlights of the festival for mine, congrats to sophie and all those involved for putting on inventive and exciting programming such as this!
Thrilled to hear this sweet news. Play on beautiful soul! Sorry I couldn't hear and see you again live Lee, yet pray that will alter very soon. Please let me know dear ABC Jazz if this wonderful jazz legend performs in Melbourne again.
Scare Quotes is another outstanding album from Tim Stevens and his trio. The band has consolidated its sound and further developed the sensitive interplay between its members. Tim is such a lyrical player and composer with an instantly recognisable musical signature. This new album confirms that he is one of the very best jazz pianists working in Austraila today.
Love Mose - the personification of 'white cool' - a unique stylist and composer. Hint: Would be delighted to hear/see him live at the next Melbourne jazz festival. If you enjoy Mose people, try Georgie Fame too!
Anybody possessing the unorthodoxy to release an album titled "Space Is The Place" - adore that alliteration - will be assured of garnering my attention. Even a pharoah would have blanched at that album's cover art!
Viva originality. May his 'Ka' skydrift daily.
Help ABC Jazz or other readers please!
Is the Red Onions album "Big Band Memories", available on CD?
Dying to get hold of it - heard it on vinyl decades ago.
Cheers,
Chris.
A memorable concert on Saturday. The atmosphere which they managed to create with each piece was amazing. Great interplay between sax/bass clarinet and voice, and then sax and piano and vocals. The rhythmic patterns were extraordinary (you really did not feel the absence of a traditional rhythm section), mixed with great harmonies. I loved the use of the bass clarinet. And you cold see the three had a great time playing.
Finally I appreciated the human aspect, besides the artistic one, when presenting the compositions. It really brought it to life.
Roberto
Sincere thanks and congratulations to all involved in performing in or promoting this world class festival.
This is the type of event which will promote Melbourne culturally to the wider world - not merely another boring, outrageously expensive, boozy sporting activity like the money-losing Grand Prix!
So much superb music was heard it's hard to know where to begin, but to me one of the numerous highlights - apart from the likes of Sonny Rollins naturally - was the inclusion of some Korean Pansori in a cross-cultural setting. Hopefully, more of this type of experimentalism will be forthcoming in future festivals.
In summary, this was a festival that made Melbourne a delightful place in which to live over the past week or so - and that's a compliment coming from somebody who has travelled to over twenty countries and lived overseas!
Thankyou.
My favourite local pianist.Power to you Joe.
How blessed we are to have a delightful jazz soul like the legendary Alan Browne in our midst.
I remember as a spotty-faced kid, my delight when seeing and hearing the fabulous "Red Onions" live with Gerry Humphries, after sneaking out from home - after bedtime - wearing my duffle coat via a back window!
A wonderful drummer is Alan with a quirky philosophy on life. I always delight in the way he makes a small kit sound so grand. Memo young drummers - you don't need a big kit or the world's flashest technique to make your presence felt. (I call Alan's kit a "New York Racing Kit", as it just contains the serious, gutsy essentials - no baubles, bangles and beads so to speak. Oh yes, another astonishing local drummer - originally from New York - is the breathtaking Edward York, who uses a similar kit. His singing cymbals are extraordinary people. Hear him if you can.)
Swing on A.B. and thankyou.
Hello Mel Stanley,
Last night, thanks to winning two tickets in your recent competition, a friend and I enjoyed the most wonderful evening listening to Norma Winstone and her two fantastic musicians.The three of them seemed so very in tune with one another and seemed to be getting as much pleasure from playing together as we did listening to them. It was a truly wonderful evening and we both thoroughly enjoyed the music and the venue.
Many thanks,
RuthQuinn.
That song "I stole the Blues" is truly awful. Weak voice, awkward phrasing and melody, average musicianship - I think the blues is is no danger of being stolen in that song..
How fortunate we are here to have such interesting guests in this country. Thankyou to all involved in bringing these fascinating musicians over to inspire us. Furthermore, through doing this, Australia is signalling to the wider world that there are many educated, cultured people here with minds on far more admirable pursuits than pop 'music', reality TV, beer, 'barbies' and 'footy'!
Thankyou Jason Moran for this thoughtful gesture concerning the wonderful Lee Konitz, for whom I've held tremendous admiration for many years.
I was one of those folk who sadly couldn't see and hear him live last night. To say the least, I was looking forward to it.
I earnestly pray Mr Konitz recovers speedily and that we might enjoy his live presence again before too long.
By the way, I've had the pleasure of seeing and hearing Jason Moran live too, therefore trust me when I state this man is brilliant!
Is it possible to get a recording of Sugg's rendition of Peace on Earth?
I have just had the misfortune of hearing what, without a doubt, would have to be the worst piece of music that is played on this wonderful station. The sooner it breaks and has to be thrown out, the better! I believe the "artist" was Abdullah Ibrahim, and the track to be Bayi Lam. I have never found or heard a piece of "music" to be so irritating.
Apart form this one dreadful piece, the music that is played on ABC Jazz is wonderful and I enjoy it very much.
Keep up the good work!
Your biggest fan, Gordon.
This is a delightful recommendation - I have one of her albums in my collection, but haven't played it in a while. I will now after hearing this. Female jazz singers today are in in danger of being in over-supply. Yes, they're musically savvy, young, slick, photogenic and consequently highly marketable. However, so many lack the soulfulness of the likes of Peggy Lee, Julie London, "Sassy Sarah", "Lady Day", Patricia Barber, Norma Winstone, Cassandra Wilson and Astrud Gilberto as examples.
This lady has something a little different to offer and I'll listen to her more.
Thankyou and bless you ABC for your decades of support to jazz and for organising this interview.
I understand Sonny Rollins is going to be interviewed again today at 4.00 p.m. in Melbourne.
Will ABC Jazz be recording this?
I would love to attend in person, but duty calls as I have to work!
Please advise.
(I'm still reeling with excitement as a consequence of attending his inspiring concert last night.)
Cheers,
Chris.
where's the trumpet?!?
don't give up your day job
What tha? this has got to be the biggest load of crap.....no words...no story...going noplace .....come on Doug lift your game or give up....pasto
Prophet-like Charles Lloyd remains a beacon of musical and genteel spirituality in today's tasteless, commercialised, conformist world. How priviledged many of us were to experience his sage-like presence live during 2010.
I've been a Lloyd devotee ever since swooning to his album "Charles Lloyd Live In Europe", featuring - wait for it dear reader! - then youngsters Keith Jarrett, Jack DeJohnette and Cecil McBee. Needless to say, I just about wore out that vinyl in the same way I did "Kind Of Blue." If you only listen to one Lloyd track this week people, emerse yourself in "Tagore", from this eclectic album. Lloyd's exquisite flute playing here is quite eastern, remainding me of the Korean Taegum. (Note - there is still debate about the Romanised spelling used here.) Because of this playing and that of the astonishing Jeremy Steig, I studied flute for a few years. Oh yes, I adore Herbie Mann too!
A sensational recommendation to complete another wonderful week on the one and only ABC Jazz website. Thankyou.
I am currently listening to ABC Dig Jazz, the best discussion and interview on Jazz music in Melbourne I have heard for many a day, thanks to Charles Lloyd, Paul Grabowsky and guests. We old Jazz lovers have enjoyed many great Festivals in and around Melbourne for the last 50 years. I just hope the youth of today takes their IPods out of the ear plugs and gets to experience GOOD LIVE music and learns to appreciate what special artists we have in our great city. Thank you for the programs on ABC Jazz. :Lynne
The sad passing of Gil Scott Heron reminded me of Ron Carter's wonder bass playing on " Piece of a Man". Gil had only Ron and Brian Jackson on piano for backing. Carter at his brilliant best and still awesome 40 years later.
A brilliant idea Tim! Wishing you every success in your valuable endeavour.
There's only one thing I can say ... I've already got my tickets to see and hear "The Emperor". For me, there is only one place to be next Monday evening - his concert! Bring it on. This is going to be one of my life's musical highs, up with seeing and hearing Duke Ellington And Miles Davis in person.
Be there people.
I hope ABC Jazz will be recording this as no doubt some fascinating music will emerge during this concert.
There is some superb jazz being produced in Asia these days from people like Junko Onishi, Junko Kishino and Hiromi - Japan, along with the likes of Youn Sun Nah - Korea, and that's only the proverbial 'tip of the iceberg'.
East Asia is rapidly becoming the next Scandinavia in terms of innovative music. (Okay, I'm a little biased as I have great relations and friends there after making countless trips!) India of course has been an influence since the 1960s through the likes of Don Ellis and recordings including "Indo-Jazz Fusions."
Well done Tim, more power to you. Johnno
Just going over some concerts I've been to this year and saw the above reviews. I went to the Brisbane show and was very disappointed in the sound - it started out terrible as though no sound check had been done at all - my head was swimming and confused in the levels bouncing around the room. It did improve after the first 30 seconds but still wasn't great. The second set was a fair bit better but I can't help but feel this was mostly due to the songs chosen being more minimalistic than anything the engineer did.
I spoke to some friends who were sitting up front and said the sound was fine but up at the back was a different story. Maybe they were getting a lot of stage spill and sitting behind/under FOH... guess it's worth paying the extra $ to avoid the risk of disappointment. I thought my $99 would've covered a decent mix.
I still enjoyed the night but it took concentration to just hear the music instead of thinking about what the heck is going on with the sound!? Not what I've come to expect from QPAC and especially engineers mixing for internationally touring artists.
What can be said about "The Man", that hasn't already been said! Hearing "Kind Of Blue", as an impressionable seventeen-year-old in 1967 - ironically the day Trane passed away if my memory is correct - irrevocably turned my head around musically.
The Beatles? I couldn't have cared less. I'd moved on to higher ground, crossed the proverbial Rubicon and like so many others, would never look back. Thankyou Miles and for the sweet lady who lent that album in blue vinyl!
Amazing!!!!
I appreciate the musicality, and the personality or humanness that comes through in Lee's recordings. I love the alto sax, and consider it to be the soul of many jazz compositions. Lee breathes his soul into the music.
No more cultural cringe!
I just heard this on ABC Jazz, fantastic music. This woman's australian? Well there goes the cultural cringe out the window!
For those younger jazz lovers wanting to learn more about the "The Emperor", there is no better place to start than this marvellous album. Highly recommended and a collection necessity.
Gratitude to you in abundance ABC Jazz. Obligatory listening as this is an essential album in any worthwhile jazz collection. If in doubt, listen to this programme and you'll be sure to agree with the Jazzbear! I'll be sitting back with a heart-warming glass of red so why not join me? You'll be hearing one of the world's pre-eminent musicians at the top of his game with incomparable backing from Wilbur Ware, along with astonishing support on the traps from Elvin Jones. Unmissable folks.
The first perfection based classical take on a classically gestated yet rythmnically 'Jazzical' number i've heard for a long time. First up in Bill Charlap's radio entry to my sound-life; sweet yet parriodically jazz like, the author -i think- knows the same love i do for double irony. Back in the classical lap after a strolling around the dynamics of jazz, never letting up, concluding in a fritzly jazz-jerked wind-down that resounds of his classical understanding. All i had time to hear was ABC Jazz's 12:20 broadcast of (what i believe to be*) the first song played on *Live At The Village Vanguard. Must get that record and check it out. Even if it is said to have come from the money capitol - new york new york.
Another snippet from`
PauL Story
Thanks ABC; as a big konitz fan, I'll be listening for sure. Tell me one thing please - is this album available on CD? I want to add it to my collection. Cheers. Chris.
So much has been said and so much awaits to be said about masterly Ron Carter. His playing on "Miles Smiles" and "Miles In The Sky" - love those electric elements Mr Carter! - says more than I can about this innovative bassist.
Why would I like to see James Morrison perform at the festival? The question is why not?? He is without a doubt one of our nation's best multi-instrumentalists. Ever. Not just in the current era. His trumpet work is outstanding, but add to that his skills on the keyboard,or the tuba, or the euphonium, or the trombone, add in the picolo trumpet... the list goes on. Phenomenal! Possibly this freakish ability gets overlooked by some; not by all.
And there is the fact that he just a genuinely nice bloke, who thinks about other people, who brings his friends into the picture when performing, and who has a great sense of humour. Not perfect, no-one is, but as a muso and performer, right up there.
Thanks for the chance to join the choir singing his praises!
I 100% support this excellent recommendation. Having heard Bernie live countless times and having the pleasure of owning a few of his excellent CDs - including performances with Ten Part Invention - I believe he's one of our living musical treasures and if I might be so bold to day so, one of the world's finest exponents on alto-sax.
Great cover I loved it.
I enjoyed a performance from Lee Konitz in Brisbane in the 90s in South Brisbane at the Melbourne Hotel. His accompanying pianist was Clive Moorehead from Brisbane and also Mike Nock. So he will not be making his Australian debut in June. Nevertheless I will still be travelling to Melbourne to catch his performance as he is a legendary performer and instantly recognisable from his tone and style of playing.
Correction this is not Lee's Australian debut, I recall him playing the Kiama Jazz festival around mid to late 90's
A truly magnificent singer - a lady who can still show many trendy younger singers 'how it's done'. Superb voice, nice range and control,lovely intonation, soulful and capable of crossing genres comfortably.
One of the heavenliest joys of being a jazz father was taking my son along to see JR perform live, at the now sadly defunct, Continental Cafe in Prahran, Melbourne, some years ago. What a crackerjack saxman! My son and I also enjoyed seeing his fabulous father Dewey, live at an earlier point in time. Well, that night Joshua played superbly - picking up the alto too! - and graciously signed his "Beyond", CD for us. We mentioned to him the importance of parent to child relationships in music - we remain amateur musos - and he was delighted to know we had seen his beloved dad together. In summary, as parents and older jazz lovers, we all have a duty to pass on the flame to younger listeners as well as to inspire and educate them about this paramount art form.
That wonderful night he wrote, "Peace, Love, Gratitude", on our CD. Well Joshua, that's what I'm now saying to you and to the wondeful team at ABC Jazz!
God Bless Lucky Oceans on the Daily Planet, Gerry Koster and the ABC for bringing us spectacular talent and beautiful evocative music like this.
Oh yes. Meant to add, NP has a very stylish website too. Have a squiz!
A super-duper recommendation! Love this man's bold out-front gutsy trumpet sound. Great music to share if you're lounging around having a chat and a cheery glass of red with fellow jazz lovers. Adore his albums "Gumbo Nouveau" and "From This Moment". NP can take old chestnuts like "You Steeped Out Of A Dream", and give them a fresh outing. Try his take on "When The Saints Go Marching In", and you'll hear what I mean!
Yes indeed. Swing the Count sure did! Being a cornerstone of 'The All-American Rythym Section', alongside Freddie Green, Walter Page and probably the world's most innovative hi-hat using drummer - Papa Joe Jones, he couldn't miss. Possibly Basie's greatest contribution - like that of Woody Herman - was the fact that his band offered opportunities for other gifted musicians to gain experience and recognition, as the biographical information correctly indicates. The history of The Basie Band is in itself fascinating, as I believe - I hope correctly - that it morphed via The Kansas City Blue Devils, to the Benny Moten Band and finally fell under the leadership of the Count himself. (I'll be interested to read any other comments on this subject from other contributors.)
As the biographical information accurately implies, Roberts is a highly versatile pianist."Deep In The Shed"' is a very interesting album and well worth a listen, but "Gershwin For Lovers" 1994, remains my personal favourite MR album. Try them both anyway.
Congratulations Leigh on Best Album...Thats fantastic.
Delighted to see Tony Gould being inducted into the Hall Of Fame. Well done Tony and well deserved. Thankyou Tony for so many years of superb music and the lovely evenings many of us have enjoyed at Bennett's Lane and other venues over the years!
Lee's lilting, melodic, almost tender alto sound, reminds me of a breeze filtered through willow trees at dusk. If other readers haven't heard Lee live as yet, may I recommend they do so at the upcoming festival.
Try "The New York Album", as a listening experience too.
Gorgeous music. Thanks (bought the albulm tonight while listening to the planet).
Who doesn't love Oscar! Along with Bill Evans, Wynton Kelly and Sonny Clarke, this superb technician was one of the pianistic heroes of my youth and no doubt for many other struggling kids. Loved his interview with another musical great, Andre Previn. (I think this can still be seen on Youtube.) My first purchase of Oscar's recordings was "The Jazz Soul Of Oscar Peterson", with Ray Brown and Ed Thigpen. Do any other readers know if this has been released on CD?
Herbie Nichols was innovative, swinging, unique and remains woefully undervalued as an extraordinary musician and quirky composer. Listen to "Herbie Nichols Trio" Blue Note 1519 - you'll realise every aforementioned compliment was deserved!
An extremely interesting and versatile musical voice - wonderful live too. Still enjoy listening to 'Trio Jeepy'. A far more lateral thinker musically than Wynton.
When is the winner announced??!
Hello Tab Webster,
I envy you! How I would love to have been in your position back in the 1960s. Great to hear you made the most of your wonderful opportunities. Agree with your comments re Buddy Rich. Sure, he possessed some of the fastest hands in the business, but in terms of style, there were other far more influential drummers when I was growing up.
Give me Joe any time.
Thank you ABC Jazz (and of course Luke and Janos). This album is absolutely beautiful. Dreamy, touching compositions complemented by first rate playing. I love it!
An fascinating tour with a new twist awaits us - particularly those of us who continue to enjoy Trio Toykeat and Scandinavian jazz. Welcome back Iiro Rantala.
In my teens and early 20's living close to Manchester I was blessed to see and hear all the great American bands and groups that toured the UK in the 60's.
One that stands out was the Dave Brubeck tour of 1964. Not only did I enjoy the concert, Joe's drumming was special, but the following night I had a ticket to a drum clinic arranged be a leading drum store where Joe with his Ludwigs' on a small stage entertained and showed 50 to 60 drummers what it was all about.
Some say Buddy Rich was the "Daddy of them All" but there will always be a special place in my heart for Joe Morello
The doyen of the walking bass! That cosy, swinging sound of Ray's could warm any jazz club on a freezing evening, as well as set up a heavenly groove in any context.
What Where is the Ellington Jazz Club mentioned in whats on re forward dates plse
Norma Winstone's moving vocals catalogue a breadth of emotions from subdued exultancy to heart-rendering angst.Her musical selections state what many of our innermost thoughts long to announce. The more I hear this lady's voice, the more I'm impressed.
Unquestionably an exceptionally influential guitar voice. My favourite Wes album is with the hard-driving Jimmy Smith - "Jimmy and Wes The Dymamic Duo". The arrangements on it are by the magisterial Oliver Nelson. There isn't a dud track on it, so if you love Wes and Jimmy, trust the old Jazzbear! - this is the album for you.
Love jazz? Love reggae? Need a new listening experience? Listen to "Yard Movement", and you'll appreciate why Monty is referred to as 'Alexander The Great'!
Ah the brilliant Jarrett! Love his Standards Trio and his work with Miles. May I strongly suggest too that Jarrett lovers listen to his early work with the incomparable Charles Lloyd. Try "Charles Lloyd In Europe", "Love-In" and "Forest Flower: Charles Lloyd At Monterey".
Warne Marsh and the "Cool School" brigade were certainly a group of intriguing musicians. Their take on improvisation hasn't always appealed to everybody - it could be pretty cerebral - yet Marsh, Tristano and their like certainly provided a fascinating contrast stylistically with other more gritty, emotional improvisers of the day. I for one, adore the sound of Lee Konitz's alto. I strongly recommend all jazz lovers give this music a fair hearing and decide for themselves. I'll be tuning in for sure!
Thanks for trying ABC Jazz. I appreciate your efforts.
Cheers. Chris.
One of those newer and fascinating piano stylists who is certainly worth hearing - especially live, if you're in a position to do so.
A subtle drummer who personifies the 'less is more' approach to drumming with his sensitivity toward the musicians around him. Paul skirts the beat, often merely hinting at it or implying its pulse, rather than openly stating it. As a bit of a drummer, I love his crisp snare, finely tuned toms and shimmering cymbal work. P.M. capably demonstrates that drummers don't require large kits to create meaningful sounds. A legend in my humble opinion.
Hello John Crombie,
Glad you enjoy Art Pepper..
Yes, as far as I know this great album is still available. You'd probably be able to get it at numerous outlets, but if you have trouble one of the better CD retailers would no doubt be able to order it in for you.(I'm not sure where you live, but in Melbourne I normally shop at Readings in Carlton or Basement Discs in the city. They're very helpful people.)
Cheers,
Chris.
This lady is a legend! Her gentle, lilting, alluring voice first captivated me as a boy when I heard her "Girl From Ipanema", and has stayed with me ever since. The outstanding musicians working with her, including the great Stan Getz, cool Luiz Bonfa as well as the masterful Tom Jobim*, certainly enhanced her "Jazz Samba" album. (Which I still have on vinyl!) A delight to listen to on balmy evenings or just about anytime, Astrud and her soulmates played a powerful role in introducing many of us to the subtle beauties of Brazilian jazz. An excellent recommendation.
*Note: Antonio Carlos Jobim is a heavenly musical story in his own right. I regard him as the Brazilian Gershwin!
Poetry & Jazz is a great and difficult art whose possibilities are rarely achieved -.as here on Casino. Poetry & Jazz requires a proper synthesis that would be attained by poets & musicians rehearsing & working together .This rarely If ever happens.
The rundown sketch of Casino's verbal content & attitudes, employing a weighted signifying voice & banal rhyming couplets does this art form a disservice .
Try Mingus working with the Langston Hughes script for Scenes from a City. ..
And though it not quite in the poetry & jazz category that I have mentioned I would most like to recommend to your audience Fred Hersch's Leaves of Grass
the great American poem by Walt Whitman for which Kurt Elling provides the main voice.
I have Art Pepper's 'Jazz Profile' CD Any 'Art' Jazz musician is worth listening to ! Art Blakey, Art Tatum, Art Farmer, even Art(ie) Shaw. I would like 'Art Pepper Meets the Rhythm Section' for my collection. Is it still available ? John Crombie
Esteemed musicians and memorable standards are combined in this magisterial album. On this recording, the superb Art Pepper ably demonstrates that he was more than a a cool West Coaster". Yet, as reported, all did not proceed well at the commencement of the recording session.. Art hadn't been playing for a fortnight prior. Apparently, his sax was in terrible shape and of course there was no rehearsal time! However, all elements clearly bonded and we are left with this marvellous music to savour. Have an enjoyable listen!
Love it.
You can also listen to an interview with Mike Nock at http://www.jazzandbeyond.com.au/interview.html#Nock1
Cut and paste this address into your browser address box........enjoy!
This combination is dynamite! Beautiful interplay and use of dynamics.
Keep up the brilliant work.
I just love cool Dexter's big, growly tenor sound. Furthermore, I still enjoy re-watching him in the terrific jazz movie "Round Midnight".
Ginger Baker is certainly a very multi-faceted drummer and a man who 'knows his onions' where African drumming is concerned. Like most kids in the 60s, I loved his licks on many Cream tracks, but over the years I've developed an interest in his drumming on other levels. I'd love to have heard him with the Graham Bond Organisation; alas that is now impossible. One track I particularly like of Ginger's, is his playing on "Can't Find My Way Home", with Blind Faith, filmed live in London's Hyde Park. (This can be found on Youtube.)
The enigmatic Mingus stands tall today as one of America's great composers, band leaders, innovators and for having a unique fat bass sound. His life described in "Beneath The Underdog", is not only about his own struggles, but also about the sheer fight for dignified survival so many of his people endured. (Anybody interested in jazz or American social history should read this book.) Mingus teamwork with Danny Richmond on drums is some of the finest in jazz. He fostered other important talents in his bands too, incuding greats like 'Captain' John Handy. So many compliments could be heaped upon Charles Mingus; I particularly adore his compositions such as "Goodbye Pork Pie Hat", "Better Git It In YOur Soul" and "Wednesday Night Prayer Meeting".
Note: Another book relating to African-American history worth reading is "Go Tell It On A Mountain", by the insightful James Baldwin. Another top recommendation Swingwombat!
Well done and best of luck for all nominees and of course the gratuitous plug: you can see several of the nominees as Stonnington Jazz, go to the website to have a look: www.stonningtonjazz.com.au
This was a truly inspiring documentary. As a lover of world music, a study of eastern philosophy, and a novice hand drummer, I found this episode to be quite enlightening.
God, so sexy. Like free-falling naked into a cloud of vanilla ice-cream.
Think of superb jazz singers and the extraordinary, spell-binding "Lady Day", springs immediately to mind.
Billie's rendition of "Lover Man" is my personal favourite of that sad ballad, while - to me - her most meaningful piece is "Strange Fruit."
Speaking of "Lover Man", there is an exquisite instrumental version of this on a fairly rare album titled "What's New", by Bill Evans with Jeremy Steig. (Highly recommended for jazz flute aficionados.)
One of the most versatile and all-round talents in jazz. Is there anything in the jazz canon he hasn't tried? Always a treat live too. Still adore his early work on the Fender Rhodes.
What an incredible man !!!!!!! God love you Dave !!!!!!!!!!!!!
I have loved the Brubeck sound since around 1963/4 when I bought Time Out, but rocked to his wonderful muusic before then !....let's hope Dave continues way beyond his 90th in August and my commiserations go to the Morello family....He was the very best in his field !!
He'll never win an ARIA, if that's what you mean
Duke to me, is "The Emperor" in terms of jazz royalty. If I were to pick the greatest live jazz concert I ever attended, it would be Duke's live performance at Melbourne's Festival Hall many decades ago when I was a wide-eyed young jazz lover. To say that astonishing band was star-studded, would be a gross understatement! - Cat Anderson, Cootie Williams, Rufus 'Speedy'Jones, Johnny Hodges, Harry Carney, Lawrence Brown and more, all right there in front of me in their smart band uniforms. Even the way the guys loosely wandered on stage one at a time had style! That band was as hot as the night on which it took place, but how blessed I was to be there. I wonder if any other readers remember that thrilling night? (I recall being driven there with some other passionate jazz lovers whose names I fully recall, in a wonderful old Morris Oxford, if my memory is correct.) The band played all those superb old tunes - we sang along with "I'm Beginning To See The Light" - along with excerpts from the then new "Far East Suite." The highlight that night musically for me was "Harlem", from "Black, Brown & Beige".
Tuned in on digital TV. Alan Broadbent Trio - Song of home . a laid back melancholy track. Reminds me of Sydney in years past.. (while Im stuck in melbourne right now) x
Monk remains to jazz what Van Gogh is to art - a true individual. A wonderful yet quirky composer - one of the greatest in the USA - who almost broke our hearts with "Round About Midnight" and smirk cheerfully with "Epistrophy". It's hard to imagine an experimenting modernist like Monk admiring James P.Johnson for example, but that was our Thelonious.
So much about 'The Sphere' epitomised jazz, from his zany hats, habit of dancing around the piano and some of those adorable iconic album covers! Great recommendation.
A beautiful soul was our beloved Billy and a heavenly composer. Love the guy and one of his favourite sayings:
"Ever onward and upward." Life wasn't easy for Billy in many ways, yet his wonderful compositions live on.
"Lush Life" melts me every time I hear it - no matter who is performing - and reminds me of life's empty pages.
Enjoy Joe Henderson's tribute album if you have the opportunity.
Meanwhile, I'm going to "Take The A Train", and dream of "Lotus Blossom".
A fine recommendation is Jimmy Giuffre. What an unusual yet fascinating jazz thinker.
Try "The Jimmy Giuffre 3" Atlantic Jazz 7567-90981-2; you'll be in for a pleasant Autumnal musical treat.
This means nothing at all.
For a long time, I've been trying to obtain quite an early Gary Burton album titled "Country Roads & Other Places", without success. I'd be grateful if any other readers could tell me whether or not this fascinating album is still available. (I once had a vinyl copy, but never got it back after lending it! Silly me.) Cheers, Chris.
Note: Love Gary's work with Chick Corea too. His four-mallet work is really something.
This man is brilliant! (I've seen him live twice and own several of his recordings so please trust me.) His pianistic style is both unique and refreshing - love those codas. Brad can make a classic ballad his own. He has frequently been compared to the great Bill Evans, yet Brad is very much his own man. In terms of sheer impact and musical intensity however, he can be likened to Bill! The videos will thrill the most jaded listener.
Fabulous Betty Carter was indeed a singer's singer! Having enjoyed the privilege of hearing Betty's remarkable vocal skills live, I can assure readers that she truly was as great - and even greater - than her numerous admirers have declared.
Savour those excellent video clips and be astounded.
Absolutely amazing.
Sonny Rollins, Sun Ra and Ron Carter! I may only be new to Jazz, starting to listen to it five and a half years ago but I know these men are not to be missed! im defenitely seeing Sonny. I may have a HSC English assessment the day after but no way am I missing this!
A stellar outfit which continues to astonish us all, with the excitement, creativity and almost magnetic force of the powerhouse musicians within it. This multi-faceted band is correctly regarded as a consummate Australian musical institution. If visitors to Australia want to gain a speedy, yet memorable insight into our jazz - and the quality side of our music! - then this is the band to access.
Excellent music. I have listened to the concert several times while I write my thesis. I don't know much about jazz but what I heard I liked very much and to think it was recorded in 1938. Thank you ABC, can you please keep this link on for a while? Can I save this concert?
The Carnegie Hall Jazz Concert (Vol 1) was the very first record I ever bought - late 50s. Set me as a lover of jazz for life.
I saw the Brubeck Quartet at Festival Hall in Brisbane, back in the early sixties - without a doubt, the highlight of the concert was Morello's solo on Take Five. 4BH had a tape of the concert for several years, I called their request line a few times just to hear it again!
Joe is probably my favourite local pianist. There is always something special about a Joe Chindamo gig or a new CD. This man is definitely world class. ( Superb musos work with him too.)
Dear ABC - thank you for this. I'm a big of Joe's. Cheers Patrick
Thank you so-o-o much for posting this .
It is AWSOME that human needs are catered for & that isolation can become a thing of the past ...
I am very sentimental about Breakthroughs that make life easier for us - I even cried on the day of the monumental achievement of being able to dial UK DIRECT !!! to speak to my Dad - w/o going through an operator !!!!
This Benny Goodman 's Concert will make my 80 yr old uncle VicK feel young again to know that he can tune in to the music of his era on demand ....Thank you for Progress !
Mmmm, nice stuff from the Mace Francis Orchestra ~ Song Well... Maybe Someday ... hopefully !
I wish I had met the man to thank him.
My first "real" kit were the silver ludwigs 'cause I figured if i had the same drums then obviously I could play just like him............ hmmm
The grace notes, finesse, energy etc. that's what we still try to copy so an inspiration you certainly were so to the mighty Joe , my thanks.
'I'm thinking of you "Brooklyn Jim P "
doug Gallacher
Bet he wasn't talking about this award. 25K and judged by musicians. Tim's not that stupid.
Online on demand ...24hr Jazz....who'd a thunk it/
I remember when the only way we could hear Jazz
was to Listen to the Voice of Americas Jazz Hour on short wave
and locally, Geoff Brookes at some late hour once a week!
Mighty swinging cat !!
You'll be missed !!
Thanks for the rebound tip as passed on by many drummers .
"Take Five" what a great groovie solo over a vamp..... promise of things to come....
There is a lot you've left for us . Thanks.
dan barnett is a fabulous singer
To quote Tim himself regarding such awards, previously awarded to others, 'This means nothing'
I can't imagine what we'll be hearing from The Arkestra, but we can be certain of one thing - there won't be a dull moment!
This should prove fascinating. Monk remains a jazz prophet. As a composer he rates up there with Gershwin, Mingus, Strayhorn, Jobim and other greats. Monk to me is what Van Gogh is to painting - both unique and beautiful.
Thanks for the info and leads on Newport. When I follow your leads to relevant websites, I know I'm in the hands of passionate experts who adore this art form as much as I do! ABC Jazz is unquestionably, my number one website. Beautiful!
Joe's drumming style was unique in an exciting jazz era. Sadly we can't thrill to Joe's sweet timing, lush cymbals and tasty fills any longer - except on disc. His solo on "Take Five', remains one of the most innovative in jazz and one that other kids like me had fun attempting to imitate - much to the annoyance of the neighbours! Loved his 'stick games' on "Unsquare Dance" too. Swing on Joe and thankyou.
As a great Lee Morgan fan, while I enjoy the Blue Note Lighthouse session, I actually prefer the double CD on the Fresh Sounds label. This is incorrectly entitled "Live at the Lighthouse '70", but was in fact recorded at a San Francisco Club on that tour just before or after the Lighthouse (and was recorded and broadcast by a local radio station). The sound quality is not as good as the Blue Note (probably being a recording of the broadcast), but the group is even more fiery (especially Maupin).
I also like Morgan's album with the late Clifford Jordan, and I discussed Lee with Clifford (and also Billy Harper) when I toured both of those tenor saxophonists.
How do I get a copy of this CD?
Lethal Lee Morgan and his band are truly on fire here! My all time favourite boxed set. Although comprised of only three discs, there isn't a flat moment on it. Even Lee's ultra-cool introduction on Disc One is worth a listen and contrasts with the heat to follow on "Beehive". The real burner for me however, is "Neophilia", on Disc Two. Bennie Maupin's haunting opening on bass clarinet eventually leads into a passionate climax and all concerned 'own-up' in their almost seductive solos. Disc Three ends with - you guessed it - "The Sidewinder". Essential listening for all Lee Morgan fans - and not too many of us aren't. Sensational kick-butt music from a man at the top of his game who would tragically leave us soon after this album was recorded.
I'm curious about Faust doing the jazz festival. They were a fairly uniteresting rock band in the 1970s, why are they part of the festival? Do they play jazz now?
What on earth is "modern funk"? Whatever it is I can't see its place in a New Orleans brass band outfit.
Wonderful stuff. Such good quality sound for such a long time ago , and the music!!!!...magical memories.
It's interesting to hear how respectful the big audience was...only applauding the ends, and the special solo moments.
Where can I get a copy of this cd? Is it available in the ABC shop?
Very enjoyable atmospheric and relaxing soft jazz.
I'm ecstatic! Joy, joy joy - on my on the way to jazz heaven! What an astonishing array of jazz royalty we're about to embrace along with a renowned Korean p'ansori artist. (My Korean friends will be as thrilled as I am.)
Congratulations to all the wonderful organisers for the sounds coming our way. I'm saving up hard for all my tickets starting now. Hey lawdy mama! Bring it all on.
Here are the links, which are constantly being updated. For us Australians, did you know ohnny Pearson provided music for the ABC series "Certain Women" and the Ten Networks "Prisoner". Also Theme to "Division 4". Johnny Pearson is not in the best of health but at the young age of 85 is doing his best.
Johnny Pearson
http://en.wikipedia.org/wiki/Johnny_Pearson
His outfit Sounds Orchestral 1965-1977
http://en.wikipedia.org/wiki/Sounds_Orchestral
Regards,
David Hunt
Hi Joe, You may not remember me. I played clarinet and sax under Peter Clinch. Great to read you went on to do do excellent things in the music industry.
I went on to other activities in the humanitarian and social work areas overseas. But I still play music here and there.
Best Wishes
Ross Parry
Wow - finally found someone who sounds like Nina Simone - made my day!
Some great tracks and artists on this LP. Curious choice of version for "Someday My Prince Will Come" - introduced to jazz by Brubeck but made famous by Bill Evans! Still anything by Dave Brubeck is wonderful. Patrick
dont miss them, they're the real deal, you'll be sorry if you do. i've seen them in NOLA at parades and the maple leaf loads of times and ther're hot'n'funky!! got to be more of this kind of stuff in australia!!
A recommendation: If like me, you enjoy the music of Tomasz Stanko and some of the early electric Miles, have a listen to trumpeter Enrico Rava's album "The Pilgrim And The Stars'. (ECM 1063)
This fascinating album features original compositions and Enrico combines beautifully with John Abercrombie guitar, Palle Danielsson bass and Jon Christensen drums.
Unfortunately missed this interview (again). Could ABC Jazz provide a link to the audio file for a couple of weeks?
Thanks
Patrick
PS just love ABC Jazz
Wow - I really enjoyed Peace. I jsut heard it on ABC jazz, it's very moving music. I'm going to order it right now!!
PS: Sorry my good wishes were so late Dave!
Have a great birthday Dave and stick around longer please!
"Take Five", was possibly my first favourite jazz piece when I was just a skinny little kid. (Although I realise the late Paul Desmond wrote it.) Gee I had fun trying to imitate Joe Morello's dangly drum solo. Additionally, I still adore Desmond's cool alto sound.
Loved that quirky album cover art on "Time Out".
Thanks Dave.
Very sadly missed rip
Awesome to have a new album, I remember when the first one came out and we were all totally stoked!Historic occassion
Um, Cathy. I was saying - 'pretty unanimous'. There's been no argument from the fans, above ! And although your a Perth resident Im sure you will be agreeing with me about the Brisbane venue too. Suggest you fly up here next time the RTF perform.
Not quite sure how you arrive at the "unanimous" verdict, Blind Freddie, but glad you enjoyed as much as I did :)
100% standing ovation in Perth too. The audience was rapt.
How can we find out about the education and community activities the band plans to engage in?
Well said Frank. You're a gentleman and a scholar.
I also attended the QPAC concert and can concur that the sound was brilliant. Nothing short of a 100% standing ovation. Rare for a jazz band in Australia. Amazing concert
Alright, well it seems pretty unanimous that Brisbane's Concert Hall is the best Australian venue for acoustics and supporting engineering etal.
But more to the point - will ABC be presenting any of these fine concerts on the Jazz site sometime soon ??
Tune in? You bet I will! Thanks ABC Jazz. I'd never miss any broadcast to do with my number one teenage hero.
(Heck, who would have cared about The Beatles in the 60s when you had Miles.)
I'm sure this wonderful man and superb musician, is receiving the joy in jazz heaven that he bestowed upon so many of us during his remarkable sojourn in this world. Frankly, when I played "Lullaby Of Birdland" on my stereo just after hearing of his passing, I felt very emotional. Seeing him live a few years back in the company of my marvellous former - and patient! - music teacher and her talented husband, was one of the great joys in my musical life. Thankyou George for the music, the laughs and the inspiration. I pray we can meet one day!
I attended the Melbourne concert at the Regent Theatre. Although I'm no sound engineering specialist, there was some sort of amplification buzzing occuring in one or two of the pieces the guys played. Its was distracting and in some instances lasted for over 10 seconds or so.
Musicianship wise the guys were brilliant and highly professional. Its great going to a concert of this calibre and having members of the band speak to the audience and throw out a couple of jokes. I've listened to Chick Corea's music since the 70's as a teenage kid, although, i wasnt full on into jazz/fusion etc, i did respect the musicianship part of it and Mr.Corea's use of synthesiser/electronic keyboards.
I've been a student of classical piano on and off for many years and its only been of late that i have started to study and compose complex jazz music. Attending this concert creates inspiration and motivation. I would love to see Chick Corea come out with the Electrik Band :-)
Regards
Billy
Checked the band last night in Brisbane. Heavenly stuff. They seemed to have most of those engineering problems above sorted out (and the Concert Hall is clearly better then those stages mentioned above).
Hard to fault, one of the best 3 concerts Ive ever been too. The Jean Luc violin allows for more soaring through the heavens, and Frank's work was very fine. Chic was totally on top of every area. The good spirits and humour of the group came through as well - far better atmosphere than that generated by synthesised laughs, over-produced dirges and sombre musicians in black and white gear.
The band are still growing together I think, and I sure hope that a performance will be released before the end of the year. That should be one for the ages.
Saw this last night in Brisbane. What a treat. What a line up!! What a bunch of pros!!! 40 years practice playing together does pay off. One of my best concerts ever.
Can't complain about the sound in Perth. I hadn't been to a concert in the Riverside Theatre at the Convention Centre before. We were quite amused that the seats had swing up benches for lectures- we could have taken notes!! Anyway, the sound was great. Perfect volume and pretty much crystal clear. Chick was wonderful, Stanley amazing, Jen Luc sizzled, Frank did a sterling job and Lenny White, well, what a groove machine. (I'm in love) My friends and I, (all big fans from way back), thought the whole thing was brilliant. :)
Fantastic live session. Love to get a CD of this.
I hope Mr. Coppell hires Peter Walker to engineer the sound for future jazz performances at the Opera House. Mr Walker has the ears, brain, sensitivity, and skills needed to do the job well.
Hi all
Yes I made it to the Melbourne gig at the Regent Theatre. It was a great show and it was nice that we had some lighting, smoke and a backdrop this time (including the RTF projection). I too must question the quality of the amplification. I was rather surprised that they went for 'rock concert' volume rather than something a little more subtle and sensitive. Up in the balcony I was bashed with rather a lot of noise in the first set making it difficult to hear Chick's keyboards or Frank's guitar playing. Lenny's drums were way too loud - even when he was hanging back they still dominated. Things improved as the night went on as Chick sent a heap of frantic hand signals to the sound board. Inexcusable was a very annoying and intermittent buzz which no-one on the sound board seemed to hear. Lenny mustn't have had any foldback because he couldn't tell his snare was vibrating loudly in the quieter passages while he wasnt playing. Otherwise he would have simply put his hand on it or turned it off!
Enough complaining - it was a great show. Chick graciously gave plenty of limelight to J-LP and Stanley Clarke - the latter premiered his piece 'New York' to a very receptive audience. J-L P's 'Mirage' also got a guernsy and so to did Stanley Clarke's 'School Days'.
The RTF repertoire was fresh, energetic and played with exuberence. It was wonderful to see how songs such as 'Senor Mouse' and 'No Mystery' have evolved over the years. I lost count of the number of key changes Chick introduced towards the end of 'No Mystery'!
Encore? You bet! Nothing less than a red hot performance of 'Spain' of course, complete with audience participation (normally this would make me shudder, but this time I sang and clapped until my hands were sore). I never thought I would see Chick to 'Spain' live - I read somewhere that he had 'retired' it.
Seeing RTF live is now something that I can cross off my bucket list! Please come again some day...
A great night for the fans... a terrible night for the sound engineer. Why bother bringing some of the world's leading jazz musicians to the Opera House and then letting someone (patently) incompetent sit behind the mixing desk? I'm the first to acknowledge that live mixing is a challenge (and, one person's ideal mix is another person's horrible noise). Incompetence, however, is just plainly obvious - it's not a matter of taste. Is there any other explanation for the bizarre level of processing and EQ applied to the mix - such that all softer, more subtle musical moments were drowning in various forms of hiss and noise?
If the hiss was "unfixable" (e.g. the guitar amp had a bad night), here's a tip for all budding engineers: ride the faders! Fade it out during the quiet moments, grease it back in when the band starts up again. Don't (don't!) turn it on and off capriciously, which merely draws more attention to it.
Here's another two tips: (1) this is a JAZZ event, not rock'n'roll. There's no need to pin people in their seats with volume. This leads to tip (2): the Opera House is a difficult venue for amplified music (ask anyone!). Mostly, you can't beat its (excessive) reverb time in the bass end - it was designed for un-amplified classical music, which generally benefits from the longer reverb. When you turn up a PA to the levels of last night's show - the bottom end (Stanley) becomes indecipherable. RTF's music is complex and interwoven; sensitivity is required (from the engineer) to reproduce it appropriately. None was in evidence.
I've heard that the sound in Melbourne was also highly questionable... Michael Coppel (the promoter) - are you listening? Not good enough.
If you're still reading, here's an even more appalling (technical) aspect of last night's show: the on-stage fold-back. We humble punters don't hear it, but the musicians rely on it almost entirely to hear each other on such a large stage. I was close enough to see members of the band struggling all night to get it adjusted up, down, up, down... they never looked comfortable! The foldback engineer can ruin a performance even more thoroughly than the front-of-house guy. When the musicians are fighting the system, struggling to get a sound and enduring feedback - as they were all night - it's a mighty distraction and hardly conducive to settling in to lay down a hot solo. If you were there last night, ask yourself: how many times did Stanley and Frank adjust their volume and tone controls during their solos? I can tell you: dozens! Every few seconds they would tweak, and tweak some more. Why? Because they couldn't get "comfortable" with their sound. Thank you, the foldback engineer.
Sadly, both engineers seemed to spend most of the night looking at the frequency spectrum displayed on their laptops. Here's my last tip: when mixing sound, the most important tools are your ears, your brain and your sensitivity. And a warning: next time, my partner will NOT be able to restrain me from bumping you out of the way and taking over.
P.s. The music was great.
OMGGG<3
I absouletely LOVE the song ANGEL! it's like oh so sad.
I LOVE YOU SHELLEY. -best teacher. ♥
I've been wanting to see these guys for a long time, but $120 for a sit-down show at a theatre?
Disappointing to see the promoter chose these sort of venues.
What a concert. First time I have seen Stanley Clarke live, and he is amazing. All the band were terrific, and JLP added some excellent content, Chick was as good as ever, Frank took up the guitar duties with all the right riffs, and added his own magic, Lenny White held it all together, with some very good fusion but not over the top fusion drumming. Also liked his high hat.
I missed his Syd Concert and flew to Melb to catch it there. I was not dissapointed. The duets between the percussionist, who is pure genious and the keybourds was mindblowing. Phrasing great, Money well spent. seeing them live is so far removed from listening to a CD. Another Galaxy.....
Thankyou ABC Jazz for this interesting interview with the wonderful Tomasz Stanko. Unique he is!
What a joy it was hearing his multi-influenced band of musicians live in Melbourne recently.
Hopefully, more ECM artists will grace us with their presence ongoing.
This album is a stunner! - if in doubt just listen to Cassandra's quirky take on 'St James Infirmary.'
Some female jazz singers have sultry voices which consistently haunt the senses - for example Billie Holiday, Julie London, Astrud Gilberto, Patricia Barber - well to me this lady has that same quality. Seeing her live some years ago was indeed a sensual treat too.
I really love this guy's playing, my new favourite pianist!!!
Hello Gerry Koster!!
Frank is no longer "The Wig", he is now a fully fledged member of "The Pate".A dream come true gig, especially to hear Jean Luc and Frank .
Great to hear what Craig has to say - and indeed, hopefully there will be better days ahead. Nice one Craig.
Took my best friend to the Village Vanguard last night to see Jacky's 11pm set, as part of a Bachelor celebration. We were very shocked as Jacky proceeded to not really play. The legendary owner Lorraine was grumbling at the bar, people started to walk out. Jacky stood up walked off stage and fell down when he came back. This went on with Jacky not "completing thoughts" for about, 40 minutes. He and the club owner were sort of tangoeing in front of us. Then about 6 people walked out, shortly after Jacky stood up and said good night. Extremely disappointing. Clearly something beyond your standard drunkenness. Weird!
I'm going to see them in Perth. In just over a week. So excited! I still remember the first time I heard them - lay on the floor in the dark and listened to the Romantic Warrior LP, which I still have, naturally. It was a heady and moving experience. Of course that was with Al Di Meola, but I'm looking forward to hearing Frank Gambale, and Jean Luc Ponty, and would like to send best wishes to Bill Connors too. Bring it on!
I'm confused about the dates of the event. February 5 is Saturday; February 6 is Sunday. Another event (Dungog Film Festival's "In the Raw") is being held in the Richard Wherrett Studio on 7 February which is a Monday.
Please check your dates and correct the website information please.
LOVE HER!!!!! Absolutely a talent, beyond her years! More, More More!
As noted from Ticketmaster site :
"Bill Connors has a medical situation that will not allow his traveling to Australia at this time. We all wish him a speedy and full recovery. He is making good progress. Although the circumstances are unfortunate, the guys are thrilled that Frank Gambale will be joining Return to Forever."
Maybe of interest to others if not already seen, has a video of rehearsal :
http://chickcorea.com/wp/2011/01/return-to-forever-iv-the-hymn-of-the-se...
I'm with Peter Walker (above) on the unfairness of the sudden switcheroo.
Nice! Who do we contact to submit new indie artist to for airplay on your radio program?
Beautiful, thanks for gorgeous wake up music.
Is Frank Gambale aka "THE WIG" oh I love him
Most unusual and compelling. Parts I really liked the clever trumpet.
Can anyone tell me if there is going to be a jazz festival in 2011?
Yes, i was looking forward to seeing Bill Connors too. Perhaps he is sick ?
I would like to know why he can't appear. ....ABC - can you advise here utilising your incredible resources ??
But Frank Gambale should be interesting also, not having ever seen him live. I hope he may offer some variety other than all sweep picking - I do enjoy that and he is impressive but would love to hear/see him challenge himself in other areas in a more surprising and subtle manner. You never know.
I read they will play upto 3 hours ? And separately also. Be great if Chick did some stuff he did with Jean Luc Ponty on My Spanish Heart album... Rhumba's and such ....An amazing lineup all told !!!
Awesome Saxophone solo! Sounds like Mark Spencer.
Yes, don't miss this one. We play a couple of their tunes in Mean Feet Brass Band - Rebirth are an inspiration. I think its' like a movement; there are a number of small brass bands doing amazing things these days around the world. Obviously Rebirth and others with that brilliant American New Orleans street rootsy soul/funk/jazz sound but also coming out of Europe with some more classical style influences; check out the Mnozil Brass, they are amazing. In fact just do a search on youtube using "brass band" and you get a lot of great stuff including some great Rebirth performances.
What words..
A gorgeous song and beautifully played.
Stan is the Man!!!!
Frank Gambale is likely a worthy replacement for Bill Connors. And he's a true local hero of the international jazz guitar scene to boot.
But I'm still disappointed that this concert, at these prices, has changed billing from: "The real deal, the band exactly as it was on the album".. to: "A great lineup, with some of my favourite players".
I thought that my $300 (for two tickets) was buying Return To Forever of the "Hymn of The Seventh Galaxy" era. That's what it said on the poster when we bought the tickets. Specifically.
Isn't there a Trade Practices Act to cover this situation?
Or, at least, an email from the Opera House (they know where I live) letting me know of the material change of circumstances. An offer of a refund wouldn't go astray either (I don't want one). But they should have informed, and offered.
I heard about the changed line-up entirely by chance, today.
Great special
Great idea!
It's Thebarton theatre Adelaide!!
Unmissable! This joyful outfit kicks butt and is already written on my calendar for 2011.
Brings back colourful memories of my time as a drummer in my daggy school brass band.
Wow! I booked tickets and didn't realise Frank Gambale was playing. What a fantastic bonus! Can't wait.
I too have waited 30 years to see these guys - my musical heroes!! Last year when Chick toured with the Five Peace Band, I met him backstage in Adelaide, 25 years after I first met him in Sydney as a young fan. I told him that while I have been blessed to have seen him 5 times, in different cities of the world, my life would only be complete if he could bring RTF to Australia. He acknowledged that they had missed Australia on their 2008 world tour and promised to try and bring them. I'm sure he would have planned it anyway, but I'd love to think I had something to do with this great fortune! I will be travelling to Melboune to see RTF with seveal members of my family and then again in Adelaide 2 days later. I want to see all these guys but Stanley and Lenny have been top of my list of those I have yet to see for soooo long. I have been so lucky to have seen many very great jazz legends in my life, and this will just top it off for me. Lucky, lucky, lucky......
Another sad loss within our great world of jazz.
Particularly love his work with Dizzy along with Gil Fuller & The Monterey Jazz Festival Orchestra.
Thanks for the joyful memories James. Bet you're already jamming it up with Diz in Jazz Heaven!
Harry! Look at you go mate! I remember doing that corporate event with you at Hilton when you were just 16 remember, you were talented then & looks like you have just skyrocketed since then.
Good luck!
Absolutely superb music, so appropriate to the title of the album. In particular the song "Kisses" is paricularly well presented and oh, so romantic. Denise has a lovely voice and nice vibrato, the piano accompanyment is excellent and the choce of songs is very good. Truly romantic music to be played "When lights are low" Proficiat Denise. Now to rush off and order this album!!!!!
Is there any way that you can revise this promotional material to also include Frank Gambale (guitarist ) who is also on this RTF Australian Tour 2010 Frank has played many years with Chick and I am sure you know is an Australian from Canberra! His career has been as profound as any artist's can ever be and we should be showering him with praise and publicity. I am so excited that he will be touring here and everyone should know!
Kind Regards
Kris
Never listened to Miller before. Blown away.
Big Miles fan and also of Pat Metheny, so the cool integration of guitar and brass sets me off!
Great groove! – Greg A,
Can`t tell you how much I enjoy listening to "A.B.C." Dig Radio, and tonight is just the best. Marcus Miller; What can one say? I`m a huge fan of M.M. and being a bass player myself, this is akin to heaven. Well Done.....
Regards, John Walsh.
Is there a support band? It would be really great to see a local band have the opportunity, like Chris Poulsen Trio did with the Yellowjackets a few years ago...
Well said Simon - this is indeed a very nice Christmas present (even if we have to wait until Feb). I had no idea they were touring but quickly purchased a ticket after picking myself off the floor. Should be absolutely massive!!
I never tire of listening to this man's music. I miss the days when I could see him live, when he used to tour in Michigan. His singing is that magical combination of technique and passion that is always greater than the sum of its parts and utterly hypnotizes the listener.
Fantastic News! I have waited decades to see these guys! I saw the Al Di Meola Project in Manchester and London in 1985, but I am a little bit too young to have seen RTF live. For me this will be the concert the year - and I don't care who else is coming Down Under - no-one plays like Return to Forever. Check out the Return to Forever Returns CDs & DVD from their 2008 US tour - should be able to find clips online - then buy your tickets!!
Not having been lucky enough to be there is there and having missed the broadcast is any way of still getting a listen? This thread has definitely got my curiosity aroused - very intriguing!
Above it did mention it would be available for 2 weeks after broadcast although it neglected to provide a link (!!)
- hey! why only 2 weeks?! Has ABC gone pay-per-view or something?
This is one of the finest albums I have heard in a long time. Evocative, moving. The Gathering gathers my senses!
All Jukka Perko information and albums are available from me Henk van Leeuwen, promoter, who brought Jukka Perko on 3 occasions on tours to Australia and New Zealand - www.henk.com.au - Thanls to ABC Jazz for the interest
Not sure what people or critics mean when they nominate highlights, but the Alister Spence Trio performance was the best set I have seen at Wang for years. The festival itself had a particularly strong lineup but some of the organisation needs to be "tweaked". You didn't need to be Nostradamus to realise that scheduling an act of Kurt Elling's stature on the Sunday night was going to lead to many hundreds of people missing out. A bit of forward planning, perhaps in the form a of book of numbered tickets, at least would have allowed the volunteers to allocate available seats for the second set. I prebooked but some poor devils waited hours and still missed out. Incidentally the answer is not to ticket all "name" concerts; the one ticket system is a significant part of the success of the festival and many jazz punters won't bother with the 5 hour drive if the festival turns into a pick and choose ticket ripoff. One final opinion, I'm a great fan of Mr Elling but someone needs to tell him that he's overdoing the "Great American Songbook" schtick and if he doesn't watch out he won't be the first artist turned into a boring celebrity by a grammy.
haunting melody and gorgeous voice
spot on Shelley,
I still think about the amazing talent, and the incredible journey Wayne and co, took us on that night.
Perhaps one of the most wonderful concert experiences I have ever had,
and like all things of great beauty and artistry,...... lingers, stays with me , still!
Ian
This year's festival was one of my favourites for many years, really enjoyed the program, with lots of highlights for me. Look forward to the next 21 years!
There are some great pics there, is it possible to credit the photographer/s?
As a big ECM fan and lover of nothern European jazz generally, I'm delighted to know this intriguing, uniquely original musician is returning to our shores. However, I would be further thrilled to listen to him live at an intimate jazz venue like Bennett's Lane, rather than a large concert hall. What are my chances one day?
If you want a TRUE 'trumpet-off' with strict judging criteria that not even anonymous internet forum kings can debate, I have a simple solution that might just work...get the competitors on stage together (no expensive house rhythm section required Adrian) and the winners of the competition could be decided by who can play highest note with the loudest tone and most distasteful musicianship.
Why isn't he coming to bundaberg?
It would be nice if the time of the events was included with the information.
Always a little disagreement with judging in these situations. Look at the history, Ian Chaplin didn't get in, he is one of the best players on the instrument in Australian history, Philip Rex had the same situation. Mags and Muller equal when the judges job is to decide?
We are humans, we have biases and aesthetics, all differing, that is evident here. The judges use theirs and make their choices.
To those who say there was clearly a winner I disagree, and I'm probably quite knowledgeable in the arena of jazz trumpet. The guys all sounded great and I'm glad I wasn't judging.
Get over it people. It was a great opportunity for them to be heard and show their skills, beyond that they got some pocket money that will maybe pay their rent for a couple of months, if that, go buy their music.
As for the judges, all good people who have spent their life in music and deserve our respect too.
Good news indeed!
None of this competition or what these 3 guys did matters anyway. Even in the afterlife, I am still the king of the trumpet.
Sorry to hear the passing of Serge Ermoll. He was a great player and quite a character. My condolences to Helene and His Family.
Dave Azzopardi
"Firstly to deride participants to this forum on the basis of their anonymity is with respect churlish and completely misses the point. Whether a participant chooses to post under his or her own name is largely irrelevant."
- Unfortunately Johnny, I disagree with you on this one, which is why I used my real name. I think people should stand by their opinions and reasonings and I feel internet forums encourage a lot of mindless and unsubstantiated material, purely because the poster needn't be publicly accountable for what they express in the domain.
"Finally, you raised the character of the 3 finalists however I am at a loss as to why? No one here has commented or raised any issues as to the personal standing or integrity of these 3 young men, quite the opposite. AS to better spending our time congratulating Matt for representing Australia overseas, again I am confused by what this means as I am not sure it is in this capacity that he is in NYC."
- I admit that paragraph may have seemed irrelevant, but what I meant to do was eradicate any sense of bias as I have known and played with Eamon for many years. My comments about this forum really don't have anything to do with my opinion of who should have won the award, I haven't even heard most of the final.
In terms of Matt representing Australia, that was a figure of speech. He is by default representing us. He was raised and he studied here.
Picking up on Adrian's comments, I don't think that the judges should enter into public debate but I don't see why they can't let the audience know what it was about the winning performance that made it stand out. This doesn't require any criticism of the other performers. The judges could simply prepare a few sentences which highlight the most impressive aspects of the winning performance - the depth of the ideas, distinctiveness of voice, mastery of the range of the instrument, engagement with the band...
Congrats to all the players - wonderful performances all 3. I'll be buying your records - I've got a few already.
The judges don't follow a strict mathematical process, as you might get e.g. in a gymnastics contest, with 10 points for technical ability, 10 points for originality, etc etc. It really wouldn't be workable. eg, if one judge is a 'hard marker', a scoring process would give their vote less weight than someone inclined to give higher points.
We do try to achieve consensus in deciding which 10 entrants are invited to play at the festival ; then which 3 should be chosen to play the final round ; and which finalist wins which prize.
If anyone can advise of a similar competition where the judges do enter into a public debate to justify their decision, or announce scores for each performer, I would be surprised ; but would also be interested to hear how it works.
Thanks for clarifying Adrian. My apologies for not knowing about this before posting.
Do the judges allocate marks for each person in each criteria as they hear or is it 'generalised?'
As Johnny Jazz said I think it's more the curiosity factor - nobody is trying to diminish the character or the playing of any of the 3 players but of course it's going to be subjective and open to interpretation. It is a competition after all and all finalists know that they are putting themselves 'out there' for public scrutiny. Let's remember that esentially it ia a PUBLIC competition, otherwise it would be held by a magazine and people would submit a CD.
Unfortunately the finalists don't deserve this kind of scrutiny as they are all great but I think people just want transparency in the judges decision.
Anyhow this is likely my last post as this seems a bit pointless but congratulations to all 3 finalists, they played their asses off and they should all be proud of themselves.
Shannon, thanks for your comments. I would like to respond. Firstly to deride participants to this forum on the basis of their anonymity is with respect churlish and completely misses the point. Whether a participant chooses to post under his or her own name is largely irrelevant. I'm sure you would not know most of the people who have posted here. As you also personally well know many participants to forums such as these choose to remain anonymous. Surely this does not cheapen their contribution?
The posts I have read have almost without exception been respectful. There is however strong feeling about how the award was judged and a desire for more information as to the process. Surely the public who of course are the lynchpin of these awards are entitled to this information. Indeed I have read other forums where jazz musicians have questioned and been openly contemptuous of the standard and the process of some of the major jazz awards in this country. Shannon you will not need to travel far to come across this view from your fellow musicians.
In your post you talk about the potential hurt to Eammon. With respect this again misses the point. Eammon's playing as with all the finalists was exceptional. Indeed the awards were the event I enjoyed the most this year. To ask for more information about the process is not to cast aspersions on Eammon or indeed the Judges. I for one as with many other people would simply like to know by what criteria the entrants were judged upon. Very simple. In fact I can easily live with Eammon winning the award I would just like some more information. In any event the criticism meted out to other jazz award winners on other forums from their fellow musicians is I would submit more likely to be hurtful than the postings on this forum.
Such discussion that is going on here is more likely should the festival respond in an appropriate manner to lead to the protection and advancement of the integrity of the competition. All the public is asking for is more information as to the judging process.
Finally, you raised the character of the 3 finalists however I am at a loss as to why? No one here has commented or raised any issues as to the personal standing or integrity of these 3 young men, quite the opposite. AS to better spending our time congratulating Matt for representing Australia overseas, again I am confused by what this means as I am not sure it is in this capacity that he is in NYC.
Thank you.
Yes, there ARE criteria for the judges to follow. These are stated on the entry form, which is available on www.wangarattajazz.com
The criteria don't include reference to where anyone lives ; sorry, but that 'theory' is simply silly.
The 3 finalists are judged on how they perform in the final round. Unavoidably, the judges will take into account how someone plays in the final round, compared to how (and what) they played in the semi-finals.
The policy of not asking the judges to explain/justify their decision is not a matter of treating the audience with 'disrespect'. It's more a matter of treating the finalists with respect. If the judges are critical of some aspect of their playing, they can explain that to the finalist in question (if they wish to discuss it with the judges), rather than making potentially critical comments in a public forum.
It is a subjective competition, not an Olympic sprint.
Some of these comments are so offensive.
To all those who thought Mat was great, maybe your energies would be better spent telling him how impressed you were with his playing and how proud you are that he is representing Australia on the world stage, as he does in New York.
Hopefully Eamon doesn't end up reading these comments; imagine if you put your heart and soul into playing your best, both leading up to and during a competition, won it and then had to read about people thinking you didn't deserve it. How utterly hurtful. If you disagree with the judges' decision, that's your business. Hiding behind the anonymity of the internet is, well, just cheap.
The beauty of this competition is the exposure it gives to the players. I know many of the top ten players were largely unknown to the general jazz going public in each state.
Having had the absolute privilege of sharing the stage (at various times) with all of the gentleman who made the final, I can safely say that they are all fantastic players and genuinely fabulous human beings with so much to offer the Australian and international jazz scenes.
Get over it. Or start your own competition.
To baritone sax lovers:
If , like me, you love a bold, warm bari sax sound and you enjoy players such as Serge Chaloff along with Pepper Adams, may I recommend Nick Brignola's 1996 album, "Flight Of The Eagle". Some original compositions along with fine renditions of standards like "My Foolish Heart" and "Body & Soul" are included. Nick is capably supported by Kenny Barron, Rufus Reid and Victor Lewis. Well worth a listen; this collection cooks.
it can be streamed from jazztrack's website if you want to relisten
I doubt that formal judging criteria would solve anything... i would like to go and have another listen though. Is there a podcast of the finals broadcast here?
Must agree with the general sentiments here. I thought all the finalists were exceptional and each had different strengths. Eammon had a wonderful warm tone and I thought Nicks playing showed avant gardish elements which I really enjoyed. Matt however I thought was just on a different level and I must say I was shocked to hear he didn't win. I was really very surprised. One theory I heard was the reluctance of the judges to award the title to a non resident performer Matt, like Jacam Manricks last year, currently residing in NYC. As indicated by Adrian however don't expect any feedback from the Judges. We the punters are the poor old cash cows continually treated with disrespect. I challenge the festival to award an audience choice award for the finals which would be very simple to do. Matt would have romped it in this year
Great comments Adrian, but your comparison and agreement with people re: Monk and Oscar kind of proves my point below.
If you can't compare Oscar and Monk then why do it at Wangaratta in a competition format without some kind of judging criteria? At the end of the day these 3 awesome musicians were being judged/adjudicated/compared/whatever you want to call it.
Being that this really IS a competition then what are the criteria? If it's to be transparent then the finalists need to know what they are being judged or asessed on.
I am declaring an interest in that I am friends with Mat but I thought it was a given he'd win when I listened to the finals on ABCFM. You mentioned that the judges listened to the semis and the finals and most of the anonymous people likely didn't - so does this mean that their performances in the semis were also adjudicated? Did anyone tell the finalists that? I'm sure Mat wouldn't have done the same set if this were the case.
Whilst the other finalists were great Mat showed a maturity that was unique and while others mention the 'tradition' of the music and uniqueness in Eamon there were a lot of '60s Miles influences happening there too.
I'm not taking anything away from the other two I thought they were great and I really loved their playing, but I didn't think either of them were 'the best' in my humble opinion.
Jazz is what it is because some like Zorn, some like Bird, some like Kurt Elling, and others hate them all and consider themselves Jazz afficienados.
What is right or wrong?
To me transparency and a judging criteria are the only fair way to judge a 'competition' as Jazz moves further away from its original tradition.
Yay Adrian! Some sanity. I guess one approach is to buy Mike a drink and bail him up until he spills the beans on the great Jazz Award Conspiracy.
Generic???? Are you KIDDING me. Maybe listen to the recording again. Mat has such an original voice it's RIDICULOUS. Who does Mat sound like to you? Just because he can play all over the instrument doesn't mean he's generic.
Oops! Nearly forgot re my Serge Chaloff comments.
Thanks too for those knockout video clips!
I always know you wonderful jazz lovers at ABC Jazz can be depended upon. Thankyou once more.
Serge Chaloff is somebody we should all listen to more often. His warm, full-bodied tone caresses the ears whilst lovingly embracing the music.
"Blue Serge", is certainly a wonderful album through which listeners can know Serge better. My favourite tracks incude "Stairway To The Stars", "A Handful Of Stars", How About You?" and "All The Things You Are". With such renowned greats accompanying him - Sonny Clark, Leroy Vinegar and Philly Joe Jones - nothing more need be said. Sure, like just about everbody, I love "Jeru", yet I believe Serge had a bigger, fatter, more expansive sound.
I'll hazard a guess that Eamon won because he has a more developed 'personal' voice. He is an utterly recognisable trumpeter with his own sound and approach to improvisation. Matt is a spectacular player but sounds more generic. The judges are entirely correct in ordering their priorities in this manner... it is actually the tradition. That's why Thelonius Monk is accepted as a more important pianist than Oscar Peterson even though Oscar Peterson could 'bring the house down' in a way that Monk never could. Jazz is an ARTFORM not a craft or a sport (even though aspects of craft and physical prowess do play a part).
Eamon is one of my favourite trumpeters (I am a professional trumpeter myself) he can actually surprise - so, so rare. That's not to take anything away from Matt who is one of the most extraordinary trumpeters we have produced but this award is not a 'brass' award or a 'trumpet' award it's the National JAZZ Award people...
fabulous - mark murphy is one of the absolute best!
Excellent jazz, and truly entertaining music - when are you coming to Norway?
On behalf of the Wangaratta Jazz festival, I feel the need to make a few points.
* The three judges are very experienced and respected musicians, who took the task of assessing the recorded entries, and the performances at Wangaratta, very seriously. I have the utmost faith in their integrity, and have no doubt that they gave their honest opinion on the performances presented to them.
* The judges listened to every performance in the semi-finals and the finals. I would be surprised if some of their (mainly anonymous) critics could say the same.
* I would be very surprised if any other similar competition would ask the judges to publish the reasoning for their decisions (as suggested here), and enter into a public debate. I have no intention of doing so. I suspect that such an exercise would be fruitless. The judges' decision is final. Having said that, the judges are happy to provide feedback to any of the contestants who might contact them directly.
* People can debate the merits/strengths of the respective musicians who were in the finals. That's fine, everyone is entitled to an opinion. [Someone raised the example of Oscar Peterson/Thelonious Monk ; it's a good point..for what it's worth, I think Peterson had a far more commanding technique, but personally I'd be more swayed by Monk's originality and wit. If others disagree, I can't say they're right or wrong, just that they have a different opinion]. It does surprise me when people are so confident in their own knowledge/opinion that they can declare not just that they disagree with the judges, but that the judges 'clearly' got it 'wrong'.
* I hope that this debate doesn't detract from the achievements of Eamon, and Mat, and Nick, in making the finals in what was a very strong field, and all playing some superb music throughout the course of the weekend.
To preface I am a big fan of the playing of the judges.Friday night's performance by Mike Nock New Quintet featuring Phil Slater was a highlight of the festival and I've enjoyed James Greening's playing in a variety of settings. I've listened to and played jazz for over 40 years and heard live the playing of trumpeters including Louis Armstrong, Dizzy Gillespie, Woody Shaw, Freddie Hubbard and Wynton Marsalis.
Maybe because where I was sitting - at the back and up top - the impact of Mat Jodrell's playing was immediate. The last of the three finalists to play, his sound seemed to fill the room in an acoustic sense especially when he moved back from the mike. The quality of his tone was profound and reminded me of a 1988 sound check by Marsalis in the Perth Concert Hall.
Of the three finalists Mat apparently was the only one to play the same three pieces. His control of dynamics and the nuances in the quality of his tone in Flamenco Sketches were superb and no doubt he used similar devices both in the semi and final but the overall impact on this ballad was both times sensational. Should he have played a different blues in the final? Straight No Chaser in the final possessed an interaction with the trio especially Ben Vanderwal that provided some of the highest quality playing of the weekend and he surely did not play the same solo as the semi. His ability to maintain control of the rhythm with Ben's propensity to utilise complex poly-rhythms was first rate.
Mat's original with a McCoy Tyner-style ostinato that Sam Keevers nailed superbly provided Mat the opportunity to again display technical facility and accuracy; a knowledge of contemporary musical form; and the highest notes of the final.
I have used the 10 point criteria above to analyse Mat Jodrell's performance. In the interests of accountability I would suggest that the judges make public their analysis of the three finalists that an overall jazz-educated audience may better understand the way this artform is perceived by its most talented practitioners.
May I begin by saying that I have no connection to any of the players in the final nor do I mean any disrespect to any of them - reaching the final and being able to play under that sort of pressure is a great achievement. However, as a regular attendee of the festival and a regular patron of the competitions I feel I need to comment on this year's decision. It seemed to me and all of my companions (all long time jazz fans and students of the genre) that the failure to award the final to Matt Jodrell was no less than astounding. Surely all patrons of the competition (and purchasers of tickets to the festival) deserve some feedback from the judges ,in all the competitions, to enlighten us as to the reasons behind the decision. Perhaps then we would not feel so amazed at what appeared to be a travesty. Otherwise we may feel that we are being treated, as one prominent critic labelled us in a review of last year's proceedings, "just a festival crowd".
Matthew Jodrell has actually been studying at the Juilliard School and we will be hearing a lot more from him too, despite the fact he was placed second.
I Love You _ that's the Song of Songs RIP dad/gedushka Sergei your loving daughter Tatiana http://itunes.apple.com/au/album/serge-ermoll-quintet/id259040593
The judges need to explain where they were coming from with this decision! Good luck to them.
To those who say "that's only your opinion" I say that when someone like Matt is that far ahead of the rest and is not rewarded the result lacks integrity. To those who say "it doesn't matter who wins" I say well don't have a competition then, just have the best ten players of the instrument presenting their material. To those who say "well its on again next year" I say that after 4 years of watching these curious decisions I'm boycotting the Awards until there's much more transparency of judging.
An embarrassing decision. Jodrell showed incredible maturity and was clearly on another level to his competitors.
Whilst all the competitors were fantastic, this decision really is astounding. Matt Jodrell was clearly the best in terms of musicianship, ensemble interaction and virtuosity. Conspiracy theories aside, it is unthinkable that matt could not have won it as he was clearly the best brass player in the final. I was in the audience and it seemed unanimous that Matt was the best finalist. I can only reiterate what was said previously in that the 'fact matt did not win is an embarrassment and has done nothing for the reputation of the competition"
By the way, Nick sounded pretty damn good too!
There were many fabulous musicians in the competition and really getting into the top ten is brilliant so stop complaining that Matt didn't win, or I'll start complaining that my favourite didn't win.
No disrespect to all of the 10 players in the competition! It shouldn't really matter if he played the same tunes though - he was completely pushing the boundaries in all aspects of his playing - I hardly think he was playing it safe. Ultimately all three players played well - but Matt was on another level completely and I find it hard to believe people couldn't hear that.
No disrespect to Mat, who soudned great (as always)......but the people complaining he should have won may not realise he played the same set in the final as he did in the semi-final......maybe the judges decided he sounded great, but was taking a very safe approach?
Here's a question for you then: if Thelonius Monk and Oscar Peterson were in the comp who would you think should win?
Every year - nobody gets it! It doesn't matter who wins, half the people will say that's ridiculous, how could they have possibly given it to Mr X?? There will never ever ever be total consensus. As for prejudice against a certain city or state - gimme a break. Go watch some 9/11 conspiracy films.
The great Bernie McGann is indeed an Australian cultural icon.
This is another superbly innovative album from a true master and a worthy addition to any serious collection.
Being a double CD, it represents wonderful value too. Buy it! - satisfaction guaranteed.
Congratulation to Eamon however I believe strongly that the wrong decision was made here. Matthew was not only incredibly original, but showed his technical mastery of the horn and his ridiculously strong musicality.
Matthew Jodrell was clearly on a completely different level both musically and technically as a trumpet player. The fact that he did not win is such an embarrassment and has done nothing for the reputation of the competition. It was an obvious choice.
Decisions in competitions are rarely so easy. How the judges got this wrong is so hard to understand. If decisions like this continue to be made, the reputation of the competition will suffer.
Hey all, here we have the problem with competition in music! They all played wonderfully, but so different. Nicks chops were also incredible in his first tune, wailing up to double G's. Mathew was fiery as always, he is amazing. Eamon played the ballad so beautifully that I thought he was in another class there. It's not all about range, volume etc.
about time someone from melbourne won it, how long has it been... 12 years?? (not including magnussen's half victory in 1998)
They picked the guy who was more original, less idiomatic perhaps. Jodrell's set was incredible and he is an astonishing trumpeter but Eamon's got something else going on. I remember years ago when Will Guthrie was judged winner over Danny Fischer and lots of people were kind of surprised but it seems to me that decision has been well vindicated with Will going on to develop in all sorts of directions and really influence a lot of other musicians.
The last guy (Matthew Jodrell) absolutely killed it and gave the rest a lesson in how to play (especially with a band). Maturity was second to none.
Also he wasn't out of tune for the whole set.
Can't quite fathom this decision but congratulations to Eamon. He sounded good.
This is the most unbelievable decision - clearly Matt Jodrell was in a completely different league of musicianship, technique and maturity
For the award winner I'd like to offer a special invitation to perform at the first Sydney International Jazz Festival (SIJF), which will take place in August 2011.
Good luck to all award finalists!
Warm regards,
@PatrickDriessen
SIJF Director
Please, I listen for the Jazz, not the country. No more country please.
as a kid in 70's I was a member of the Breen Machine (Janice Breen School of Dance) and was lucky enough to have had the opportunity to meet members of the Daly Wilson Big Band and Kerry also. This has brought back some great memories of my childhood... :)
i play this chart in a youth jazz orchestra. i am 13 years old and this is the most amazing jazz chart i have ever read or heard. florian ross is a compositional genius!
This is such fantastic news - one of my favourite jazz artists at one of my favourite Festivals! Good work guys
Thankyou, thankyou, thankyou to all the ABC Jazz team for these superb Dizzy Gillespie videos. You've made my morning; brought a tear to the eye!
Words don't come easily when attempting to describe the exquisite beauty of Diz playing 'Tin Tin Deo'.
I adore jazz and good ol' Aunty ABC. ( If any ill-informed right-wing politicians ever rubbish the ABC I'll just about declare war on them.)
With respect and gratitude,
Christopher Lynch.
I can say that ABC Jazz and The various iterations of the Planet both now in digital form are a soul saver, I could not dream of going anywhere in the world without access to them.Thanks ABC.
Beautiful,sensuous
Great stuff! This is getting in the mood for the annual piligrimage. Fifth year in a row - does that make me a veteran yet?
What, no track called "Toxic". Bummer :)
Kurt Elling Australian tour
Schedule
Sydney Friday 22 Media Day
Brisbane Jazz Festival 23 October 2010
Ellington Jazz Club Perth 26 - 28 October 2010
Wangaratta Jazz Festival 30 - 31 October 2010
Sydney Opera House 2 November 2010, 8.30pm, Concert Hall.
I had the pleasure of seeing the Shannon Barnett Quartet last night (Sat 2nd Oct) in Ballina (not listed in the itinerary). The friends with whom I watched this show were as impressed as I was. To say that all the musicians were comfortable with their instruments would be to understate their vituosity. The complete control with which they played allowed each musician/instrument to have a spellbinding conversation with each other and with the audience.
Shannon Barnett's precision and breathing were notable, as was the tone elicited from her instrument: sad and wistful in "Pesos"; soaring and uplifting in their beautiful arrangement of Crowded House's, "Four Seasons In One Day". Nashua Lee's guitar work was superb. The lightning finger work on the fretboard even brought a smile and shake of the head from bassist, Christopher Hale... nuff said! Hale himself was assured, providing a stable base from which others were able to provide improvisation, and very capably taking control in his own spotlight moments. Behind this was the rhythmic simplicity of drummer, Ben Hendry. His consistent and persistent rhythms had our table bopping, hypnotised by the train-ride he was providing.
My only gripe is that the Crowded House arrangement is not on the CD... I'd love to see it included on a live album :)
We had a brilliant night... I couldn't recommend this quartet highly enough. Just go see them yourself.
They forget to list Don Stewart in the finalists list! There are only 9 names listed above...go Don!
more more more (and then some) of Dan Barnett and Peter Locke .......... please
It was a great interview, but I turned on in the middle of it and was not sure who was being interviewed. I enjoy Mike Nock's music very much. More piano jazz and quartets would be good for the programme.
Lazy Afternoon is a great CD.
listening this music is wonderful!
I propose to provide this music in all offices, it could increase the efficency...... :-))
I will follow your web site closer
From Italy, let me say a big CIAO to all of you.
Wow I loved this song so much I tried to download it on i tunes. Its not coming up on the album tho? How can I hear this song its not on the internet anywhere!!
This is an incredible album. Each member of the trio brings something fresh and interesting to the table, resulting in a highly enjoyable listen. This will be on high rotation at my house.
Enjoyed listening to the conversation and the track samples... Great work ABC
Wish I'd made this date back then, I've listened to this session four or five times now , and delighted with the playing and the musicians. Wish it could all be again...
This is an excellent cd from a brilliant young trio. All the best to them
What a wonderful sound, a great listen
Brilliant album - I love how seamlessly his songs sample and combine different musical influences . On high rotation.
Relaxed at home on Sunday afternoon and thoroughly enjoyed listening to this great concert through my stereo system recorded in February 2001.
A great line-up of musicians and great vocals by Nichaud and Shelley.
I have always been a Gerry mulligan fan and one of my all time jazz classics is the Chet Baker/Gerry Mulligan live recording of My Funny Valentime at Carnegie Hall in the 1950's.
It would be fantastic if Gianni and Friends performed this concert again in Melbourne almost ten years later. It would be an extremely popular concert and I for one would not miss it!
Thanks for the great music Casey!
wicked sick album, totally kickin'.
Good on you mate, it's a top cd and should be the feature album every week!
absolutely fantastic. A really great listen
Saw Grace at Ipswich with Normie Rowe, Joe Camelleri and Frankie Holden. In a word, brilliant.
Hey...looks like a very enjoyable play list and I won't be able to hear you, but I hope you tell Eve to listen...she just got back to Oz today. If it becomes a CD please let me know...
and meanwhile have a great broadcast performance!! Yea for you!
Love
The old Auntie
Sounds great and look forward to seeing you live again!
nice work
Oh wow - I didn't know this recording existed! This was such a great night. Will's playing and musical presence in Melbourne is missed - so nice to hear him at the Fender Rhodes too. Thanks for let us relive this night!
Well, I managed to miss Smokin' at the Half Noten with Wyn Kelly and Wes Montgomery. Is it on CD and, if so, can you supply details? Your avid listener - Andrew Burke
Wow - first time I've ever felt compelled to look up who the artist was. That was simply amazing!!!
james sherlock surely must be close now to the smoothest tastiest jazz guitarist in australia
thanks james for your notes
The local contingent is worth the price of admmission alone. Kurt and the rest of the blow ins are just icing on the cake.
Go Kurt - I'm coming to Wangaratta!
Does the ABC provide anything that is stylistically pre Parker/Gillespie/Davis?
Fabulous! 50 years on, still going strong... A Giant indeed!
great! keep playing all this wonderful jazz.
Well done ABC for remembering NAIDOC Week, and a Jazz connection. Our Indigenous folk can do anything, given half a chance.
Listeners might also like the new album Revolutions featuring keyboardist/composer Jim Beard with Vince Mendoza and the Metropole Orkest.
Exquisite and interesting, from start to finish
The entire soundtrack to the Oscar-winning film "Good Night and Good Luck" is terrific - the film itself is a wonderful tribute to Edward R Murrow and a bygone era of journalism as well as popular music.
What a fabulous cover.
Someone PLEASE change the track here, this is not doing jacam or this piece justice. Who's is that alto player? It's obviously NOT jake as he's conducting
Wow, what a concert, for those of us who were there!
Between the talent of these guys & the acoustics of the recital centre it was a very special night.
Good on you abc jazz for making this available!
Regards
Saw this concert live. So good to be able to hear it again and share it with friends! Thanks for this ABC JAZZ!
got a kinda "Nick Drake" feel ...
recommend this
How do I buy this recording?
Glad you enjoyed the experience, thanks for your thoughtful writings. Looking forward to Stonnington Jazz 2011!
Its 2.28pm and I am listening to radio -ABC jazz on tv. I am just blown away by the announcer. She is intelligent listening. At first,having grown accustomed to listening to the "noise" and drama on commercial radio stations, thought she was over the hill and too boring - how wrong I was! She is incredible: clued up with the music,talented and intelligent- I am now sold to listening to the quality of her comments. Simply WOW!
Great music and lovely conversation.
I would like to hear more by John McLaughlin, Chick Corea, Stanley Clark, John Coltrane if not too much to ask. John McLaughlin is doing so much in innovations and would be lovely if your station could keep abreast of such progress in musical evolution.
Take Care
Love your contribution.
Mwaah!
Superb. One of my favourite late 20th century recordings. Thanks for this intimate experience.
I saw Ray Vega do a version of this with students from Elder Conservatorium a couple of years ago - they did a sterling job of fleshing out the unusual patterns and textures.
The city of Stonnington comes alive this May as it celebrates it's 5th year of the Stonnington Jazz Festival. With ten alluring days of sultry jazz performances by some of the most experienced in the business, and some up and coming fresh jives in between, this year's festival is promising to be an exciting and diverse musical indulgence for all. Whether you are an avid jazz listener, or just simply looking for a night of great live music, you will surely not be disappointed with the spectacular line-up in store.
From the cosy and intimate Red Bennies and Greek Deli Bar, to the Grand Ormond and Malvern Town Hall, there is a gig to suit all tastes in this cosmopolitan mecca of Melbourne. So just sit back, relax and be immersed by the sensual musical poetry that only Australian Jazz can bring to the senses!
Stonnington gets groovy
For 5 years the Stonnington Jazz Festival has lit up the city with world class talent. For a few days in late May soak yourself in sounds and styles, cool and smooth, hot and hard, soft and sexy.
Hear what’s happening, be it Joe Chindamo,’s fingers dancing ebony and ivory soundscapes from the Cohen Brothers films, Bernie McGann shoehorning rocking riffs from his altosax, Bob Sedergreen getting down with his septet and hooking up some vocal magic, James Morrisson doing his thang, the Pearly Shells Swing Orchestra sashaying big band swing, The Shuffle Club blending the blues and so much more, Ten Part Invention making things happen, Stonnington City Brass blowing you a touch of old dixie with a sweet taste of vocalist Beverley Sheehan, Alan Browne dealing out the beat, Vince Jones and friends, plus hot young artists Sam Anning, Raj Jayaweera and burgeoning jazz singers Nichaud Fitzgibbon and Sarah McKenzie and more besides.
So listen up May 20 to 30 at Ormond Hall, Malvern Town Hall, Chapel on Chapel, Red Bennies, Prahran Market, and The Greek Deli. There’s cool jazz, blowing your way…
Are the following tunes in the public domain: Swing 42, Swing Gitan, Minor Swing, Minor Blues, Djangology,
Latcho Drom, Swing 39
I listen to Dig Jazz on digital radio for hours , i am in love , more please
The normally suburban Stonnington will swing to the riffs of jazz musicians from around the world this April.
If you roam Chapel St after dark, you might be drawn by the sublime trumpet melodies of James Morrison, or the groovy tinkering of pianist Joe Chindamo.
Stepping into the venue, Allan Browne's smooth drum beats make your feet dance. And the music cuts through the rest of your week, drowning out life's little details, leaving the pure joy of jazz.
The majestic Malvern Town Hall is just the place to see the rise of young musicians like Julien Wilson and Sam Anning bringing an untainted and raw perspective on the old favourites.
Fingers will click, hips will swing, and tongues will wag, and as the night nears an end, you are already thinking of the next day's show.
Anonymous,
You asked about increasing the quality of the signal on Digital TV. Sorry that's out of our hands. The ABC has a finite amount of Digital TV bandwidth and that's what they can spare for ABC Jazz. We are thankful they could squeeze us in.
Stuart Matchett
Content Director
ABC Jazz
Some of the tracks on this cd nearly came out about 15 years ago. The wait has been worthwhile. Since then, Warwick's style has only improved. The sensitivity of the cryptically titled p.449 is juxtaposed with the pyrotechnics of Chromania. This is a great album and demonstrates that Warwick is not just a brilliant trumpet player, but is also a composer of great merit. The ABC should give it maximum exposure!
The City of Stonnington has for the fifth year assembled a line-up of brilliant 100% Australian jazz for Stonnington Jazz 2010 Festival..
Hot on the heels of the Melbourne International Jazz Festival this festival continues to showcase premier Australian jazz musicians including James Morrison, Vince Jones, Joe Chindamo, Allan Browne, Ted Vining, Bernie McGann, Tony Gould, Graeme Lyall, David Jones, the Sedergreens and the Fitzgibbons.
The festival also showcases younger brilliant jazz talents including Julien Wilson, Sam Anning, Raj Jayaweera, Sarah McKenzie, Phil Stack, Zac Hurren and Mick Meagher.
The festival offers a superb variety of jazz for all jazz lovers at superb venues including the big concert style ambience of the Malvern Town Hall and the more initimate jazz club style ambience of Chapel off Chapel.
Awesome groove. I had to look it up when I heard it. Might have to go searching for the album too.
What a brilliant session with two fabulous artists who were so interesting to listen to. Great great playing from both of them.
Please can you restore the ABC Jazz sound quality on channel 201 so we regional listeners can continue to enjoy the high quality broadcast that you used to have.
Please Auntie - can you make Jazztrack available as a podcast so that I can listen on my ipod?
So Glad to see you're playing Herbie Nichols. And thanks for throwing our CD, Strange City in there too!
are you referring to abc jazz in general or the mal stanley program?the only jazz on the abc that i listen to is gerry kosters definitive "jazz up late" which i check out either live on friday night ( too late) or more often, on line
Loved all of it, looking out for the CD's but nothing like live music.
I'm listning now to the Dick Hughes interview with Andew Ford I'll always listen to Dick Hughes when I can find him on air.I like his styly of presentation & music.
How pretty! So nice to hear some uplifting music for a change - great work guys!
stunning voice!
nice tune!
love it
What a stunner!
This CD, once again, showcases the excellent talents of this fine group. With James behind the group, wearing his many musical hats, it's sheer musical bliss. A good rhythmical mix of styles and band combinations. Would love to see some liner notes.
Mike's contribution to Australian jazz is enormous!
Can't wait for his book.
– only a matter of time. I heartily agree with the above mentioned 'Roy'.
This is a beautifully mastered album. JR has really captivated my spirit with his artistic and creative abilities. The final track 'Chiba' especially...the melodies brought me into this state of peaceful contentment...10/10!
Well spoken brother James. Regards, W
It's about time Bob Barnard was recognized for the great musician he is.
He deserves an award.
I Guess I'll Hang My Tears Out To Dry. Pure genius
Hi there
missed the interview with Johnny McLaughlin - can I download it anywhere? - my Dad used to play his "JM - Guitart Player" album quite a lot when I was growing up - it had photos of JM as a boy on the cover....
DS
this one is so beautiful
Warwick has more heart and soul in his performances, coupled with a depth of Jazz knowledge that only comes from doing the "Hard Yards".
Along with Phil Slater, they are prominently the best examples of Australian exponents of Jazz in the most pure of explored and unexplored territory on the Jazz Trumpet.
There is precious little left for a true lover Jazz that Warwick cannot deliver.
Regards
AA
One of my favourite players but I have not heard him for a long time. Go Larry!
Was just flicking through tv channels..came onto the jazz radio..this cool Latin tunes playin. Hmm this is sweet, wonder who it is..oh it's my uni small ensemble lecturer! Funky as Ferg!!!
Meow Meow.
Love the Nock!!! nice work all round.
Hi there
this looks like a photo of John Abercrombie...
I was lucky enough to seem him play with colleagues late last year @ the Blue Note in Manhattan. Fantastic performance by all.
I love how JA can play across multiple genres with ease and continue to explore the emotionality of the music.
cheers
Daniel in Darwin
I attended the Adelaide concert. Shorter displayed what he is more recently known for, namely economy of notes and the encouragement of melodic passages. The first number, lasting a whopping 70 minutes, took the audience on a veritable journey, lingering at various points of interest to explore the terrain. The episodic nature of the improvisation saw the group get excited about an interesting rhythm, and hang around to explore it fully, before meandering off to the next point of excitement, perhaps an interesting melody, harmony, sound, or 'conversation'. In one memorable episode, the bass player employed a bow in classical music style to explore a soulful, evocative melody, that was sensitively accompanied by piano. Shorter led the group to the softest of whispers, exploring tender, husky tones, with his companions employing their instruments in different ways to match his mood. Outbursts from the drums caused an interplay of comments from bass and piano, with Shorter tempting and teasing with rapid single note comments. The musicians are clearly masters of their instruments, and revelling in improvisation of melody, harmony, rhythm, sound and alternative use of their instruments. The group received a tumultuous standing ovation from the Adelaide audience.
one of my australian musical heroes ... especially 6X3 and wizards of oz .. why not do a feature on those important Australian jazz albums !!!
true australian originals !
What a delight this website is . Made the snow in New York look like Bondi beach for me . Great to see the master play the piano with such fine support from mark . My hope is that this great website can be expanded to include some historical Australian jazz footage which is sorely missed on the web .
cheers Sean Wayland
next week, a-reserve seats. cannot wait.
This was a really interesting revisit to the Sting classic.
Long time ago I was pleased to see and hear Wayne Shorter playing together with Joe Zavinul,Jacko Pastorius & co.under name of Weather Report.It was 1983,just a few days before I left Europe to live forever in Australia.Weather Report was and is in my heart forever (like "Return to Forever").
kurt is a genius
check out this clip
http://www.youtube.com/watch?v=zEhIEbheMqo&feature=youtube_gdata
tasty :)
Hey Steve.
Great sounds! I love hearing Dave Beck with you in this setting. This gig seems to bring out the best of your contemporary jazz writing.
Regards to All.
Jazzrad
ohhhhhhh what a voice!
ill love you melody! :)
nothing warms the heart live a gorgeous voice!!
nice!...very nice!
What a classic version!
For those equivocating on whether or not to M,M&W at The Famous Spiegel Tent tomorrow: Yes! Yes! Yes! They played The Sydney Recital Hall last night, and I was privileged enough to be there. Sell your grandmother if you have to, for under no circumstances can permit yourself to miss this trio!
Awesome!! Yeah!
i would love to see john madeski,billy martin @ cris wood , since i love jazz and i havent had the change to or the privilege to see them . alex
I have never EVER heard such an imaginative take on an angst classic - bring it on!
Absolutely sublime playing from two of Australia's finest Jazz musicians. Thankyou Judy and Todd!
plane ticket, accomodation, and concert ticket , booked already
can't wait
wow!!
More of this please. Great stuff from Mark Lau!
A great albumn from a new young guitar talent, a little too much piano, can't wait for the next release.
The Bright Mississippi is dare I say it for the genre- sexy!!!!!
I just found the site after listening to Andrew Ford's wrapup for the year with the Charlie Haden Interview. What a great human being as well as an amazing performer. Would this recording be available on ABC Records at any time? I note the license expiry date above on the 2nd!
Great site and congratulations on keeping the spirit of Music to Midnight alive in so many fantastic forms. Again what would we do without our ABC!
Cheers,
Lyndsay
He is the Grandson of Mario Manricks, my father. I am his second son & Jacam is my youngest son. Mario was born in Portugese Goa and died in Ceylon in 1966 at age 49. No I dont believe he was ever in Australia.
Having had the pleasure of seeing Five Peace Band Live in March 2009 at Hamer Hall, it was with much happiness and relief that this album was made. The concert was simply out of this world (Andromeda perhaps?). Fancy being transfixed by two 'old' legends - Chick Corea & John McLaughlin - for three hours. These guys have a combined age of about 150 years, but with an energy level to put the rest of us to shame. The other members of the band (Christian McBride, Kenny Garrett and Vinnie Colaiuta - Brian Blade substituted for Colaiuta for the Australian leg of the tour and is not on the disk - pitty as I think he was the better player) were no less impressive, as the recording does attest. I do recommend this as a cornerstone of any jazz fusion collection. Best of luck with your nomination guys!
WOAH. That Best Jazz Instrumental Album, Individual or Group category is amaaaaazing!.
I agree with Aztex (24-Nov-09), the sound of DIG Jazz is now dreadful, and living in regional SA means we have no other alternative than to listen to mono or streamed garbage. I have written to the minister in the (unlikely) hope that something can be done to restore this once magnificent service. From the thousands of comments regarding DAB+ quality (in metro areas only) the sound of ABC's digital broadcasts are inferior to FM, so that is hardly an alternative either (if I could receive it). Dark days indeed for Jazz lovers!
The 8 musicians used for the chamber orchestra tracks where layered on top of one-another.
So the resulting sound is actually a Jazz Quintet with a 40 piece chamber chamber group.
Here's a new review of the album:
http://www.allaboutjazz.com/php/article.php?id=34829
we thought of that over 15 years ago....the idea keeps floating around...
Where can i buy cd called The Sea
that's a nice idea. all power to him
Hi Andgar. It's working for me (I listened three times!). What's your internet connection? Mebbe you've got a slow connection?
Any reason I'm only getting 7 seconds of this? Missed it at the time and would love to check it out!
Aztex,
Thanks for the feedback. We understand your disappointment at the reduction in bandwidth for ABC Jazz (we are not overjoyed ourselves). The reduction is from 192kb stereo to 92kb mono.
The broadcast of two standard definition digital television channels, ABC1 and ABC2 - soon to be three, with the launch the childrens' channel ABC3 in December - as well as a high definition channel puts the ABC digital television spectrum under quite some pressure.
As you can imagine, allocation of bandwidth for Terrestrial Digital Television is hardly an ad hoc undertaking and the ABC, like all other operators, must work within their allocation
Retention of the original streaming rates would, I'm afraid, be dependent on the provision of more digital television spectrum to the ABC.
They are all magnificent sax players. Lets not split hairs about who played better.They are all extraordinary- but in very different ways. The one thing they all have in common is that they were all taught by my brother, the late, great Tony Hobbs. I think they all did their teacher proud- the only tragedy is that he wasn't here to see it. Love you all Zac, Phil and Jacam. My brothers legacy lives on in you.XXX
That was good to hear, although I didn't really appreciate the second piece (film soundtrack?).
excellent news!
Agree with Judy, just fabulous and looks great on u tube
Well done Andrew (and to all of the fnalists).
Phil Noy clearly did play wonderfully well and deserved to be a place getter in the competition. I know Phil, he is a delightful young man with loads of talent. However, on the day of the competition Zac Hurren played better. This is my belief, and also the belief of two thirds of the judges. Well done by all participants.
Wow - hearing this on the radio literally stopped me in my tracks. A truly beautiful and original song with killer understated production. Can't wait to hear the rest of the album. Big up to ABC & TIna - thank you!
Dear Aztec
You seem to have a beef about many things, as well as no judgement about music.
Mr Elling is a genius, pity you don't get it (and I've been playing and listening to music for 45 years).
His live performances are amazing. I've seen him 3 times, twice last April when he played with the SSO (who were inspired by the man). His live performances are picture perfect - you should go to one when he's back - if you can open your mind and ears.
Clearly a lot of folk around the world have been "fooled" by Kurt, read his Wikipedia entry.
Happy listening!!!!
SUBLIME.............................
Phil Noy clearly played much better than Zac Hurren. What's the deal Mike, Julien and Jamie?
Qute a few of us presetn at the comp felt Phil Noy should have won, Zac is powerful and gave great performances but we think Phil should have been number one.
Always a pleasure to hear Mike's fretwork .
Can't go wrong with John Schofield , oh yea !
Wang Jazz Festival.- Looking for Accomodation? - Due to late cancellation. Accomodation available Narah Cottage King Valley 0428 526 750
thnks Jo Ludeman
should that be whetted? regardless, mine too
Lovely! My appetite is well and truly wetted
We had the honour to see this great musician in concert last night in Perth. We were blown away by his talent and energy. (hope I am that fit at that age) A truly masterful performance. The crowd did not want to let him leave. Left us both with a huge smile on our faces. If you ever get the chance to see him live DO NOT miss it.
totally agree with you Paul - i was shaking it!
I had the pleasure of watching Hugh Masekela's live performance at Hamer Hall, the Arts Centre in Melbourne last night. Hugh did not disappoint, but I only wish the audience stood up and danced a bit more! Perhaps it was the venue, but nonetheless it was a moment so rewarding, to see this musical genius and legend grace our city. Despite his age, which I believe is 70 somthing, he moves like a 20 year old, full of energy. He is a joy to watch and I feel more fulfilled that I had an opportunity to see him perform live. His music is moving and so very poignant but also so charged with rhythem that you can't help but move along. I may not get a chance to see him again and was glad I went along. Not only is he a brilliant performer, but also a true gentleman. After a long performance, he took the time and stood and greeted each and every one of his fans who lined up to meet him for photo and autograph. A true legend! Thank you Hugh Masekela.
Chris Abrahams is an inspiration to me More Necks please!
bird is my IDEAL evening soundtrack
Got my tickets. Booked a roof over my head. Counting down the days...
Is he the son of Mario Manriks who was also a well known musician?
This is NOT Hugh Masakela's debut in Australia- he toured in 2004 and performed in Ballarat for the 150 year celebration of the Eureka Stockade.
as for the picture debate
I took this picture of Masekela in December 2004 in Ballarat during his performance
http://cid-48116326a71753d9.skydrive.live.com/self.aspx/.res/48116326A71753D9!119/48116326A71753D9!122#resId/48116326A71753D9!120
Having played Take 5 so many times, this is very special and something I will bookmark.
This is a perfect example of how easy composing music can be.
Dave is an inspiration to all and "his music will live forever".
Loved it!
He's no Johhny Hartman
Not enough "O"s in SMOOTH for this track guitar licks are superb.
An adorable version of "Parchmen Farm", rockin!
for me is a special album - all tracks are didascalic for music, tempo 5/4 signed 1960 for many musicians.
so cool!
michael franks is my favorite as with nat cole/ sinatra
Hi,
FYI ... he has played in Australia before, as I was lucky enough to see him play as part of the Eureka 150 celebrations in Ballarat in late 2005.
He was quite simply, amazing. The ticket prices are a fair bit steeper in 2009!
Watching and listening to both musicians perform from so many miles away, and yet with such intimacy - would be a joy even if the performers were total strangers to me. But to see my old coutryman, school-acquaintance and fellow-musician Mark Ginsburg perform with such grace and assurance is a delight beyond words. To have come from a background very similar to Mark's makes his compositions ans style all the more evocative.
The weather is great in Bellingen this time of year and looks terrific for the whole of the Festival weekend. It will be 23 deg on Saturday and Sunday so take your sun screen with you. We have been hfor the last 4 Festivals and have had a fantastic time each year. Do yourself a favour and go this year if you can make it.
DR HARDY!
Will, I think you are living in the past. The world has changed.
a) Technology has made it possible for all people including young and budding musicians to be exposed to all sorts of musical influences and experiences. The borders are dissolving.
b) Jazz is a vehicle rather than a genre. In fact it is too broad to be expressed as a genre. What is important about jazz is that It enables musicians to express themselves in new ways and step outside the bounds of what might be normal.
c) You cannot separate identity from artistic expression. Australian musicians are Australian (or some combination of Australian and whatever heritage they came from). There is nothing wrong with exposing Australian jazz and Australian musicians to an Australian audience. The Australian talent pool is quite amazing. It is also underexposed.
d) As it stands today, no-one owns jazz anymore. Many cultures have contributed to what we call jazz.
I do agree with you regarding moderation but I see no issue with a leaning towards our own talent pool. I happen to be in New York at the moment. There is a lot of new vibrant and very exiciting music (read jazz) developing here that needs to be included. Oddly enough, even this new material is not getting sufficient exposure in the US market because of the other forces at play.
Hi - This is a great interview of a great player - thanks for taking the time!
@Matt: most likely it's Gary Valente
Great interview. Thanks!
Great trombone playing, anyone know who it is?
just wonderful - Bill Evans will always be my favourite
hey nice interview james....really enjoyed listening to it- thanks man!!!
I have been a drummer for 35 years and I will never be able to come even close to being that good! on the drums and percussion. Wow!!!
I wouuld like to be kept informed of the upcoming Bellingen Jazz festival (no. 20) - accommodation etc.
Pamela Obermna
I look forward to the listening experience as far as technically possible in the centre of Australia.
Kristin's musicality is obviously amazing.. and what a tone! She sounds like a woman - not a little girl. Love it! .... definitely one of my favourite jazz singers x
Balls to Bones, that was fantastic guys! Romantic, in the gutter and intellectual. WOW
Stunning interplay between 2 masters of their instruments!
Excellent performance
I saw Paul play at last year York Jazz Festival in Western Australia. His music is the best amongst the rest. Thank you Paul Grabowsky. You are among the great of Derek Bailey, Ornette Coleman and Cecil Tailor.
I saw Herbie Hancock play at this year Perth Arts Festival in Western Australia with John McLaughlin and it's was fantastic. I hope he would tour back here with an orchestra and to play the music of Michael Jackson. It could be done because during the late seventies I saw Gil Evans plays the music of Jimi Hendrix in Singapore as part of the USIS cultural program.
This is one of the finest performances from Kristen Beradi I have seen recorded.Five stars!!
You can still hear the Melbourne Bill Frisell Trio concert on line ...at the Jazztrack
web page...abc.net.au/classic/jazztrack
Later this week the Joshua Redman trio concert at the Melbourne Int Jazz Festival
will be posted as well at the same link.
Just fabulous!
about the new dig jazz format:
have been listening to dig jazz since it started [it plays non stop through our sound system and then i glance at the laptop if i want to know what is playing.] it has been absolutely wonderful.
the music is still great and i can still look on line to see what is playing [very important] but
we do miss those cool announcements - the presenters that in a few words made you feel you were really at a jazz venue and really part of something new and exciting.
thanks A.B.C for helping to keep jazz alive in australia. e.
Looking forward to purchasing a digital radio and hearing ABC Jazz. However please don't go overboard with Australian content. Jazz does not have its roots here and should not be used in a nationalistic ideal for a new radio station based on this genre. We are a small country with jazz artists of international renown but using them simply in the pursuit of local content will be a turnoff to jazz lovers.